| |
| |
| List of Illustrations | |
| |
| |
| Additional Audio and Online Resources | |
| |
| |
| Preface | |
| |
| |
| Acknowledgments | |
| |
| |
| Bibliography | |
| |
| |
| The Early Modern Period | |
| |
| |
| Womanhod, Wanton | |
| |
| |
| Lullay | |
| |
| |
| Knolege, Aquayntance | |
| |
| |
| Manerly Margery Mylk and Ale | |
| |
| |
| Garland of Laurel | |
| |
| |
| To Maystres Jane Blennerhasset | |
| |
| |
| To Maystres Isabell Pennell | |
| |
| |
| To Maystres Margaret Hussey | |
| |
| |
| The Long Love, That in My Thought Doth Harbor | |
| |
| |
| Companion Reading: Petrarch: Sonnet 140 | |
| |
| |
| Whoso List to Hunt | |
| |
| |
| Companion Reading: Petrarch: Sonnet 190 | |
| |
| |
| My Galley | |
| |
| |
| They Flee from Me | |
| |
| |
| Some Time I Fled the Fire | |
| |
| |
| My Lute, Awake! | |
| |
| |
| Tagus, Farewell | |
| |
| |
| Forget Not Yet | |
| |
| |
| Blame Not My Lute | |
| |
| |
| Lucks, My Fair Falcon, and Your Fellows All | |
| |
| |
| Stand Whoso List | |
| |
| |
| Mine Own John Poyns | |
| |
| |
| Love That Doth Reign and Live within My Thought | |
| |
| |
| Th'Assyrians' King, in Peace with Foul Desire | |
| |
| |
| Set Me Whereas the Sun Doth Parch the Green | |
| |
| |
| The Soote Season | |
| |
| |
| Alas, So All Things Now Do Hold Their Peace | |
| |
| |
| Companion Reading: Petrarch: Sonnet 164 | |
| |
| |
| So Cruel Prison | |
| |
| |
| London, Hast Thou Accused Me | |
| |
| |
| Wyatt Resteth Here | |
| |
| |
| My Radcliffe, When Thy Reckless Youth Offends | |
| |
| |
| Utopia | |
| |
| |
| Response: George Orwell: from 1984 | |
| |
| |
| Perspectives: Government and Self-Government | |
| |
| |
| from The Obedience of a Christian Man | |
| |
| |
| from Instruction of a Christian Woman | |
| |
| |
| from The Book Named the Governor | |
| |
| |
| from The Defence of Good Women | |
| |
| |
| from A Short Treatise of Political Power | |
| |
| |
| from The Book of the Courtier | |
| |
| |
| from The Book of Martyrs | |
| |
| |
| from The Schoolmaster | |
| |
| |
| from The First Part of the Elementary | |
| |
| |
| from De Republica Anglorum | |
| |
| |
| from The Laws of Ecclesiastical Polity | |
| |
| |
| from The True Law of Free Monarchies | |
| |
| |
| from Leviathan | |
| |
| |
| Seven Sonnets to Alexander Neville | |
| |
| |
| Woodmanship | |
| |
| |
| The Shepheardes Calender | |
| |
| |
| October | |
| |
| |
| The Faerie Queene | |
| |
| |
| A Letter of the Authors | |
| |
| |
| The First Booke of the Faerie Queene | |
| |
| |
| Amoretti | |
| |
| |
| 1 ("Happy ye leaves when as those lilly hands") | |
| |
| |
| 4 ("New yeare forth looking out of Janus gate") | |
| |
| |
| 13 ("In that proud port, which her so goodly graceth") | |
| |
| |
| 22 ("This holy season fit to fast and pray") | |
| |
| |
| 62 ("The weary yeare his race now having run") | |
| |
| |
| 65 ("The doubt which ye misdeeme, fayre love, is vaine") | |
| |
| |
| 66 ("To all those happy blessings which ye have") | |
| |
| |
| 68 ("Most glorious Lord of lyfe that on this day") | |
| |
| |
| 75 ("One day I wrote her name upon the strand") | |
| |
| |
| Epithalamion | |
| |
| |
| The Apology for Poetry | |
| |
| |
| "The Apology" and Its Time: The Art of Poetry | |
| |
| |
| from The School of Abuse | |
| |
| |
| |
| from The Art of English Poesie | |
| |
| |
| |
| from Certain Notes of Instruction | |
| |
| |
| |
