| |
| |
| The Musics of the World | |
| |
| |
| The Harmless Drudge: Defining Ethnomusicology | |
| |
| |
| The Art of Combining Tones: The Music Concept | |
| |
| |
| Inspiration and Perspiration: The Creative Process | |
| |
| |
| The Universal Language: Universals of Music | |
| |
| |
| The non-universal Language: Varieties of Music | |
| |
| |
| Apples and Oranges: Comparative Study | |
| |
| |
| I Can't Say a Thing until I've Seen the Score: Transcription and Notation | |
| |
| |
| In the Speech Mode: Contemplating Repertories | |
| |
| |
| The Most Indefatigable Tourists of the World: Tunes and Their RelationshipsIn the FieldCome Back and See Me next Tuesday: essentials of Fieldwork | |
| |
| |
| You Will Never Understand this Music: Insiders and Outsiders | |
| |
| |
| Hanging on for Dear Life: Preservation and Archives | |
| |
| |
| I Am the Greatest: Ordinary and Exceptional Musicians | |
| |
| |
| You Call That Fieldwork? Redefining the 'Field' | |
| |
| |
| What Do You Think You're Doing? The Host's PerspectiveIn CultureMusic and ;That Complex Whole': Music in Culture | |
| |
| |
| The Meat-and-Potatoes Book: Musical Ethnography | |
| |
| |
| Music Hath Charms: Uses and Functions of Music | |
| |
| |
| In the Beginning: Origins of Music | |
| |
| |
| The Continuity of Change: On People Changing Their Music | |
| |
| |
| Recorded, Printed, Written, Oral: Traditions | |
| |
| |
| The Basic Unit of All Human Behavior and Civilization: Signs and Symbols | |
| |
| |
| Location, Location, Location! Interpreting Geographic Distribution | |
| |
| |
| The Whys of Musical Style: DeterminantsIn All Its VarietiesI've never heard a Horse Sing: Musical Stratification | |
| |
| |
| The Creatures of Jubal: Organology | |
| |
| |
| How Do You Get to Carnegie Hall? Teaching and Learning | |
| |
| |
| I'm a Stranger here Myself: Women's Music, Women in Music | |
| |
| |
| Diversity and Difference: Some Minorities | |
| |
| |
| A New Era: The 1990s and Beyond | |
| |
| |
| The Shape of the Story: Remarks On History | |