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Foreword | |
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Preface | |
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Introduction: Art of the American Indian Frontier | |
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Expressions of Ethnicity: Nineteenth-Century Dress | |
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Metonym and Metaphor: Public and Private Meanings in Sculpture, Engraving, and Painting | |
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American Indian Dress: The Techniques of Ethnic Expression | |
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Woodlands and Prairies | |
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Clothing Accessories of the Early Nineteenth Century: Porcupine Quill and Buckskin | |
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Early Finger-Woven Textiles | |
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Heddle-Woven Garters and Sashes | |
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Warp-Faced Twined Bags | |
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Great Lakes and Midwest Dress, 1830-1850 | |
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Embroidery of the Southeast before 1850 | |
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Early Loom-Woven Beadwork | |
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Turbans and Bearclaw Necklaces | |
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Synthesis and Innovation: The Prairie Style, 1860-1900 | |
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Later Woven Beadwork | |
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Later Twined and Finger-Woven Textiles | |
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Formal Dress at the Close of the Nineteenth Century | |
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Plains | |
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Early Dress of the "Upper Missouri Style" | |
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Early Seed Bead Embroidery: The Emergence of Tribal Style | |
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Parfleche: Rawhide Painting | |
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Between Cultures: Dress of the Red River Metis | |
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Later Dress and Decorative Arts of the Cheyenne, Arapaho, and Kiowa | |
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Later Dress and Decorative Arts of the Sioux | |
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Later Dress and Decorative Arts of the Crow and the "Transmontane Style" | |
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Later Dress and Decorative Arts of the Northwest Plains: Mandan, Blackfeet, and Gros Ventre | |
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The Measure of Men: Feather Bonnets | |
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Objects and Images | |
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Great Lakes and Prairies | |
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Exchanges of Trust | |
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Weapons of War | |
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Smoking Pipes: Pleasing the Spirits | |
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Tools as Sculpture | |
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Vessels and Utensils: Bowls and Spoons | |
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Images as Effigies | |
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The Language of Pictographs | |
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Plains | |
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Clubs and Coup Sticks | |
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Elk Antler Quirts | |
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The Gift of Red Stone: Plains Smoking Pipes | |
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Feasts for Power: Bowls and Spoons | |
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Visionary Painting | |
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Pictographs as History | |
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The Miami War Pipe | |
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A Collector's Life: A Memoir of the Chandler-Pohrt Collection | |
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Richard A. Pohrt | |
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Collecting and the Meanings of Collections | |
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Bibliography | |
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Index | |