Dante's Inferno

ISBN-10: 0253209307
ISBN-13: 9780253209306
Edition: N/A
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Description: This new critical edition, including Mark Musa's classic translation, provides students with a clear, readable verse translation accompanied by ten innovative interpretations of Dante's masterpiece.

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Book details

List price: $22.00
Publisher: Indiana University Press
Publication date: 6/22/1995
Binding: Paperback
Pages: 432
Size: 6.25" wide x 9.50" long x 1.00" tall
Weight: 1.386
Language: English

This new critical edition, including Mark Musa's classic translation, provides students with a clear, readable verse translation accompanied by ten innovative interpretations of Dante's masterpiece.

Born Dante Alighieri in the spring of 1265 in Florence, Italy, he was known familiarly as Dante. His family was noble, but not wealthy, and Dante received the education accorded to gentlemen, studying poetry, philosophy, and theology. His first major work was Il Vita Nuova, The New Life. This brief collection of 31 poems, held together by a narrative sequence, celebrates the virtue and honor of Beatrice, Dante's ideal of beauty and purity. Beatrice was modeled after Bice di Folco Portinari, a beautiful woman Dante had met when he was nine years old and had worshipped from afar in spite of his own arranged marriage to Gemma Donati. Il Vita Nuova has a secure place in literary history: its vernacular language and mix of poetry with prose were new; and it serves as an introduction to Dante's masterpiece, The Divine Comedy, in which Beatrice figures prominently. The Divine Comedy is Dante's vision of the afterlife, broken into a trilogy of the Inferno, Purgatory, and Paradise. Dante is given a guided tour of hell and purgatory by Virgil, the pagan Roman poet whom Dante greatly admired and imitated, and of heaven by Beatrice. The Inferno shows the souls who have been condemned to eternal torment, and included here are not only mythical and historical evil-doers, but Dante's enemies. The Purgatory reveals how souls who are not irreversibly sinful learn to be good through a spiritual purification. And The Paradise depicts further development of the just as they approach God. The Divine Comedy has been influential from Dante's day into modern times. The poem has endured not just because of its beauty and significance, but also because of its richness and piety as well as its occasionally humorous and vulgar treatment of the afterlife. In addition to his writing, Dante was active in politics. In 1302, after two years as a priore, or governor of Florence, he was exiled because of his support for the white guelfi, a moderate political party of which he was a member. After extensive travels, he stayed in Ravenna in 1319, completing The Divine Comedy there, until his death in 1321.

Preface
The Inferno
Critical Essays
Read It and (Don't) Weep: Textual Irony in the Inferno
Dante's Beloved Yet Damned Virgil
Inferno I: Breaking the Silence
Dante's Inferno, Canto IV
Behold Francesca Who Speaks So Well (Inferno V)
Iconographic Parody in Inferno XXI
Virgil and Dante as Mind-Readers (Inferno XXI and XXIII)
The Plot-Line of Myth in Dante's Inferno
Hell as the Mirror Image of Paradise
Dante in the Cinematic Mode: An Historical Survey of Dante Movies
Selected Bibliography: Inferno
Contributors
Index

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