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| Advisors | |
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| Preface: The New Media Reader, A User's Manual | |
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| Acknowledgments | |
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| Perspectives on New Media: Two Introductions | |
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| Inventing the Medium | |
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| New Media from Borges to HTML | |
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| The Complex, the Changing, and the Indeterminate | |
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| The Garden of Forking Paths (1941) | |
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| As We May Think (1945) | |
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| Computing Machinery and Intelligence (1950) | |
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| Men, Machines, and the World About (1954) | |
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| Man-Computer Symbiosis (1960) | |
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| "Happenings" in the New York Scene (1961) | |
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| The Cut-Up Method of Brion Gysin (1963) | |
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| From Augmenting Human Intellect: A Conceptual Framework (1962) | |
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| Sketchpad: A Man-Machine Graphical Communication System (1963) | |
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| The Construction of Change (1964) | |
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| A File Structure for the Complex, the Changing, and the Indeterminate (1965) | |
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| Six Selections by the Oulipo (1961-1981) | |
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| A Hundred Thousand Billion Poems | |
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| Yours for the Telling | |
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| A Brief History of the Oulipo | |
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| For a Potential Analysis of Combinatory Literature | |
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| Computer and Writer: The Centre Pompidou Experiment | |
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| Prose and Anticombinatorics | |
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| Collective Media, Personal Media | |
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| Two Selections | |
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| The Medium is the Message, 1964 (from Understanding Media) | |
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| The Galaxy Reconfigured or the Plight of Mass Man in an Individualist Society, 1969 (from The Gutenberg Galaxy) | |
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| Four Selections by Experiments in Art and Technology | |
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| From "The Garden Party", Billy Kluver, 1961 From 9 Evenings, E.A.T., 1966 [Press Release], E.A.T., 1966 | |
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| The Pavillion Billy Kluver, 1972 | |
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| Cybernated Art (1966) | |
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| A Research Center for Augmenting Human Intellect (1968) | |
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| From Software--Information Technology: Its New Meaning for Art (1970) | |
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| Requiem for the Media (1972) | |
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| The Technology and the Society (1974) | |
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| From Computer Lib / Dream Machines (1970-1974) | |
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| From Theatre of the Oppressed (1974) | |
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| From Soft Architecture Machines (1975) | |
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| From Computer Power and Human Reason (1976) | |
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| Responsive Environments (1977) | |
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| Personal Dynamic Media (1977) | |
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| From A Thousand Plateaus (1980) | |
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| Design, Activity, and Action | |
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| From Mindstorms: Children, Computers, and Powerful Ideas (1980) | |
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| "Put-That-There": Voice and Gesture at the Graphics Interface (1980) | |
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| Proposal for a Universal Electronic Publishing System and Archive (from Literary Machines) (1981) | |
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| Will There Be Condominiums in Data Space? (1982) | |
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| The Endless Chain (from The Media Monopoly) (1983) | |
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| Direct Manipulation: A Step Beyond Programming Languages (1983) | |
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| Video Games and Computer Holding Power (from The Second Self) (1984) | |
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| A Cyborg Manifesto: Science, Technology, and Socialist-Feminism in the Late Twentieth Century (1985) | |
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| The GNU Manifesto (1985) | |
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| Using Computers: A Direction for Design (from Understanding Computers and Cognition) (1986) | |
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| Two Selections | |
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| The Six Elements and the Causal Relations Among Them, 1991 (from Computers as Theater)Star Raiders: Dramatic Interaction in a Small World, 1986 | |
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| Towards a New Classification of the Tele-Information Services (1986) | |
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| Revolution, Resistance, and the Launch of the Web | |
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| Mythinformation (1986) | |
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| From Plans and Situated Actions (1987) | |
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| Siren Shapes: Exploratory and Constructive Hypertexts (1988) | |
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| The Work of Culture in the Age of Cybernetic Systems (1988) | |
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| The Fantasy Beyond Control (1990) | |
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| Cardboards Computers (1991) | |
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| The Lessons of Lucasfilm's Habitat (1991) | |
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| Seeing and Writing (from Writing Space) (1991) | |
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| You Say You Want a Revolution? Hypertext and the Laws of Media (1991) | |
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| The End of Books (1992) | |
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| Time Frames (from Understanding Comics) (1993) | |
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| Surveillance and Capture: Two Models of Privacy (1994) | |
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| Nonlinearity and Literary Theory (1994) | |
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| Nomadic Power and Cultural Resistance (1994) | |
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| Critical Art Ensemble | |
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| The World Wide Web (1994) | |
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| Permissions | |
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| Index | |