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| Acknowledgments | |
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| Introduction | |
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| There Was a Child Went Forth | |
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| My Father | |
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| Sestina | |
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| The Game | |
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| Dreamtigers | |
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| To My Dear Children | |
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| Boy Breaking Glass | |
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| Frost at Midnight | |
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| My Grandmother's Love Letters | |
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| Story for Margarita | |
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| Coastal | |
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| Little Brown Baby | |
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| Once by the Pacific | |
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| Time | |
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| At the Railway Station, Upway | |
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| The Self-Unseeing | |
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| Follower | |
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| Blackberry-Picking | |
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| Spring and Fall | |
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| Ode I.9 / To Thaliarchus | |
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| Dreams | |
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| A Flower Given to My Daughter | |
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| You Were Wearing | |
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| Venus's-flytraps | |
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| The Catch | |
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| The Piano | |
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| My Childhood-Home I See Again | |
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| Silence | |
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| August, Los Angeles, Lullaby | |
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| Adventures of Isabel | |
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| Autobiographia Literaria | |
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| Alicante Lullaby | |
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| The Lice Seekers | |
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| Child on Top of a Greenhouse | |
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| The Land of Counterpane | |
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| There Was a Child Went Forth | |
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| On the Beach at Night | |
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| The Turtle | |
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| Night Light | |
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| The Song of Wandering Aengus | |
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| Either Whom to Love or How | |
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| Just Walking Around | |
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| To My Mother | |
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| A Bouquet | |
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| The Shampoo | |
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| Go from me. Yet I feel that I shall stand (Sonnets from the Portuguese 6) | |
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| Now Winter Nights Englarge | |
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| The Bandaged Shoulder | |
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| Somewhere I have never travelled, gladly beyond | |
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| Wild Nights--Wild Nights! (249) | |
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| If you were coming in the Fall (511) | |
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| Song | |
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| Three sorts of serpents do resemble thee (Idea 30) | |
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| The Love I Gave You Once | |
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| To Earthward | |
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| Dust of Snow | |
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| A Broken Appointment | |
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| Misery and Splendor | |
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| Love (III) | |
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| To the Virgins, to Make Much of Time | |
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| Oh, when I was in love with you (A Shropshire Lad 28) | |
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| Life Is Fine | |
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| His Excuse for Loving | |
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| My Picture Left in Scotland | |
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| Love Song | |
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| Andrew Marvell (1621-1678) | |
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| The Definition of Love | |
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| Ballad | |
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| From the Journals of the Frog Prince | |
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| Tonight I Can Write | |
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| Steps | |
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| Love Letter | |
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| To Helen | |
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| "No, Thank You, John" | |
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| To Atthis | |
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| Let me not to the marriage of true minds (Sonnets 116) | |
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| My true love hath my heart and I have his | |
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| Love after Love | |
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| Natural History | |
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| I Saw in Louisiana a Live-Oak Growing | |
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| Still Life | |
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| The Act | |
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| He Wishes for the Cloths of Heaven | |
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| The Forgetful Kingdom of Death | |
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| Thoughts of Death | |
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| I have of sorwe so grete woon | |
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| The Watch | |
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| The Heart asks Pleasure--first--(536) | |
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| I heard a Fly buzz--when I died--(465) | |
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| Death, be not proud, though some have called thee (Holy Sonnets 10) | |
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| The Poet Goes about Her Business | |
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| You that seek what life is in death (Caelica 82) | |
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| Death | |
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| To Daffodils | |
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| To an Athlete Dying Young | |
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| The Death of the Ball Turret Gunner | |
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| A Contemplation upon Flowers | |
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| The Bolt | |
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| On Seeing a Hair of Lucretia Borgia | |
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| Janet Waking | |
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| Elegy for Jane | |
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| Fear no more the heat o' the sun | |
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| Question | |
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| And Death Shall Have No Dominion | |
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| The Death of a Toad | |
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| The Last Words of My English Grandmother | |
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| In Durance Soundly Caged | |
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| Mad Tom's Song | |
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| As I Walked Out One Evening | |
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| Nurse's Song (from Songs of Innocence) | |
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| Nurse's Song (from Songs of Experience) | |
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| The Grey Monk | |
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| First fight. Then fiddle. Ply the slipping string ... | |
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| Bitter Fruit of the Tree | |
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| Waiting for the Barbarians | |
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| Incident | |
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| After great pain, a formal feeling comes--(341) | |
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| Belinda's Petition | |
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| Nothing Gold Can Stay | |
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| The Red Poppy | |
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| Frederick Douglass | |
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| Binsey Poplars | |
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| 90 North | |
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| King of the River | |
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| 1910 | |
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| For the Union Dead | |
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| Not to Be Spattered by His Blood | |
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| Resume | |
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| Storm Warnings | |
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| Richard Cory | |
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| Her Kind | |
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| (1) Like This | |
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| (2) Like This | |
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| The Emperor of Ice-Cream | |
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| Reapers | |
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| By the road to the contagious hospital | |
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| Curled around These Images | |
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| Filling Station | |
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| Medusa | |
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| At last we killed the roaches | |
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| Pear Tree | |
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| An Ox Looks at Man | |
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| Plague of Dead Sharks | |
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| Preludes | |
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| Departmental | |
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| In back of the real | |
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| Yoko | |
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| Considering the Snail | |
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| The man pulling radishes | |
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| To Autumn | |
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| Let Evening Come | |
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| First Sight | |
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| In Houston | |
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| Bring Me the Sunflower | |
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| Those Various Scalpels | |
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| The Village of Reason | |
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| Archaic Torso of Apollo | |
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| Ozymandias | |
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| Spring | |
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| Augusto Jandolo: On Excavating an Etruscan Tomb | |
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| Five Dogs | |
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| The Force That through the Green Fuse Drives the Flower | |
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| The Yonder Tree | |
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| Aboard at a Ship's Helm | |
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| Alive with Many Separate Meanings | |
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| The Path to the White Moon | |
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| Dream Song 14 | |
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| To F-- | |
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| The Smile | |
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| To see a World in a Grain of Sand | |
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| "Do not be afraid of no" | |
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| Ithaka | |
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| Geometry | |
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| How We Heard the Name | |
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| Gascoigne's Lullaby | |
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| from Faust, Part 2 | |
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| Prayer | |
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| When all this All doth pass from age to age (Caelica 69) | |
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| The Seventh | |
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| On My Own | |
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| Years of Solitude | |
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| Pretty Blue Apron | |
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| A Field of Light | |
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| Quietness | |
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| Proverbs from Purgatory | |
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| Old Joke | |
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| The Pleasures of Merely Circulating | |
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| Of Mere Being | |
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| A Contribution to Statistics | |
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| from Gitanjali (35 & 39) | |
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| Personals | |
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| I Made My Song a Coat | |
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| from Requiem | |
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| Lament for the Makers | |
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| Ars Poetica | |
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| To John Keats, Poet, at Spring Time | |
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| We play at Paste--(320) | |
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| There is no Frigate like a Book (1263) | |
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| A word is dead (1212) | |
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| A Supermarket in California | |
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| Get It Again | |
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| Theme for English B | |
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| The Secret | |
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| What He Thought | |
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| Incantation | |
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| A Step Away from Them | |
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| Thirteen Ways of Looking at a Blackbird | |
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| Eating Poetry | |
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| Dream On | |
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| A Coat | |
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| Notes | |
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| Permissions | |
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| Index | |