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| List of Illustrations | |
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| Foreword: Revolution and Revelation | |
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| Acknowledgments | |
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| Introduction: Mimicry, Excess, Critique | |
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| Critical Practices | |
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| An Artist's Statements (1992) | |
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| In and Out of Place (1985) | |
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| "Creativity = Capital"? (1986) | |
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| It's Art When I Say It's Art, or. . . (1995) | |
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| What's Intangible, Transitory, Mediating, Participatory, and Rendered in the Public Sphere? (1996) | |
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| What's Intangible, Transitory, Mediating, Participatory, and Rendered in the Public Sphere? Part II(1996) | |
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| "To Quote," Say the Kabyles, "Is to Bring Back to Life" (2002) | |
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| Public Institutions, Private Objects | |
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| Notes on the Museum's Publicity (1990) | |
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| Museum Highlights: A Gallery Talk (1989) | |
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| A Letter to the Wadsworth Atheneum (1991) | |
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| Welcome to the Wadsworth (1991) | |
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| Aren't They Lovely? An Introduction (1992) | |
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| Professional Interests | |
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| A Speech on Documenta (1992) | |
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| How to Provide an Artistic Service: An Introduction (1994) | |
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| What Do I, as an Artist, Provide? (A Speech at the EA-Generali Foundation) (1995) | |
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| Slashing the American Canvas, or, Why I Would Rather Have a Day Job (1998) | |
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| A "Sensation" Chronicle (2001) | |
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| Official Welcome (2001) | |
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| In Conclusion? | |
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| Onward To The Past, Or, Art At The Forefront Of Regression | |
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| Isn't This a Wonderful Place? (A Tour of a Tour of the Guggenheim Bilbao) (2003) | |
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| Bibliography | |
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| Index | |