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| Contents: Alphabetical by Authors and Titles | |
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| Table of Dates | |
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| Preface | |
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| Introduction | |
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| Aestheticism | |
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| The Art of Living: Introduction to Aestheticism | |
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| Arguing for Art: Aesthetic Prose | |
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| from Studies in the History of the Renaissance (1873) | |
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| from Mr. Whistler's "Ten O'Clock" (1888) | |
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| The Decay of Lying (1888) | |
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| Preface to The Picture of Dorian Gray (1891) | |
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| from Baldwin (1886) | |
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| The Colour of Life (1896) | |
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| A Defence of Cosmetics (1894) | |
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| A Letter to the Editor (1894) | |
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| from The Decadent Movement in Literature (1893) | |
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| Incantatory Art: Aesthetic Poems | |
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| Non Sum Qualis Eram Bonae Sub Regno Cynarae (1891) | |
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| The Destroyer of a Soul (1892) | |
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| A Decadent's Lyric (1897) | |
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| Renee (1895) | |
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| White Heliotrope (1895) | |
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| Morbidezza (1892) | |
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| Maquillage (1892) | |
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| Two Loves (1894) | |
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| When You are Old (1893) | |
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| The Lover Tells of the Rose in His Heart (1899) | |
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| He Remembers Forgotten Beauty (1899) | |
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| The Secret Rose (1899) | |
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| He Wishes for the Cloths of Heaven (1899) | |
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| from The Sphinx (1894) | |
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| The Harlot's House (1885, 1908) | |
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| Impression du Matin (1877, 1881) | |
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| The Ballad of Reading Gaol (1898) | |
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| Come, Gorgo, put the rug in place (1889) | |
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| I Love You With My Life (1892) | |
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| The Mummy Invokes his Soul (1892) | |
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| Unbosoming (1892) | |
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| La Gioconda (1892) | |
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| A Pen-Drawing of Leda (1892) | |
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| To Vernon Lee (1889) | |
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| Xantippe (1881) | |
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| Renouncement (1882) | |
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| Cradle-Song at Twilight (1895) | |
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| Why Wilt Thou Chide? (1896) | |
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| Maternity (1913) | |
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| Easter Night (1915) | |
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| Aubade (1891) | |
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| Ballad of the Bird-Bride (1889) | |
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| Doubts (1897) | |
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| The White Witch (1902) | |
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| The Art of Conversation: Aesthetic Fiction and Drama | |
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| If You're Anxious for to Shine (1881) | |
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| Enoch Soames (1914) | |
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| The Importance of Being Earnest (1894, performed 1895, 1899) | |
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| Seed of the Sun (1896) | |
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| The Truce of God (1896) | |
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| New Women | |
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| The New Women: Introduction | |
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| New Women in the Popular Press | |
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| The New Aspect of the Woman Question (1894) | |
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| The New Woman (1894) | |
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| The Revolt of the Daughters (1894) | |
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| A Reply from the Daughters (1894) | |
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| The Evolution of the Sex (1895) | |
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| Does Marriage Hinder a Woman's Self-development? (1899) | |
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| A Woman in Grey (1896) | |
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| New Women Poetry | |
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| Woman's Future (1887) | |
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| The New Orthodoxy (1887) | |
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| Cecilia's Way (1903) | |
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| Accession (1905) | |
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| From Our Emancipated Aunt in Town (1895) | |
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| Captivity (1889) | |
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| On the Road (1889) | |
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| Prelude. Wings. (1889) | |
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| New Women Fiction | |
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| A Cross Line (1893) | |
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| The Pleasure-Pilgrim (1895) | |
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| The Fifth Edition (1896) | |
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| Mind and Body | |
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| Mind and Body: Introduction | |
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| Body Fears: Degeneracy and Sexology | |
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| from Inquiries into Human Faculty and Its Development (1883) | |
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| from Degeneration (1895) | |
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| Literary Degenerates (1895) | |
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| from The Sanity of Art (1895, 1908) | |
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| from Studies in the Psychology of Sex (1901) | |
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| from Homogenic Love (1894) | |
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| Political Solutions: Philanthropy, Sociology, Socialism | |
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| Useful Work versus Useless Toil (1884) | |
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| from The Soul of Man Under Socialism (1891) | |
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| from The Basis of Socialism (1889) | |
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| from Life and Labour of the People in London (1889-1903) | |
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| from The Maiden Tribute of Modern Babylon (1885) | |
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| Writing the City, Writing the Country | |
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| Good-Friday (1893) | |
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| In Bohemia. (1896) | |
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| Prologue: In the Stalls. (1902) | |
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| To a Dancer. (1895) | |
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| Prologue: Before the Curtain. (1902) | |
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| II. Loveliest of trees, the cherry now (1896) | |
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| XIII. When I was one-and-twenty (1896) | |
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| To an Athlete Dying Young (1896) | |
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| XXXI. On Wenlock Edge the wood's in trouble (1896) | |
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| Wessex Heights (1898) | |
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| The Darkling Thrush (1900) | |
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| If it Wasn't for the 'Ouses in Between (1899) | |
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| Mental Hopes: Psychology, Parapsychology, Fantasy | |
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| from Principles of Psychology (1890) | |
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| from Fragment of an Analysis of a Case of Hysteria (Dora) (1905) | |
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| from Human Personality and Its Survival of Bodily Death (1903) | |
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| The Beast in the Jungle (1903) | |
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| England and Its Others | |
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| England and Its Others: Introduction | |
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| Writing Empire | |
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| Vitai Lampada (1897) | |
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| The White Man's Burden (1899) | |
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| The Brown Man's Burden (1899) | |
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| from The English in the West Indies (1888) | |
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| from Froudacity (1889) | |
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| The House of Temoana (1896) | |
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| My Country (1908) | |
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| Said the Canoe (1905) | |
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| The Scramble for Africa | |
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| from Through the Dark Continent (1878) | |
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| from Travels in West Africa (1897) | |
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| from South African War-Mortality in Camps of Detention (1901) | |
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| The Eastern Empire: India | |
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| Gunga Din (1890) | |
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| Without Benefit of Clergy (1890) | |
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| In the Next Room (1901) | |
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| The Adventure of the Speckled Band (1892) | |
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| Kashmiri Song (1901) | |
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| Till I Wake (1901) | |
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| Jogadhya Uma (1882) | |
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| Celts and Colonialism: Ireland | |
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| from The Celtic Twilight (1893) | |
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| To the Rose Upon the Rood of Time (1893) | |
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| To Ireland in the Coming Times (1893) | |
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| The Hosting of the Sidhe (1899) | |
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| The Children of Lir (1891) | |
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| Riders to the Sea (1904) | |
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| Credits | |
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| Bibliography | |