| from A Defense of Rhyme | |
| |
| |
| |
| Astrophil and Stella | |
| |
| |
| 1 ("Loving in truth, and fain in verse my love to show") | |
| |
| |
| 3 ("Let dainty wits cry on the sisters nine") | |
| |
| |
| 7 ("When Nature made her chief work, Stella's eyes") | |
| |
| |
| 9 ("Queen Virtue's court, which some call Stella's face") | |
| |
| |
| 10 ("Reason, in faith thou art well served, that still") | |
| |
| |
| 14 ("Alas, have I not pain enough, my friend") | |
| |
| |
| 15 ("You that do search for every purling spring") | |
| |
| |
| 23 ("The curious wits, seeing dull pensiveness") | |
| |
| |
| 24 ("Rich fool there be whose base and filthy heart") | |
| |
| |
| 31 ("With how sad steps, O Moon, thou climb'st the skies") | |
| |
| |
| 37 ("My mouth doth water and my breast doth swell") | |
| |
| |
| 39 ("Come sleep, O sleep, the certain knot of peace") | |
| |
| |
| 45 ("Stella oft sees the very face of woe") | |
| |
| |
| 47 ("What, have I thus betrayed my liberty?") | |
| |
| |
| 52 ("A strife is grown between Virtue and Love") | |
| |
| |
| 60 ("When my good Angel guides me to the place") | |
| |
| |
| 63 ("O grammar-rules, O now your virtues show") | |
| |
| |
| 64 ("No more, my dear, no more these counsels try") | |
| |
| |
| 68 ("Stella, the only planet of my light") | |
| |
| |
| 71 ("Who will in fairest book of Nature know") | |
| |
| |
| Second song ("Have I caught my heavenly jewel") | |
| |
| |
| 74 ("I never drank of Aganippe well") | |
| |
| |
| Fourth song ("Only joy, now here you are") | |
| |
| |
| 86 ("Alas, whence came this change of looks? If I...") | |
| |
| |
| Eighth song ("In a grove most rich of shade") | |
| |
| |
| Ninth song ("Go, my flock, go get you hence") | |
| |
| |
| 89 ("Now that, of absence, the most irksome night") | |
| |
| |
| 90 ("Stella, think not that I by verse seek fame") | |
| |
| |
| 91 ("Stella, while now by honor's cruel might") | |
| |
| |
| 97 ("Dian, that fain would cheer her friend the Night") | |
| |
| |
| 104 ("Envious wits, what hath been mine offense") | |
| |
| |
| 106 ("O absent presence, Stella is not here") | |
| |
| |
| 107 ("Stella, since thou so right a princess art") | |
| |
| |
| 108 ("When sorrow (using mine own fire's might)") | |
| |
| |
| The Admonition by the Author | |
| |
| |
| A Careful Complaint by the Unfortunate Author | |
| |
| |
| The Manner of Her Will | |
| |
| |
| Even Now That Care | |
| |
| |
| To Thee Pure Sprite | |
| |
| |
| Psalm 71: In Te Domini Speravi ("On thee my trust is grounded") | |
| |
| |
| Companion Reading: Miles Coverdale: Psalm 71 | |
| |
| |
| Psalm 121: Levavi Oculos ("Unto the hills, I now will bend") | |
| |
| |
| The Doleful Lay of Clorinda | |
| |
| |
| Perspectives: The Rise of Print Culture | |
| |
| |
| from Polychronicon | |
| |
| |
| from Hay any worke for Cooper | |
| |
| |
| from Pierce Penniless his Supplication to the Devil | |
| |
| |
| from "Of books," in Essays, translated by John Florio | |
| |
| |
| The Phoenix | |
| |
| |
| Of Truth | |
| |
| |
| Of Superstition | |
| |
| |
| Of Studies [version of 1597] | |
| |
| |
| Of Studies [version of 1625] | |
| |
| |
| from The Advancement of Learning, The Second Book | |
| |
| |
| from The Advancement of Learning, The Ninth Book | |
| |
| |
| from Genesis | |
| |
| |
| from The Anatomy of Melancholy | |
| |
| |
| from The Pilgrim's Progress | |
| |
| |
