Always Already New Media, History, and the Data of Culture

ISBN-10: 0262572478

ISBN-13: 9780262572477

Edition: 2008

Authors: Lisa Gitelman

List price: $30.00
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Description:

In Always Already New, Lisa Gitelman explores the newness of new media while she asks what it means to do media history. Using the examples of early recorded sound and digital networks, Gitelman challenges readers to think about the ways that media work as the simultaneous subjects and instruments of historical inquiry. Presenting original case studies of Edison's first phonographs and the Pentagon's first distributed digital network, the ARPANET, Gitelman points suggestively toward similarities that underlie the cultural definition of records (phonographic and not) at the end of the nineteenth century and the definition of documents (digital and not) at the end of the twentieth. As a result, Always Already Newspeaks to present concerns about the humanities as much as to the emergent field of new media studies. Records and documents are kernels of humanistic thought, after all--part of and party to the cultural impulse to preserve and interpret. Gitelman's argument suggests inventive contexts for "t;humanities computing"t; while also offering a new perspective on such traditional humanities disciplines as literary history. Making extensive use of archival sources, Gitelman describes the ways in which recorded sound and digitally networked text each emerged as local anomalies that were yet deeply embedded within the reigning logic of public life and public memory. In the end Gitelman turns to the World Wide Web and asks how the history of the Web is already being told, how the Web might also resist history, and how using the Web might be producing the conditions of its own historicity.
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Book details

List price: $30.00
Copyright year: 2008
Publisher: MIT Press
Publication date: 8/29/2008
Binding: Paperback
Pages: 224
Size: 7.00" wide x 9.25" long x 0.75" tall
Weight: 0.880
Language: English

Lisa Gitelman is Professor of English and Media, Culture, and Communication at New York University. She is the coeditor of New Media, 1710--1915 (2003) and author of Always Already New: Media, History, and the Data of Culture (2006), both published by the MIT Press.

List of Illustrations
Preface
Introduction: Media as Historical Subjects
The Case of Phonographs
New Media Publics
New Media Users
The Question of the Web
New Media Bodies
New Media
Epilogue: Doing Media History
Notes
References
Index
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