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| Preface | |
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| Acknowledgments | |
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| Foreword | |
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| Painter Basics: Getting Started | |
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| Introduction | |
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| Instructor Notes | |
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| What You'll Need | |
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| Preparation | |
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| What's What and What's Where | |
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| Basic Operations | |
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| Brushes Close-up | |
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| Wrap | |
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| Painter Empowerment: The Four Guiding Principles | |
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| Introduction | |
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| Instructor Notes | |
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| Overview | |
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| Principle I: Simplify | |
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| Principle II: Organize | |
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| Principle III: Optimize | |
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| Principle IV: Document | |
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| Wrap | |
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| Painting Portraits I: Generating Form | |
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| Introduction | |
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| Instructor Notes | |
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| Portraiture | |
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| Principles | |
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| Warm-up Self-Portraits | |
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| The Beauty of Line | |
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| Form through Tone | |
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| Wrap | |
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| Painting Portraits II: Unleashing the Power of Color | |
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| Introduction | |
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| Instructor Notes | |
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| About Color | |
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| Progressive Color Statements | |
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| Wild Color! | |
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| Using Color Sets | |
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| Wrap | |
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| Painting Portraits III: Expressing Personality | |
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| Introduction | |
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| Instructor Notes | |
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| Creating a Focal Point | |
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| One-Brush Painting | |
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| In the Style of Other Artists | |
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| Creative Improvisation | |
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| Wrap | |
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| Animating Paint: Generating Artistic Transitions | |
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| Introduction | |
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| Instructor Notes | |
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| Recording a Script | |
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| Playing Back a Script | |
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| Converting a Script to a Movie | |
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| Revealing a Photo | |
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| Transitioning between Photos | |
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| Painting on Video | |
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| Background Scripts | |
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| Wrap | |
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| Transforming Photographs I: Achieving a Hand-Painted Look | |
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| Introduction | |
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| Instructor Notes | |
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| Simple Oil and Water Color Techniques | |
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| Oil Interpretation | |
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| Watercolor Interpretation | |
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| Basics and Loosening Up | |
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| Golden Rules | |
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| Setting Up a Clone Copy | |
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| Free-form Self-portrait | |
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| The Rough Out, Pump Up, Smooth Over Technique | |
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| Backgrounds and Borders | |
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| Pumping up Highlights | |
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| Deepening Shadows | |
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| Enhancing Eyes | |
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| Smooth Watercolor Look | |
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| Grainy Pastel Chalk Look | |
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| Thick Oil Paint Look | |
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| Gallery | |
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| Classical Photo Portrait Paintings--by Jane Conner-ziser | |
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| Wrap | |
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| Transforming Photographs II: Walking On the Wilder Side | |
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| Introduction | |
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| Instructor Notes | |
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| Luscious Oil: Laying It on Thick 'n' Wild | |
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| Blur Dynamism: Adding Motion with Blur Effects | |
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| Mosaic Magic: Modern Edge to Ancient Craft | |
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| Gradient Expressionism: Instant Psychedelia | |
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| Sensational Serigraphy Meets Woodcut Wizardry | |
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| Pop Art a la Warhol: Inverse Texture Technique | |
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| Wrap | |
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| Creating Collage: Evocative Storytelling | |
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| Introduction | |
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| Instructor Notes | |
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| General Principles and Techniques | |
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| Case Study: Song for Peace | |
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| Your Voice: Independent Collage Project | |
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| Appendices | |
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| Painter, Photoshop, and Illustrator: Which Software to Use When | |
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| What Size to Make Your Files | |
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| Getting Colors to Look Right When You Print | |
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| Loading Extra Brushes and Art Materials | |
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| Painting Portraits: Principles and Actions | |
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| Troubleshooting | |
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| Keyboard Shortcuts | |
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| Index | |
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| About Your Instructor | |
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| Contributors | |