| Written with a Diamond on Her Window at Woodstock | |
| |
| |
| Written on a Wall at Woodstock | |
| |
| |
| The Doubt of Future Foes | |
| |
| |
| On Monsieur's Departure | |
| |
| |
| Speeches | |
| |
| |
| On Marriage | |
| |
| |
| On Mary, Queen of Scots | |
| |
| |
| On Mary's Execution | |
| |
| |
| To the English Troops at Tilbury, Facing the Spanish Armada | |
| |
| |
| The Golden Speech | |
| |
| |
| The Description of Cookham | |
| |
| |
| Salve Deus Rex Judaeorum | |
| |
| |
| To the Doubtful Reader | |
| |
| |
| To the Virtuous Reader | |
| |
| |
| [Invocation] | |
| |
| |
| [Against Beauty Without Virtue] | |
| |
| |
| [Pilate's Wife Apologizes for Eve] | |
| |
| |
| The Affectionate Shepherd | |
| |
| |
| Sonnets from Cynthia | |
| |
| |
| 1 ("Sporting at fancy, setting light by love") | |
| |
| |
| 5 ("It is reported of fair Thetis' son") | |
| |
| |
| 9 ("Diana (on a time) walking the wood") | |
| |
| |
| 11 ("Sighing, and sadly sitting by my love") | |
| |
| |
| 13 ("Speak, Echo, tell; how may I call my love?") | |
| |
| |
| 19 ("Ah no; nor I myself: though my pure love") | |
| |
| |
| The Passionate Shepherd to His Love | |
| |
| |
| Response: Sir Walter Raleigh: The Nymph's Reply to the Shepherd | |
| |
| |
| Hero and Leander | |
| |
| |
| The Tragical History of Dr. Faustus | |
| |
| |
| Response: C.S. Lewis: from The Screwtape Letters | |
| |
| |
| Nature That Washed Her Hands in Milk | |
| |
| |
| To the Queen | |
| |
| |
| On the Life of Man | |
| |
| |
| The Author's Epitaph, Made by Himself | |
| |
| |
| As You Came from the Holy Land | |
| |
| |
| from The 21st and Last Book of the Ocean to Cynthia | |
| |
| |
| The Discovery of the Large, Rich and Beautiful Empire of Guiana | |
| |
| |
| from Epistle Dedicatory | |
| |
| |
| To the Reader | |
| |
| |
| [The Amazons] | |
| |
| |
| [The Orinoco] | |
| |
| |
| [The King of Aromaia] | |
| |
| |
| [The New World of Guiana] | |
| |
| |
| Perspectives: England in the New World | |
| |
| |
| from The First Voyage Made to the Coasts of America | |
| |
| |
| from A Brief and True Report of the Newfound Land of Virginia | |
| |
| |
| To the Virginian Voyage | |
| |
| |
| from General History of Virginia and the Summer Isles | |
| |
| |
| from A Sermon Preached to the Honorable Company of the Virginia Plantation | |
| |
| |
| Sonnets | |
| |
| |
| 1 ("From fairest creatures we desire increase") | |
| |
| |
| 12 ("When I do count the clock that tells the time") | |
| |
| |
| 15 ("When I consider every thing that grows") | |
| |
| |
| 18 ("Shall I compare thee to a summer's day") | |
| |
| |
| 20 ("A woman's face with Nature's own hand painted") | |
| |
| |
| 29 ("When, in disgrace with fortune and men's eyes") | |
| |
| |
| 30 ("When to the sessions of sweet silent thought") | |
| |
| |
| 31 ("Thy bosom is endeared with all hearts") | |
| |
| |
| 33 ("Full many a glorious morning have I seen") | |
| |
| |
| 35 ("No more be grieved at that which thou hast done") | |
| |
| |
| 55 ("Not marble nor the gilded monuments") | |
| |
| |
| 60 ("Like as the waves make towards the pebbled shore") | |
| |
| |
| 71 ("No longer mourn for me when I am dead") | |
| |
| |
| 73 ("That time of year thou mayst in me behold") | |
| |
| |
| 80 ("O, how I faint when I of you do write") | |
| |
| |
| 86 ("Was it the proud full sail of his great verse") | |
| |
| |
