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Foreword | |
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Introduction | |
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Color recollection-visual memory | |
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Color reading and contexture | |
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Why color paper-instead of pigment and paint | |
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A color has many faces-the relativity of color | |
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Lighter and / or darker-light intensity, lightness | |
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Gradation studies-new presentations | |
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Color intensity-brightness | |
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1 color appears as 2-looking like the reversed grounds | |
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2 different colors look alike-subtraction of color | |
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Why color deception?-after-image, simultaneous contrast | |
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Color mixture in paper-illusion of transparence | |
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Factual mixtures-additive and subtractive | |
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Transparence and space-illusion | |
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Color boundaries and plastic action | |
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Optical mixture-after-image revised | |
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The Bezold Effect | |
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Color intervals and transformation | |
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The middle mixture again-intersecting colors | |
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Color juxtaposition-harmony-quantity | |
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Film color and volume color-2 natural effects | |
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Free studies-a challenge to imagination | |
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Stripes-restricted juxtaposition | |
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Fall leaf studies-an American discovery | |
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The Masters-color instrumentation | |
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The Weber-Fechner Law-the measure in mixture | |
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From color temperature to humidity in color | |
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Vibrating boundaries-enforced contours | |
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Equal light intensity-vanishing boundaries | |
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Color theories-color systems | |
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On teaching color-some color terms | |
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Explanation of color terms | |
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Variants versus variety | |
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In lieu of a bibliography-my first collaborators | |
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Plates and commentary | |