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Foreword | |
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Introduction | |
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April 14 | |
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April 15 | |
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April 22 | |
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Soundtrack for Home Movie No. 3 | |
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Reading Plato | |
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Bird Notes | |
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Bonnard's Garden | |
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Occupations | |
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At Point Reyes | |
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American Adobo | |
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The Bronze Dove | |
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Ang Tunay Na Lalaki Stalks the Streets of New York | |
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Ang Tunay Na Lalaki Is Baffled by Cryptic Messages | |
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Ang Tunay Na Lalaki Visits His Favorite Painting | |
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The Sign Reads | |
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Swindled, I Left Everything | |
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I Remember Her, a Bowl of Water | |
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If There Is No Memory, It Did Not Happen | |
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What the Landscape Works For Is What I Have Left | |
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I Am in Unction Now | |
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Origin & Ash | |
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Invention | |
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Fish Story | |
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Versions | |
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Curriculum | |
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Journal of the Diabetic Father | |
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Manong Jose, While Cleaning His Last Window before Coffee, Sees Fielito and Is Pleased Though Wary | |
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When Fidelito Is the New Boy at School | |
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Grounding | |
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Carpenter Ants | |
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Nine Secrets the Recto Family Can't Tell the Boy | |
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Rite of Passage | |
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October: One Year Later | |
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First Light | |
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Because I Love You | |
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Woman Reading | |
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Measure | |
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Exposure | |
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The Pink House in Four Variations | |
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The Burning | |
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The Fox Hole | |
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The Most Beautiful Word | |
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Earth Cafeteria | |
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Longitudes | |
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Persephone | |
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In the Grips of a Sickness Transmitted by Wolves | |
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In the Binary Alleys of the Lion's Virus | |
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The Fire of Despair | |
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All the Aphrodisiacs | |
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Assiduous Rant | |
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During Bath | |
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Not Henry Miller but Mother | |
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Lot's Wife | |
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The Hen | |
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Bamiyan | |
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Early Morning under Persimmon | |
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Crevecoeur | |
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Train to Agra | |
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Spell | |
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The India of Postcards | |
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Two Women | |
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Alignment | |
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The Couple Next Door | |
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Hanji: Notes for a Paper-Maker | |
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Monologue for an Onion | |
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Montage with Neon, Bok Choi, Gasoline, Lovers & Strangers | |
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Coup de Grace | |
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An Evening Train | |
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The Assignation | |
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Winter | |
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Monologue with the Void | |
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Li Po Declines | |
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El Nino | |
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Be You Ever So Lonesome | |
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Ravine | |
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Field | |
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Letters | |
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Emerald World | |
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Overhearing Water | |
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Fishbone | |
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A Date with a Cherry Farmer | |
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Mouth Stories | |
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What I Learned from the Incredible Hulk | |
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Red Ghazal | |
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The Shirt His Father Wore That Day Was Wrinkled, Slightly | |
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From Rooftops, Kenji Takezo Throws Himself | |
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The Ocean Inside Him | |
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With Her at All Times Ethel Nakano Carried a Sledgehammer | |
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A Man Made Himself a Marionette | |
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Shelter | |
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Birthmark | |
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Translation | |
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This Poetry | |
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Losing a Memory | |
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Burial Practice | |
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Hotel Lullaby | |
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Circle (I) | |
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Circle (VI) | |
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Palinode | |
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Stupid | |
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Anniversary Song | |
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25% Pressure | |
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Death and the Maiden | |
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Transplanting | |
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Hope | |
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Dream Carp | |
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Rise | |
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Your One Good Dress | |
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Postfeminism | |
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Panopticon | |
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Interior with Sudden Joy | |
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The English Canon | |
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Female Infanticide: A Guide for Mothers | |
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Savannah Crabs | |
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Wedding Gifts | |
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Bird of Paradise Aubade with Bangkok Etching over the Bed | |
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Comings and Goings | |
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To My Cousin in Bangkok, Age 16 | |
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Stillborn | |
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Winter Swim | |
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25th & Dolores | |
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Decor | |
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Korean Martyrs | |
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Venice, Unaccompanied | |
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Flatlanders | |
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The Philosopher in Florida | |
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Broughtonia | |
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Exile | |
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Moonlight Cocktail | |
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Invective | |
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Acknowledgments | |
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Contributors | |
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Index of Titles | |