| 87 ("Farewell! Thou art too dear for my possessing") | |
| |
| |
| 93 ("So shall I live, supposing thou art true") | |
| |
| |
| 94 ("They that have pow'r to hurt, and will do none") | |
| |
| |
| 104 ("To me, fair friend, you never can be old") | |
| |
| |
| 106 ("When in the chronicle of wasted time") | |
| |
| |
| 107 ("Not mine own fears nor the prophetic soul") | |
| |
| |
| 116 ("Let me not to the marriage of true minds") | |
| |
| |
| 123 ("No, Time, thou shalt not boast that I do change") | |
| |
| |
| 124 ("If my dear love were but the child of state") | |
| |
| |
| 126 ("O thou, my lovely boy, who in thy power") | |
| |
| |
| 128 ("How oft, when thou my music play'st") | |
| |
| |
| 129 ("The expense of spirit in a waste of shame") | |
| |
| |
| 130 ("My mistress' eyes are nothing like the sun") | |
| |
| |
| 138 ("When my love swears that she is made of truth") | |
| |
| |
| 144 ("Two loves I have, of comfort and despair") | |
| |
| |
| 152 ("In loving thee thou know'st I am forsworn") | |
| |
| |
| Twelfth Night; or, What You Will | |
| |
| |
| The Tempest | |
| |
| |
| Companion Readings | |
| |
| |
| William Strachey: from A True Reportory of the Wreck and Redemption of Sir Thomas Gates, Knight, upon and from the Islands of the Bermudas | |
| |
| |
| Michel de Montaigne: from Of Cannibals | |
| |
| |
| Response: Aime Cesaire: from A Tempest | |
| |
| |
| The Roaring Girl; or, Moll Cut-Purse | |
| |
| |
| "The Roaring Girl" and Its Time: City Life | |
| |
| |
| from My Lady's Looking Glass | |
| |
| |
| |
| from A Notable Discovery of Cosenage | |
| |
| |
| |
| from Lantern and Candlelight | |
| |
| |
| |
| from Thomas of Reading | |
| |
| |
| |
| from Pierce Penniless | |
| |
| |
| |
| from A Counterblast to Tobacco | |
| |
| |
| |
| Perspectives: Tracts on Women and Gender | |
| |
| |
| from In Laude and Praise of Matrimony | |
| |
| |
| from My Lady's Looking Glass | |
| |
| |
| from Preface to The First Part of the Mirror of Princely Deeds | |
| |
| |
| from The Arraignment of Lewd, Idle, Froward, and Unconstant Women | |
| |
| |
| from A Muzzle for Melastomus | |
| |
| |
| from Ester Hath Hanged Haman | |
| |
| |
| from Hic Mulier; or, The Man-Woman | |
| |
| |
| from Haec-Vir; or, The Womanish-Man | |
| |
| |
| My sweetest Lesbia, let us live and love | |
| |
| |
| There is a garden in her face | |
| |
| |
| Rose-cheeked Laura, come | |
| |
| |
| When thou must home to shades of underground | |
| |
| |
| Never weather-beaten sail more willing bent to shore | |
| |
| |
| To the Reader | |
| |
| |
| Sonnet 12 ("To nothing fitter can I thee compare") | |
| |
| |
| Sonnet 61 ("Since there's no help, come let us kiss and part") | |
| |
| |
| To His Coy Love, a Canzonet | |
| |
| |
| The Alchemist | |
| |
| |
| On Something, That Walks Somewhere | |
| |
| |
| On My First Daughter | |
| |
| |
| To John Donne | |
| |
| |
| On My First Son | |
| |
| |
| Inviting a Friend to Supper | |
| |
| |
| To Penshurst | |
| |
| |
| Song to Celia | |
| |
| |
| Queen and Huntress | |
| |
| |
| To the Memory of My Beloved, the Author, Mr. William Shakespeare, and What He Hath Left Us | |
| |
| |
| To the Immortal Memory, and Friendship of that Noble Pair, Sir Lucius Cary and Sir H. Morison | |
| |
| |
| Pleasure Reconciled to Virtue | |
| |
| |
| Response: Thom Gunn: from The Occasions of Poetry | |
| |
| |
| The Good Morrow | |
| |
| |
