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Contemporary Creative Nonfiction I and Eye

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ISBN-10: 0321198174

ISBN-13: 9780321198174

Edition: 2005

Authors: B. Minh Nguyen, Porter Shreve

List price: $153.32
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Description:

A diverse and wide range of contemporary creative nonfiction, including 45 essays and 15 commentaries on craft. The sometimes blurry line between personal and journalistic nonfiction; emphasis on craft; focus on thematic organization as an approach. Undergraduate Introductory and Advanced courses on essay writing and the art of the essay; Graduate-level courses on Creative Nonfiction writing.
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Book details

List price: $153.32
Copyright year: 2005
Publisher: Pearson Education
Publication date: 7/15/2004
Binding: Paperback
Pages: 400
Size: 6.90" wide x 9.10" long x 1.00" tall
Weight: 1.650
Language: English

Porter Shreve was born during the Lyndon Johnson administration, grew up in Washington, D.C., and has attended three presidential inaugurations: Carter '77, Clinton '93, and Clinton '97. In the 1970s his family started an alternative school called Our House Is a Very, Very, Very Fine House, and some of When the White House Was Ours is loosely based on that experience. Shreve's first novel, The Obituary Writer, was a New York Times Notable Book, and his second, Drives Like a Dream, was a Chicago Tribune Book of the Year. He lives with his wife, the writer Bich Minh Nguyen, in Chicago and West Lafayette, Indiana, where he directs the creative writing program at Purdue University.

Preface
Introduction
The "I."
The "Eye."
The Idea of Truth
The Use of Literary Elements
Portraits
Introduction
The "I."
Bernard Cooper, "Picking Plums."
Tony Earley, "Somehow Form a Family."
Lucy Grealy, "Mirrorings."
Jamaica Kincaid, "Biography of a Dress."
Le Thi Diem Thuy, "The Gangster We Are All Looking For."
John Edgar Wideman, fromBrothers and Keepers
The "Eye."
Beverly Lowry, "Secret Ceremonies of Love and Death."
Susan Orlean, "Meet the Shaps."
Tom Wolfe, "Yeager" fromThe Right Stuff
Craft Essays
Tracy Kidder, "Making the Truth Believable."
Phillip Lopate, "On the Necessity of Turning Oneself into a Character."
Scott Russell Sanders, "The Singular First Person."
Place
Introduction
The "I."
Judith Ortiz Cofer, "Silent Dancing."
Edwidge Danticat, "Westbury Court."
Stuart Dybek, "Field Trips."
Chang-rae Lee, "Coming Home Again."
Thomas Lynch, "The Undertaking."
Naomi Shihab Nye, "Thank You in Arabic."
The "Eye."
John McPhee, "The Search for Marvin Gardens."
James Alan McPherson, "Saturday Night, and Sunday Morning."
Sarah Vowell, "What He Said There."
Craft Essays
Andre Aciman, "A Literary Pilgrim Progresses to the Past."
Vivian Gornick, fromThe Situation and the Story
Jonathan Raban, "Notes from the Road."
Creativity and the Arts
Introduction
The "I."
Meghan Daum, "Music is My Bag."
Dagoberto Gilb, "Steinbeck."