| |
| |
| Introduction and Acknowledgments | |
| |
| |
| from Two Assassinations and a Speedy Retreat into Pastoral Nostalgias | |
| |
| |
| A Quick Trip Through My Adolescence | |
| |
| |
| from The Great El Cajon Race Riot and Two Friday Night Parties | |
| |
| |
| The MC5: Kick Out the Jams | |
| |
| |
| Charlie Haden: Liberation Music Orchestra | |
| |
| |
| Canned Heat: The New Age | |
| |
| |
| Dandelions in Still Air: The Withering Away of the Beatles | |
| |
| |
| Blood Feast of Reddy Kilowatt! Emerson, Lake, and Palmer Without Insulation! | |
| |
| |
| C'mon Sugar, Let's Go All-Nite Jukin' with Wet Willie | |
| |
| |
| Bob Dylan's Dalliance with Mafia Chic: He Ain't No Delinquent, He's Misunderstood | |
| |
| |
| Anne Murray: Danny's Song | |
| |
| |
| Helen Reddy: Long Hard Climb | |
| |
| |
| Grace Jones Beats Off | |
| |
| |
| Stevie Nicks: Lilith or Bimbo? | |
| |
| |
| Art Ensemble of Chicago: Rated G | |
| |
| |
| Ian Hunter: The Coots Are All right | |
| |
| |
| The Grooming of David Johansen | |
| |
| |
| Patti Smith: Horses | |
| |
| |
| Better Than the Beatles (And DNA, Too) | |
| |
| |
| Dead Boys Almost Count Five | |
| |
| |
| On the Merits if Sexual Repression | |
| |
| |
| David Byrne Says "Boo!" | |
| |
| |
| A Bellyful of Wire | |
| |
| |
| Jello Biafra Is No Cretin | |
| |
| |
| If Oi Were a Carpenter | |
| |
| |
| I Only Get My Rocks Off When I'm Dreaming: So You Say You Missed the Stones Too? Cheer Up, We're a Majority! | |
| |
| |
| 1973 Nervous Breakdown: The Ol' Fey Outlaws Ain't What They Used to Be - Are You? | |
| |
| |
| It's Only the Rolling Stones | |
| |
| |
| State of the Art: Bland on Bland | |
| |
| |
| Kind of Grim: Unraveling the Miles Perplex | |
| |
| |
| Miles Davis: Music for the Living Dead | |
| |
| |
| Captain Beefheart's Far Cry: He's Alive, But So Is Paint. Are You? | |
| |
| |
| Deaf-Mute in a Telephone Booth: A Perfect Day with Lou Reed | |
| |
| |
| Monolith or Monotone? Lou Reed's Metal Machine Music | |
| |
| |
| Your Shadow Is Scared of You: An Attempt Not to Be Frightened by Nico | |
| |
| |
| Jim Morrison: Bozo Dionysus a Decade Later | |
| |
| |
| Bring Your Mother to the Gas Chamber! | |
| |
| |
| Eno Sings with the Fishes | |
| |
| |
| John Lydon Across the Border | |
| |
| |
| Killer Frogs in Transatlantic Blitz: A Franco-American Chronologue Starring Les Variations | |
| |
| |
| Innocents in Babylon: A Search for Jamaica Featuring Bob Marley and a Cast of Thousands | |
| |
| |
| Death May Be Your Santa Claus: An Exclusive, Up-to-Date Interview with Jimi Hendrix | |
| |
| |
| from Notes on Austin | |
| |
| |
| California | |
| |
| |
| Admit It, You Like to Kick Cripples, Too (Especially if You Are One) | |
| |
| |
| Everybody's Search for Roots (The Roots of Punk, Part I) | |
| |
| |
| Back Door Men and Women in Bondage | |
| |
| |
| liner notes to It Falleth Like Gentle Rains from Heaven - The Mekons Story | |
| |
| |
| Every Song a Hooker | |
| |
| |
| Bad Taste Is Timeless | |
| |
| |
| An Instant Fan's Inspired Notes: You Gotta Listen | |
| |
| |
| Bye Bye Sidney, Be Good | |
| |
| |
| from All My Friends Are Hermits | |
| |
| |
| Trapped by the Mormons | |
| |
| |
| Permissions | |