| Song ("Go, and catch a falling star") | |
| |
| |
| The Undertaking | |
| |
| |
| The Sun Rising | |
| |
| |
| The Indifferent | |
| |
| |
| The Canonization | |
| |
| |
| Air and Angels | |
| |
| |
| Break of Day | |
| |
| |
| A Valediction: of Weeping | |
| |
| |
| Love's Alchemy | |
| |
| |
| The Flea | |
| |
| |
| The Bait | |
| |
| |
| The Apparition | |
| |
| |
| A Valediction: Forbidding Mourning | |
| |
| |
| The Ecstasy | |
| |
| |
| The Funeral | |
| |
| |
| The Relic | |
| |
| |
| Elegy 19: To His Mistress Going to Bed | |
| |
| |
| Holy Sonnets | |
| |
| |
| 1 ("As due by many titles I resign") | |
| |
| |
| 2 ("Oh my black soul! Now thou art summoned") | |
| |
| |
| 3 ("This is my play's last scene, here heavens appoint") | |
| |
| |
| 4 ("At the round earth's imagined corners, blow") | |
| |
| |
| 5 ("If poisonous minerals, and if that tree") | |
| |
| |
| 6 ("Death be not proud, though some have called thee") | |
| |
| |
| 7 ("Spit in my face ye Jews, and pierce my side") | |
| |
| |
| 8 ("Why are we by all creatures waited on?") | |
| |
| |
| 9 ("What if this present were the world's last night?") | |
| |
| |
| 10 ("Batter my heart, three-personed God; for, you") | |
| |
| |
| 11 ("Wilt thou love God, as he thee? Then digest") | |
| |
| |
| 12 ("Father, part of his double interest") | |
| |
| |
| Devotions Upon Emergent Occasions | |
| |
| |
| ["For whom the bell tolls"] | |
| |
| |
| Pamphilia to Amphilanthus | |
| |
| |
| 1 ("When night's black mantle could most darkness prove") | |
| |
| |
| 5 ("Can pleasing sight misfortune ever bring?") | |
| |
| |
| 16 ("Am I thus conquered? Have I lost the powers") | |
| |
| |
| 17 ("Truly poor Night thou welcome art to me") | |
| |
| |
| 25 ("Like to the Indians, scorched with the sun") | |
| |
| |
| 26 ("When everyone to pleasing pastime hies") | |
| |
| |
| 28 Song ("Sweetest love, return again") | |
| |
| |
| 39 ("Take heed mine eyes, how you your looks do cast") | |
| |
| |
| 40 ("False hope which feeds but to destroy, and spill") | |
| |
| |
| 48 ("If ever Love had force in human breast?") | |
| |
| |
| 55 ("How like a fire does love increase in me") | |
| |
| |
| 68 ("My pain, still smothered in my grieved breast") | |
| |
| |
| 74 Song ("Love a child is ever crying") | |
| |
| |
| A Crown of Sonnets Dedicated to Love | |
| |
| |
| 77 ("In this strange labyrinth how shall I turn?") | |
| |
| |
| 82 ("He may our profit and our tutor prove") | |
| |
| |
| 83 ("How blessed be they then, who his favors prove") | |
| |
| |
| 84 ("He that shuns love does love himself the less") | |
| |
| |
| 103 ("My muse now happy, lay thyself to rest") | |
| |
| |
| from The Countess of Montgomery's Urania | |
| |
| |
| Hesperides | |
| |
| |
| The Argument of His Book | |
| |
| |
| To His Book | |
| |
| |
| Another ("To read my book the virgin shy") | |
| |
| |
| Another ("Who with thy leaves shall wipe at need") | |
| |
| |
| To the Sour Reader | |
| |
| |
| When He Would Have His Verses Read | |
| |
| |
| Delight in Disorder | |
| |
| |
| Corinna's Going A-Maying | |
| |
| |
| To the Virgins, to Make Much of Time | |
| |
| |
| The Hock-Cart, or Harvest Home | |
| |
| |
| His Prayer to Ben Jonson | |
| |
| |
| Upon Julia's Clothes | |
| |
| |
| Upon His Spaniel Tracie | |
| |
| |
| The Dream ("Me thought (last night) Love in an anger came") | |
| |
| |
| The Dream ("By dream I saw one of the three") | |
