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List of Illustrations | |
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Acknowledgments | |
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Seeing into Being: An Introduction | |
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Dirty Old Books | |
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Visualizing and Illustrating Early Rus Housing | |
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The Crosier of St. Stefan of Perm | |
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Sixteenth-Century Muscovite Cavalrymen | |
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Blessed Is the Host of the Heavenly Tsar: An Icon from the Dormition Cathedral of the Moscow Kremlin | |
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The Cap of Monomakh | |
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Church of the Intercession on the Moat / St. Basil's Cathedral | |
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Mapping Serfdom: Peasant Dwellings on Seventeenth-Century Litigation Maps | |
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From Tsar to Emperor: Portraits of Aleksei and Peter I | |
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The Russian Round Table: Aleksei Zubov's Depiction of the Marriage of His Royal Highness, Peter the First, Autocrat of All the Russias | |
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An Icon of Female Authority: The St. Catherine Image of 1721 | |
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Conspicuous Consumption at the Court of Catherine the Great: Count Zakhar Chernyshev's Snuffbox | |
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Moving Pictures: The Optics of Serfdom on the Russian Estate | |
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Neither Nobles nor Peasants: Plain Painting and the Emergence of the Merchant Estate | |
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Circles on a Square: The Heart of St. Petersburg Culture in the Early Nineteenth Century | |
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Alexander Ivanov's Appearance of Christ to the People | |
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Lubki of Emancipation | |
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Folk Art and Social Ritual | |
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Personal and Imperial: Fyodor Vasiliev's In the Crimean Mountains | |
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Shop Signs, Monuments, Souvenirs: Views of the Empire in Everyday Life | |
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The Storming of Kars | |
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A. O. Karelin and Provincial Bourgeois Photography | |
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European Fashion in Russia | |
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The Savior on the Waters Church War Memorial in St. Petersburg | |
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Workers in Suits: Performing the Self | |
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Visualizing Masculinity: The Male Sex That Was Not One in Fin-de-Si�cle Russia | |
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Pictographs of Power: The 500-Ruble Note of 1912 | |
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Visualizing 1917 | |
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Looking at Tatlin's Stove | |
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Soviet Images of Jehovah in the 1920s | |
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National Types | |
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Envisioning Empire: Veils and Visual Revolution in Soviet Central Asia | |
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The Visual Economy of Forced Labor: Alexander Rodchenko and the White Sea-Baltic Canal | |
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The Cinematic Pastoral of the 1930s | |
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Portrait of Lenin: Carpets and National Culture in Soviet Turkmenistan | |
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The Moscow Metro | |
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The Soviet Spectacle: The All-Union Agricultural Exhibitions | |
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Motherland Calling? National Symbols and the Mobilization for War | |
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Visual Dialectics: Murderous Laughter in Eisenstein's Ivan the Terrible | |
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Soviet Jewish Photographers Confront World War II and the Holocaust | |
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The Morning of Our Motherland: Fyodor Shurpin's Portrait of Stalin | |
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The Pioneer Palace in the Lenin Hills | |
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Mikhail Romm's Ordinary Fascism | |
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Solaris and the White, White Screen | |
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After Malevich—Variations on the Return to the Black Square | |
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Imagining Soviet Rock: Akvarium's Triangle | |
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Keeping the Ancient Piety: Old Believers and Contemporary Society | |
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Viktor Vasnetsov's Bogatyrs: Mythic Heroes and Sacrosanct Borders Go to Market | |
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Landscape and Vision at the White Sea-Baltic Canal | |
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Chronology of Russian History | |
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Selected Bibliography | |
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List of Contributors | |
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Illustration Credits | |
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Index | |