Waste Land and Other Writings

ISBN-10: 0375759344
ISBN-13: 9780375759345
Edition: 2002
List price: $9.00 Buy it from $1.97
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Description: First published in 1922, The Waste Land was perhaps the most revolutionary poem of its time, offering a devastating vision of modern civilisation.

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Book details

List price: $9.00
Copyright year: 2002
Publisher: Random House Publishing Group
Publication date: 1/8/2002
Binding: Paperback
Pages: 272
Size: 5.00" wide x 8.00" long x 0.75" tall
Weight: 0.330
Language: English

First published in 1922, The Waste Land was perhaps the most revolutionary poem of its time, offering a devastating vision of modern civilisation.

T. S. Eliot is considered by many to be a literary genius and one of the most influential men of letters during the half-century after World War I. He was born on September 26, 1888, in St. Louis, Missouri. Eliot attended Harvard University, with time abroad pursuing graduate studies at the Sorbonne, Marburg, and Oxford. The outbreak of World War I prevented his return to the United States, and, persuaded by Ezra Pound to remain in England, he decided to settle there permanently. He published his influential early criticism, much of it written as occasional pieces for literary periodicals. He developed such doctrines as the "dissociation of sensibility" and the "objective correlative" and elaborated his views on wit and on the relation of tradition to the individual talent. Eliot by this time had left his early, derivative verse far behind and had begun to publish avant-garde poetry (including "The Love Song of J. Alfred Prufrock" (1915), which exploited fresh rhythms, abrupt juxtapositions, contemporary subject matter, and witty allusion. This period of creativity also resulted in another collection of verse (including "Gerontian") and culminated in The Waste Land, a masterpiece published in 1922 and produced partly during a period of psychological breakdown while married to his wife, Vivienne Haigh-Wood Eliot. In 1922, Eliot became a director of the Faber & Faber publishing house, and in 1927 he became a British citizen and joined the Church of England. Thereafter, his career underwent a change. With the publication of Ash Wednesday in 1930, his poetry became more overtly Christian. As editor of the influential literary magazine The Criterion, he turned his hand to social as well as literary criticism, with an increasingly conservative orientation. His religious poetry culminated in Four Quartets, published individually from 1936 onward and collectively in 1943. This work is often considered to be his greatest poetic achievement. Eliot also wrote poetry in a much lighter vein, such as Old Possum's Book of Practical Cats (1939), a collection that was used during the early 1980s as the basis for the musical, Cats. In addition to his contributions in poetry and criticism, Eliot is the pivotal verse dramatist of this century. He followed the lead of William Butler Yeats in attempting to revive metrical language in the theater. But, unlike Yeats, Eliot wanted a dramatic verse that would be self-effacing, capable of expressing the most prosaic passages in a play, and an insistent, undetected presence capable of elevating itself at a moment's notice. His progression from the pageant The Rock (1934) and Murder in the Cathedral (1935), written for the Canterbury Festival, through The Family Reunion (1939) and The Cocktail Party (1949), a West End hit, was thus a matter of neutralizing obvious poetic effects and bringing prose passages into the flow of verse. Recent critics have seen Eliot as a divided figure, covertly attracted to the very elements (romanticism, personality, heresy) he overtly condemned. His early attacks on romantic poets, for example, often reveal him as a romantic against the grain. The same divisions carry over into his verse, where violence struggles against restraint, emotion against order, and imagination against ironic detachment. This Eliot is more human and more attractive to contemporary taste. During his lifetime, Eliot received many honors and awards, including the Nobel Prize for literature in 1948.

Mary Karr's memoir, "The Liars' Club," won the PEN/Martha Albrand Award. A poet & essayist, she has won Pushcart prizes in both genres. Her other grants & awards include the prestigious Whiting Award & the Bunting Fellowship from Radcliffe College. Her previous poetry collections are "Abacus," "The Devil's Tour," & "Viper Rum." She is a full professor at Syracuse University.

How to Read "The Waste Land" So It Alters Your Soul Rather Than Just Addling Your Head
The Waste Land and Other Poems
Prufrock and Other Observations (1917)
The Love Song of J. Alfred Prufrock
Portrait of a Lady
Preludes
Rhapsody on a Windy Night
Morning at the Window
The Boston Evening Transcript
Aunt Helen
Cousin Nancy
Mr. Apollinax
Hysteria
Conversation Galante
La Figlia Che Piange
Poems (1920)
Gerontion
Burbank with a Baedeker: Bleistein with a Cigar
Sweeney Erect
A Cooking Egg
Le Directeur
Melange Adultere de Tout
Lune de Miel
The Hippopotamus
Dans Le Restaurant
Whispers of Immortality
Mr. Eliot's Sunday Morning Service
Sweeney Among the Nightingales
The Waste Land
The Sacred Wood: Essays on Poetry and Criticism
Introduction
The Perfect Critic
Imperfect Critics
Tradition and the Individual Talent
The Possibility of a Poetic Drama
Euripides and Professor Murray
"Rhetoric" and Poetic Drama
Some Notes on the Blank Verse of Christopher Marlowe
Hamlet and His Problems
Ben Jonson
Philip Massinger
Swinburne as Poet
Blake
Dante
Andrew Marvell
John Dryden
The Metaphysical Poets

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