Beyond Continuity Script Supervision for the Modern Filmmaker

ISBN-10: 0240814894
ISBN-13: 9780240814896
Edition: 2014
Authors: Mary Cybulski
Buy it from $34.41
eBook available
30 day, 100% satisfaction guarantee

If an item you ordered from TextbookRush does not meet your expectations due to an error on our part, simply fill out a return request and then return it by mail within 30 days of ordering it for a full refund of item cost.

Learn more about our returns policy

Description: This book is a guide to the craft of script supervising. It will include both practical instruction and examples that explain the skills needed to work as a professional script supervisor. It will also contain stories from my many years on  More...

New Starting from $34.41
eBooks Starting from $13.98
what's this?
Rush Rewards U
Members Receive:
You have reached 400 XP and carrot coins. That is the daily max!

Study Briefs

Limited time offer: Get the first one free! (?)

All the information you need in one place! Each Study Brief is a summary of one specific subject; facts, figures, and explanations to help you learn faster.

Add to cart
Study Briefs
Periodic Table Online content $4.95 $1.99
Add to cart
Study Briefs
Medical Terminology Online content $4.95 $1.99
Add to cart
Study Briefs
Medical Math Online content $4.95 $1.99

Customers also bought


Book details

Copyright year: 2014
Publisher: Taylor & Francis Group
Publication date: 4/15/2014
Binding: Paperback
Pages: 282
Size: 6.00" wide x 9.00" long x 0.50" tall
Weight: 1.100
Language: English

This book is a guide to the craft of script supervising. It will include both practical instruction and examples that explain the skills needed to work as a professional script supervisor. It will also contain stories from my many years on extraordinary film sets that will bring those examples to life. The author will walk the reader through the process of becoming and working as a script supervisor. Included will be the basic skills such as how to breakdown a script, taking notes on set, matching, cheating, screen direction, and what the director, actors and editor expect from a script supervisor. The book will also include many of the more subtle but just as important skills, how to get a job, how to tell what is important in a script and on set, how to get along with the cast and crew, and how not to get overwhelmed when there is too much information to process.   Our basic job as script supervisors is to understand and record the most essential elements of the film. In the past, we were often looked upon as secretaries. Things have changed and now we are usually thought of more like executive assistants, true filmmakers, a director's backup and secret weapon. This change has come at the same time and in connection with a new film language. Post-modernist filmmaking is changing the grammar of the film and of course rules that we script supervisors used to champion. When it is no longer forbidden to cross the 180 line, our job is now to know what it means to cross the 180 line. Or to mix frame sizes, jump time or any of the poetic leaps that many of our contemporary filmmakers are now taking. There hasn't been a 'how-to' book about script supervising since this change has happened. This will be the first to address and explore the dynamics of this new filmmaking. awesome key features here

Mary Cybulski is a script supervisor with more than twenty years experience. She has learned and invented techniques that have made her one of the most skilled and valued script supervisors in the US. She is the first call for many of our most inventive directors: John Sayles, David Mamet, Jodie Foster, M. Night Shyamalan, Ang Lee, Charlie Kaufman, Michel Gondry and Tony Gilroy. During these years she has developed her craft by both learning and inventing professional techniques. Cybulski has been a guest lecturer at NYU grad film, NYU grad acting, Columbia film school, Trinity College department of theatre, One on One acting workshop in NYC, and have mentored and trained dozens of hopeful script supervisors. I have made award winning short films, written and sold scripts for feature films, directed a feature film, worked in the camera department, the sound department, the production office, designed and shot visual effects. This additional film work has added insight to her craft and given her valuable skills, the ability to understand what a director needs and how to coordinate her work with the rest of the filmmaking team.

What's so great about being a script supervisor?
What does a script supervisor do?
Getting Started
How to get a job
Meeting the director
Making your deal
You have the job. Now what?
Prep Time
The Production Office
Breakdowns: What, How, and Why: Rehearsals
The Read Through
Tech Scouts
Getting ready for the shoot
A virtual day on set
Keeping the notes
Rolling Film
What to Remember
Using Your Breakdowns
The Grammar of Filmmaking
Working Well with Others
The Big Picture
How to Learn About Acting
Being a Department Head of One
The Girl Thing

Free shipping on orders over $35*

*A minimum purchase of $35 is required. Shipping is provided via FedEx SmartPost® and FedEx Express Saver®. Average delivery time is 1 – 5 business days, but is not guaranteed in that timeframe. Also allow 1 - 2 days for processing. Free shipping is eligible only in the continental United States and excludes Hawaii, Alaska and Puerto Rico. FedEx service marks used by permission."Marketplace" orders are not eligible for free or discounted shipping.

Learn more about the TextbookRush Marketplace.