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Modernism's Masculine Subjects Matisse, the New York School, and Post-Painterly Abstraction

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ISBN-10: 0262524686

ISBN-13: 9780262524681

Edition: 2006

Authors: Marcia Brennan

List price: $15.95
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Description:

Brennan traces the formalist critical discourses in which work by Matisse, Pollock, de Kooning and others could stand as symbolic representations that at once challenged and reproduced prevailing cultural conceptions of masculinity.
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Book details

List price: $15.95
Copyright year: 2006
Publisher: MIT Press
Publication date: 9/8/2006
Binding: Paperback
Pages: 240
Size: 6.75" wide x 8.25" long x 0.50" tall
Weight: 0.946

Marcia Brennan is Associate Professor of Art History at Rice University. She has previously taught art history at Brown University and the College of the Holy Cross. She is the author of Painting Gender, Constructing Theory: The Alfred Stieglitz Circle and American Formalist Aesthetics (2002) and Modernism's Masculine Subjects: Matisse, the New York School, and Post-Painterly Abstraction (2006), both published by the MIT Press.

Acknowledgments
Introduction: A "Straight Theory" of Bourgeois Pleasure in Later Modernist Painting
Still Lifes and Centerfolds: The Negotiation of the Feminine in Greenberg's Reading of Matisse
Fragmented Bodies and Canonical Nudes: Painting and Reading de Kooning's Woman Series
Pollock and Krasner: Touching and Transcending the Boundaries of Abstract Expressionism
How Formalism Lost Its Body but Kept Its Gender: Frankenthaler, Louis, and Noland in the Sixties
Notes
Selected Bibliography
Index