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| Preface | |
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| Sweet and Sour | |
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| A Not So Gentle Manifesto | |
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| Homage to Vincent Scully and His Shingle Style, with Reminiscences and Some Outcomes | |
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| Donald Drew Egbert - A Tribute | |
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| Notes for a Lecture Celebrating the Centennial of the American Academy in Rome Delivered in Chicago | |
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| Adorable Discoveries When I Was a Semi-Naive Fellow at the American Academy in Rome That I Never Forget | |
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| Armando Brasini Revisited | |
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| Furness and Taste | |
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| Frank Lloyd Wright Essay for the Pennsylvania Academy of the Fine Arts | |
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| Words on the Guggenheim Museum in Response to a Request by Thomas Krens | |
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| For an Anniversary of the Bauhaus, 1994 | |
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| Learning from Aalto | |
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| A Protest Concerning the Extension of the Salk Center | |
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| Thoughts about Evolving Teachers and Students | |
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| Louis Kahn Remembered: Notes from a Lecture at the Opening of the Kahn Exhibition in Japan, January 1993 | |
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| Essay Derived from the Acceptance Speech, the Madison Medal, Princeton University | |
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| Robert Venturi's Response at the Pritzker Prize Award Ceremony at the Palacio de Iturbide, Mexico City, May 16, 1991 | |
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| Episcopal Academy Fiftieth Class Reunion Statement | |
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| Two Naifs in Japan | |
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| "Venturi Shops" | |
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| Las Vegas after Its Classic Age | |
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| Some Agonized Thoughts about Maintenance and Preservation Concerning Humble Buildings of the Recent Past | |
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| Guild House, Twenty-Five Years Later | |
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| Thoughts of Fire Station No. 4 Twenty-Five Years Later | |
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| Speech for the Conference "Interiors for Historic Buildings" | |
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| The Preservation Game at Penn: An Emotional Response | |
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| A Series of Responses for Via, the Journal of the School of Fine Arts, University of Pennsylvania | |
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| Personal Approaches and Positions toward Contemporary Architectural Practice | |
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| Letter Sent to Several Architect Selection Committees Concerning Competitions, Drafted Members of the Office of Venturi, Scott Brown and Associates | |
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| Answer to Charles K. Hoyt, Editor, Architectural Record, Regarding Competitions | |
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| The Overwhelming of the Architect: What It Takes to Be an Architect in the Nineties: A Modest Tirade Mainly for Myself | |
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| Letter to Friends about to Visit the Sainbury Wing | |
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| The Hall and the Avenue | |
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| Toward a Scenographic Architecture for Today: Generic Form with Ordinary-Extraordinary Signs: A Description of the Kirifuri Resort Project in Nikko | |
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| Imagery via Lighting and Electronics for Loker Commons, Memorial Hall, Harvard University | |
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| Whitehall Ferry Terminal - Plus Ca Change...Encore - A Somewhat Intemperate Response to Current Criticism of the Whitehall Ferry Design | |
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| Thoughts on the Architecture of the Scientific Workplace Community, Change, and Continuity | |
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| From Invention to Convention in Architecture | |
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| Note on the Beloved Princeton Campus as a Basis for a Proposed Planning Study | |
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| More Thoughts on Context and Function: The American Campus in the American Town | |
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| General Thoughts Concerning Designing for Architecture on American Campuses | |
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| Being Repulsive: As I Travel I See Elements of Buildings from My Hotel Window That Originated in My/Our Work and Have Been Exploited All Over | |
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| Windows - c. '65 | |
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| Architecture as Elemental Shelter, the City as Valid Decon | |
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| Window vs. Trend: The Current Academization of American Architectural Education | |
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| The Vision Thing: Why It Sucks | |
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| "Ceci Tuera Cela" Is Now "Cela Est Devenu Ceci": Some Thoughts Concerning Architecture and Media | |
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| Letter to the Editor of the Architectural Review, February 17, 1987 | |
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| Letter to R. Craig Miller, Curator of the Department of Design and Architecture at the Denver Art Museum | |
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| Letter Not Sent to an Architecture Critic | |
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| J'Adore St. Paul's | |
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| Mals Mots: Aphorisms - Sweet and Sour - by an Anti-Hero Architect | |
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| Introduction to My M.F.A. Thesis | |
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| Contest in Architectural Composition: M.F.A. Thesis, Princeton University | |