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Getting Started | |
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About Classroom in a Book | |
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Prerequisites | |
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Installing software in Adobe Creative Cloud | |
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Hardware requirements | |
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For Windows | |
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For Mac OS | |
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Optimizing performance | |
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How to use these lessons | |
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Copying the lesson files and bonus chapters | |
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Relinking the lesson files | |
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Interpreting the frame rate of linked files | |
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Additional resources | |
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Adobe certification | |
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Working in Adobe Creative Cloud | |
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The "planning to playback" video-production workflow | |
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Pre-production | |
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Post-production | |
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Overview of Creative Cloud | |
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Learning the role of each component | |
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Understanding the Creative Cloud user interface | |
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Using Dynamic Link | |
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Working with media files in video production | |
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Linking a project with media files | |
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Real-time playback and editing | |
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Mercury Playback Engine | |
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Global Performance Cache | |
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Mercury Graphics Engine | |
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Mercury Performance System | |
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Organizing the Media Files for Your Project | |
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About Adobe Bridge | |
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Naming and managing your project and media files | |
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Navigating and previewing media | |
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Working with metadata | |
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Adding metadata to your media | |
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About Adobe Story | |
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Starting a new A/V script in Adobe Story | |
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Collaborating with others on your script | |
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Planning and managing your production with Adobe Story | |
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About Prelude | |
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Ingesting media and working with metadata in Prelude | |
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Adding notes to footage | |
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Creating bins | |
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Assembling a rough cut | |
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Adding time-based comments | |
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Sending your project to Adobe Premiere Pro | |
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Creating a Basic Edit | |
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About Adobe Premiere Pro | |
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Optimizing performance | |
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Creating a new project in Adobe Premiere Pro | |
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Understanding the Adobe Premiere Pro user interface | |
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Importing footage and other media using the Media Browser | |
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Understanding the Project panel | |
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Interpreting footage | |
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Creating bins | |
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Importing assets as a bin | |
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Creating a new bin | |
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Viewing your footage | |
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Listening toy our footage | |
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Viewing your B-roll footage | |
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Viewing your RED footage | |
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Music and sound effects | |
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About subclips | |
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Creating a subclip | |
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Editing Interview clips | |
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Relinking media with Link & Locate | |
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Creating the first sequence | |
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Using markers | |
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Adding a marker to a clip | |
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Adding a marker to a sequence | |
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Working in the Timeline | |
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Preparing to edit in the Timeline | |
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The components of the Timeline | |
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Muting and locking tracks | |
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Editing on the Timeline | |
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Adding B-roll | |
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Reordering clips on the Timeline | |
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Using new audio enhancements | |
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Using Snap | |
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Snapping between edit points | |
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Snapping clips into a sequence | |
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Snapping clips within a sequence | |
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Refining your story | |
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Shorten the music clips | |
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Making an audio gap | |
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Adding a reaction shot | |
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Adding the last clip | |
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Final marker | |
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Finishing your rough edit | |
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Advanced Editing Techniques | |
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Download this lesson and its project files from the Lesson & Update Files tab on your Account page at www.peachpit.com. See the "Getting Started" section for more details. | |
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Creating Basic Motion Graphics and Visual Effects | |
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Getting started | |
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If you are starting here | |
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Preserving your rough edit in Adobe Premiere Pro | |
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About After Effects | |
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Creating a new project in After Effects | |
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Optimizing performance | |
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The Global Performance Cache | |
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Understanding the After Effects user interface | |
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Creating folders in After Effects | |
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Using Dynamic Link: from Adobe Premiere Pro to After Effects | |
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Creating a motion graphic with After Effects | |
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Working with layers | |
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Understanding keyframes | |
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Animating your layers | |
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Using RAM Preview | |
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RAM Previewing your timelapse | |
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Final changes to timelapse | |
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Updating a dynamically linkedcomposition | |
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About Illustrator | |
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Making a new image in Illustrator | |
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Overview of the Illustrator interface | |
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Making the lower third background | |
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Making the background shape | |
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Making a group of shapes | |
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Duplicating layers in Illustrator | |
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Importing a lower third background to After Effects | |
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Creating a new composition | |
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Creating the lower third template composition | |
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Create a new text layer | |
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Applying the Drop Shadow effect | |
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Duplicating a layer | |
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Optional exercise: parenting | |
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Creating a null object | |
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Moving the null into place | |
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Using the Pick-Whip | |
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Moving and scaling the group | |
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Nested compositions | |
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Animating the background | |
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Animating opacity | |
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Verifying updates to a nested composition | |
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Animating text in After Effects | |
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Animating position | |
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Easy Ease interpolation | |
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Understanding and applying motion blur | |
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Applying motion blur to text layers | |
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Working with animation presets in After Effects | |
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Finalizing lower third graphics | |
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Using Dynamic Link: from After Effects to Adobe Premiere Pro | |
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Importing After Effects compositions in Adobe Premiere Pro | |
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Replacing clips in your Adobe Premiere Pro sequence | |
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Dynamic Link updates | |
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Advanced Still and Motion Graphics Techniques | |
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Download this lesson and its project files from the Lesson & Update Files tab on your Account page at www.peachpit.com. See the "Getting Started" section for more details. | |
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Working with Audio | |
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Getting started | |
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If you are starting here | |
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Making your final edit sequence in Adobe Premiere Pro | |
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Monitoring audio | |
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Understanding audio tools in Adobe Premiere Pro and Adobe Audition | |
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Changing your workspace in Adobe Premiere Pro | |
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Verifying your preferences | |
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Viewing audio waveforms | |
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Opening the Audio Mixer | |
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Adobe Premiere Pro effects | |
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Audio clip editing in Adobe Premiere Pro | |
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Automating volume with keyframes | |
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Adjusting volume with the Audio Clip Mixer | |
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Audio clip editing in Adobe Audition | |
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Examining clips for distractions | |
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Sending audio clips from Adobe Premiere Pro to Adobe Audition for cleanup | |
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Understanding the Spectral Frequency Display | |
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Removing transient sounds using the Spectral Frequency Display | |
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Removing background noise from your audio | |
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Multitrack mixing and finishing in Adobe Audition | |
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Audio track editing in Adobe Audition | |
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Creating the final audio mix | |
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Sending your final audio mix back to Adobe Premiere Pro | |
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Finishing Your Project | |
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Getting started | |
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If you are starting here | |
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The basics of color correction | |
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Using color-correction techniques in Adobe Premiere Pro | |
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Setting up for color correction | |
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Using the YC Waveform | |
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Using the Three-Way Color Corrector | |
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Integrating color corrections to RED footage | |
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About SpeedGrade | |
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Adjustment layers in Adobe Premiere Pro | |
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Lumetri Looks | |
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Creating a custom Look in Adobe SpeedGrade | |
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Applying your custom Look in Adobe Premiere Pro | |
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Output for the Web and Creative Cloud | |
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Getting started | |
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If you are starting here | |
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Final quality control | |
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Exporting the final output with Adobe Premiere Pro | |
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Understanding compression and other factors for exporting files | |
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About Adobe Media Encoder | |
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Rendering master files | |
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Saving a preset | |
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Encoding video for web and mobile | |
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Introducing Flash Professional | |
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Creating interactivity with Flash Professional | |
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Uploading and sharing your project using Creative Cloud | |
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Uploading your work to Creative Cloud | |
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Promoting your project | |
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Linking Behance with your online social networks | |
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Posting an image to Behance | |
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Index | |