Producer as Composer Shaping the Sounds of Popular Music

ISBN-10: 0262514052
ISBN-13: 9780262514057
Edition: 2010
List price: $15.95 Buy it from $4.56
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Book details

List price: $15.95
Copyright year: 2010
Publisher: MIT Press
Publication date: 2/26/2010
Binding: Paperback
Pages: 168
Size: 6.00" wide x 9.00" long x 0.50" tall
Weight: 0.550
Language: English

Acknowledgments
Introduction
From Mirror to Beacon
Beginnings
The Brill Building Songwriters
Phil Spector's Wall of Sound
"Be My Baby"
Brian Wilson
"Good Vibrations"
Hits Off the Assembly Line: Motown
"I Heard It through the Grapevine"
George Martin and the Beatles
"Tomorrow Never Knows"
"A Day in the Life"
Frank Zappa
"Flower Punk"
The Situation at the End of the Sixties
The Studio as Musical Instrument
Sixteen Tracks and More
Dark Side of the Moon
Tony Visconti
Brian Eno
Music for Airports: "2/1"
My Life in the Bush of Ghosts
Bill Laswell
The Making of Swans' The Burning World
Trent Reznor
"Mr. Self Destruct" v. "Irresponsible Hate Anthem"
The Producer Takes Center Stage
The Discoth�que and Musique Concr�te
Disco: "The Producer's Genre"
"I Feel Love"
Michael Jackson's Work with Quincy Jones
"Billie Jean"
Kraftwerk and Conny Plank
Hip-Hop and the Rise of Sampling
Hip-Hop in the Late Eighties
"Bring the Noise"
The Hip-Hop Producer Today
Electronica
Remix
"Break on Through" (The Doors; BT Remix)
Re-editing Updated: Mash-Ups
The Contemporary Situation: Is the Producer Obsolete?
Glossary
Recordings Cited
Bibliography
Index

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