| |
| |
| |
| The Digital Art Studio | |
| |
| |
| Setting Up the Digital Art Studio | |
| |
| |
| The Power of Color | |
| |
| |
| Pixels and Image Resolution | |
| |
| |
| Fine Art Printmaking in the Studio | |
| |
| |
| |
| Art with the iPad | |
| |
| |
| Overview of iPad painting tools, finger-painting vs. stylus and favorite paint apps | |
| |
| |
| Warming up, doodling and sketching | |
| |
| |
| Making a study with Brushes | |
| |
| |
| Drawing and painting with ArtStudio | |
| |
| |
| Sketching and painting with Sketchbook Express and Sketchbook Pro | |
| |
| |
| Tips about touch apps from Adobe (Photoshop Touch) and Corel. | |
| |
| |
| |
| Photoshop, Painter, and Tablet Basics for Artists | |
| |
| |
| Introduction | |
| |
| |
| Anatomy of a Tablet and Stylus | |
| |
| |
| Getting Started with Your Tablet | |
| |
| |
| Getting Comfortable with Your Tablet | |
| |
| |
| Drawing and Navigating with the Stylus | |
| |
| |
| Choosing Your Settings for Your Stylus | |
| |
| |
| Customizing the Stylus Buttons | |
| |
| |
| Customizing Buttons on an Intuos5 Tablet | |
| |
| |
| Using the Airbrush Stylus | |
| |
| |
| Photoshop Basics for Painters | |
| |
| |
| Customizing Brushes | |
| |
| |
| Customizing Your Photoshop Workspace | |
| |
| |
| Painter Basics for Artists | |
| |
| |
| Customizing Brushes | |
| |
| |
| Customizing Your Painter Workspace | |
| |
| |
| |
| Assembling Brushes and Paint | |
| |
| |
| Exploring Brushes and Paint in Photoshop | |
| |
| |
| Exploring Brushes and Paint in Painter | |
| |
| |
| |
| Drawing and Tablet Exercises | |
| |
| |
| Warming Up and Sketching | |
| |
| |
| Sketching in Photoshop | |
| |
| |
| |
| The Illusion of Volume | |
| |
| |
| Sketching a Cube | |
| |
| |
| Drawing a Textured Round Object | |
| |
| |
| Drawing Rounded Forms | |
| |
| |
| Drawing a Hollow Rounded Form | |
| |
| |
| |
| Sensitive Tone and Modeling | |
| |
| |
| Using Sensitive Tone and Blending | |
| |
| |
| Using Interesting Strokes to Build Tonal Variations | |
| |
| |
| |
| A Sense of Atmosphere | |
| |
| |
| Building Atmosphere Using Hatching | |
| |
| |
| Achieving Sparkling Light | |
| |
| |
| |
| Starting with a Scanned Drawing | |
| |
| |
| Scanning a Pencil Drawing | |
| |
| |
| Using Photoshop to Work Over a Pencil Drawing | |
| |
| |
| Using Painter to Work Over a Pencil Drawing | |
| |
| |
| Adding Washes to a Drawing Using Painter | |
| |
| |
| Adding Washes to a Drawing Using Photoshop | |
| |
| |
| |
| Using a Photo Reference for Painting | |
| |
| |
| Using a Photo Reference While Painting | |
| |
| |
| Making Brushes for Sketching and Painting | |
| |
| |
| Using Painter's "Digital Lightbox" | |
| |
| |
| |
| Designing the Focal Point | |
| |
| |
| Strengthening the Focal Point in a Painting | |
| |
| |
| |
| Simulating Paper and Canvas | |
| |
| |
| Creating a Painter Image that Has Rich Texture | |
| |
| |
| Embossing Texture on an Image | |
| |
| |
| Using Distortion and Surface Texture | |
| |
| |
| Achieving Texture in a Photoshop Image | |
| |
| |
| Adding Texture with the Texturizer Filter | |
| |
| |
| Adding Texture with the Lighting Effects Filter | |
| |
| |
| |
| Retouching, Tinting, and Painting | |
| |
| |
| Retouching and Adding a Vignette | |
| |
| |
| Painting with History in Photoshop | |
| |
| |
| Working Over a Portrait with Chalk | |
| |
| |
| Building a Rich Paper Surface | |
| |
| |
| Painting a Portrait Using the Artist's Oils | |
| |
| |
| |
| Composing from the Imagination | |
| |
| |
| Compositing Sketches and Scans in Photoshop | |
| |
| |
| Adding Colored Brushwork in Painter | |
| |
| |
| Enhancing Lighting | |
| |
| |
| Resources Appendix | |
| |
| |
| |
| Reference materials (supplemental reading and web sites) | |
| |
| |
| |
| Vendors (hardware and software, and substrates such archival papers and canvas) | |
| |
| |
| Index | |