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Photographic Possibilities The Expressive Use of Ideas, Materials and Processes

ISBN-10: 0240803620
ISBN-13: 9780240803623
Edition: 2nd 2001 (Revised)
List price: $49.95
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Description: This text aims to act as a reliable source for techniques, ideas and images involving the contemporary use of alternative photographic processes. It offers both modern and classic methods for creating and manipulating the photographic image.

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Book details

List price: $49.95
Edition: 2nd
Copyright year: 2001
Publisher: Taylor & Francis Group
Publication date: 5/10/2001
Binding: Paperback
Pages: 288
Size: 8.50" wide x 11.25" long x 0.75" tall
Weight: 2.090
Language: English

This text aims to act as a reliable source for techniques, ideas and images involving the contemporary use of alternative photographic processes. It offers both modern and classic methods for creating and manipulating the photographic image.

Robert Hirsch is an artist, author, curator, and educator.Hirsch is the author of Seizing the Light: A History of Photography; Exploring Color Photography: From the Darkroom to the Digital Studio published by McGraw-Hill and Photographic Possibilities: The Expressive Use of Ideas, Materials, and Processes published by Focal Press.He is a former associate editor for Photovision magazine and is a contributing writer for Afterimage, Digital Photography (UK), exposure, Ilford Photo Newsletter, and The Photo Review.He was the Executive Director and Chief Curator of the Center for Exploratory and Perceptual Art (CEPA Gallery) in Buffalo, NY.Hirsch is on the art faculty of SUNY Buffalo and teaches history of photography online through Eastern New Mexico University.Recently his images have been shown at: University of New Mexico, Albuquerque, NM; Vermont Center for Photography, Brattleboro, VT; Artspace, New Haven, CT; Corcoran Gallery of Art, Washington, D.C.; George Eastman House, Rochester, NY; Williamsburg Art & Historical Center, Brooklyn, NY; Albright-Knox Art Gallery, Buffalo, NY; Contemporary Museum, Baltimore, MD; and Stefan Stux Gallery, NY, NY.

Why We Make Photographs
Photographic Printmaking
Safety
Special-Use Films and Processing
Formulas of Your Own
Black-and-White Film Developers
Analog Printmaking: Equipment, Materials, and Processes
Black-and-White Paper Developers
Toning for Visual Effects
Special Cameras and Equipment
An Introduction to Some Widely Used Alternative Processes
Altering Photographic Concepts
Photography and Computers
Digital Input and Output
Index

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