| |
| |
| The Vine | |
| |
| |
| The Vision | |
| |
| |
| Discontents in Devon | |
| |
| |
| To Dean-Bourn, a Rude River in Devon | |
| |
| |
| Upon Scobble: Epigram | |
| |
| |
| The Christian Militant | |
| |
| |
| To His Tomb-Maker | |
| |
| |
| Upon Himself Being Buried | |
| |
| |
| His Last Request to Julia | |
| |
| |
| The Pillar of Fame | |
| |
| |
| His Noble Numbers | |
| |
| |
| His Prayer for Absolution | |
| |
| |
| To His Sweet Saviour | |
| |
| |
| To God, on His Sickness | |
| |
| |
| The Altar | |
| |
| |
| Redemption | |
| |
| |
| Easter | |
| |
| |
| Easter Wings | |
| |
| |
| Affliction (1) | |
| |
| |
| Prayer (1) | |
| |
| |
| Jordan (1) | |
| |
| |
| Church Monuments | |
| |
| |
| The Windows | |
| |
| |
| Denial | |
| |
| |
| Virtue | |
| |
| |
| Man | |
| |
| |
| Jordan (2) | |
| |
| |
| Time | |
| |
| |
| The Collar | |
| |
| |
| The Pulley | |
| |
| |
| The Forerunners | |
| |
| |
| Love (3) | |
| |
| |
| To Lucasta, Going to the Wars | |
| |
| |
| The Grasshopper | |
| |
| |
| To Althea, from Prison | |
| |
| |
| Love Made in the First Age: To Chloris | |
| |
| |
| Regeneration | |
| |
| |
| The Retreat | |
| |
| |
| Silence, and Stealth of Days | |
| |
| |
| The World | |
| |
| |
| They Are All Gone into the World of Light! | |
| |
| |
| The Night | |
| |
| |
| The Coronet | |
| |
| |
| Bermudas | |
| |
| |
| The Nymph Complaining for the Death of Her Fawn | |
| |
| |
| To His Coy Mistress | |
| |
| |
| The Definition of Love | |
| |
| |
| The Mower Against Gardens | |
| |
| |
| The Mower's Song | |
| |
| |
| The Garden | |
| |
| |
| An Horatian Ode Upon Cromwell's Return from Ireland | |
| |
| |
| Friendship in Emblem, or the Seal | |
| |
| |
| Upon the Double Murder of King Charles | |
| |
| |
| On the Third of September, 1651 | |
| |
| |
| To the Truly Noble, and Obliging Mrs. Anne Owen | |
| |
| |
| To Mrs. Mary Awbrey at Parting | |
| |
| |
| To My Excellent Lucasia, on Our Friendship | |
| |
| |
| The World | |
| |
| |
| Perspectives: The Civil War, or the Wars of Three Kingdoms | |
| |
| |
| From Eikon Basilike | |
| |
| |
| From Eikonoklastes | |
| |
| |
| The Petition of Gentlewomen and Tradesmen's Wives | |
| |
| |
| From Letters from Ireland | |
| |
| |
| John O'Dwyer of the Glenn | |
| |
| |
| The Story of Alexander Agnew; or, Jock of Broad Scotland | |
| |
| |
| Edward Hyde, Earl of Clarendon | |
| |
| |
| From True Historical Narrative of the Rebellion | |
| |
| |
| L'Allegro | |
| |
| |
| Il Penseroso | |
| |
| |
| Lycidas | |
| |
| |
| How Soon Hath Time | |
| |
| |
| On the New Forcers of Conscience Under the Long Parliament | |
| |
| |
| To the Lord General Cromwell | |
| |
| |
| On the Late Massacre in Piedmont | |
| |
| |
| When I Consider How My Light Is Spent | |
| |
| |
| Methought I Saw My Late Espoused Saint | |
| |
| |
| From Areopagitica | |
| |
| |
| Paradise Lost | |
| |
| |
| |
| |
| |
| |
| |
| |
| |
| |
| |
| |
| |
| |
| |
| |
| |
| |
| |
| |
| |
| |
| |
| |
| |
| |
| |
| |
| |
| |
| |
| |
| |
| |
| |
| |
| |
| |
| Responses | |
| |
| |
| Mary Wollstonecraft: from A Vindication of the Rights of Woman | |
| |
| |
| William Blake: A Poison Tree | |
| |
| |
| Samson Agonistes | |
| |
| |
| Political and Religious Orders | |
| |
| |
| Money, Weights, and Measures | |
| |
| |
| Literary and Cultural Terms | |
| |
| |
| Credits | |
| |
| |
| Index | |