| |
| |
| |
| Writers, Readers, and Rhetorical Choices | |
| |
| |
| |
| Narration | |
| |
| |
| "The Chase." | |
| |
| |
| |
| "The Library Card." | |
| |
| |
| |
| "University Days." | |
| |
| |
| |
| "Narrative: Ali." | |
| |
| |
| |
| "Mother Tongue." | |
| |
| |
| |
| "Shooting an Elephant." | |
| |
| |
| |
| "Seven Types of Ambiguity." | |
| |
| |
| |
| |
| Description | |
| |
| |
| "Blue." | |
| |
| |
| |
| "Am I Blue?" | |
| |
| |
| |
| "Snow." | |
| |
| |
| |
| "Once More to the Lake." | |
| |
| |
| |
| "Father Coming Home." | |
| |
| |
| |
| "On Alabama Avenue, Paterson, NJ 1954." | |
| |
| |
| |
| "Flavio's Home." | |
| |
| |
| |
| "Stone Horse." | |
| |
| |
| |
| |
| Definition | |
| |
| |
| "I Want a Wife." | |
| |
| |
| |
| "Girl." | |
| |
| |
| |
| "Hunting and Conversation." | |
| |
| |
| |
| "The Holocaust." | |
| |
| |
| |
| "Pidgin." | |
| |
| |
| |
| "The Meanings of a Word." | |
| |
| |
| |
| "About Men." | |
| |
| |
| |
| "How We Can Understand Their Hatred?" | |
| |
| |
| |
| "My Holy War." | |
| |
| |
| |
| "The Art of Failure: Why Some People Choke and Others Panic." | |
| |
| |
| |
| |
| Exemplification | |
| |
| |
| "Four Appointments with the Discus Thrower." | |
| |
| |
| |
| "Encounters with the Archdruid." | |
| |
| |
| |
| "Thoughts of an Oriental Girl." | |
| |
| |
| |
| "The Vagaries of Taste." | |
| |
| |
| |
| Two Poems: For a Lady I Know and Incident | |
| |
| |
| |
| "The Lesson." | |
| |
| |
| |
| "Delusions of Grandeur." | |
| |
| |
| |
| "The Same Difference." | |
| |
| |
| |
| "What I've Learned from Men." | |
| |
| |
| |
| |
| Classification: Selections from Harper's Magazine | |
| |
| |
| "Friends, Good Friends, Such Good Friends." | |
| |
| |
| |
| "Pornography." | |
| |
| |
| |
| "College Pressures." | |
| |
| |
| |
| "How to Tame a Wild Tongue." | |
| |
| |
| |
| "The Trouble With Fries." | |
| |
| |
| |
| "America's Emerging Gay Culture." | |
| |
| |
| |
| "Bards of the Internet." | |
| |
| |
| |
| |
| Process | |
| |
| |
| "Learning to Read and Write." | |
| |
| |
| |
| "How America Unsexes the Asian Male." | |
| |
| |
| |
| "Prologue to Savages." | |
| |
| |
| |
| "To Make Them Stand in Fear." | |
| |
| |
| |
| "The Classroom and the Wider Culture." | |
| |
| |
| |
| "My First Conk." | |
| |
| |
| |
| "The American Way of Death." | |
| |
| |
| |
| "How to Say Nothing in 500 Words." | |
| |
| |
| |
| |
| Comparison and Contrast | |
| |
| |
| Bruce Catton"Grant and Lee: A Study in Contrasts." | |
| |
| |
| |
| "Two Ways to Belong in America." | |
| |
| |
| |
| "Wham! Bam! Thanks a Bunch!" | |
| |
| |
| |
| "Blacks and Jews." | |
| |
| |
| |
| "Language Worlds." | |
| |
| |
| |
| "Ana." | |
| |
| |
| |
| "Our Tongues Slapped into Silence." | |
| |
| |
| |
| From `Tis a Memoir | |
| |
| |
| |
| "Sex, Lies, and Conversation." | |
| |
| |
| |
| |
| Cause and Effect | |
| |
| |
| "Cold Comfort." | |
| |
| |
| |
| "A Black Man Ponders His Ability to Alter Public Space." | |
| |
| |
| "The Stereotype Trap." | |
| |
| |
| |
| "The Bali Saleng." | |
| |
| |
| |
| "Sister Godzilla." | |
| |
| |
| |
| "Boxing as a Metaphor for Life." | |
| |
| |
| |
| "Magic Time: Observations of a Cancer Casualty." | |
| |
| |
| |
| "The Zero-Moment Point." | |
| |
| |
| |
| |
| Argument | |
| |
| |
| |
| "Why Don't We Complain?" | |
| |
| |
| |
| "The Killing Game." | |
| |
| |
| |
| "Hunting and Human Values." | |
| |
| |
| |
| "Who Killed Benny Paret?" | |
| |