| |
| |
foundation module | |
| |
| |
Introduction | |
| |
| |
A structured learning approach | |
| |
| |
Supporting DVD | |
| |
| |
Research and resources | |
| |
| |
Essential information | |
| |
| |
What's new for CS6 | |
| |
| |
A new look and a new direction | |
| |
| |
Bridge | |
| |
| |
Introduction | |
| |
| |
The CS6 version of Bridge | |
| |
| |
Setting up Bridge | |
| |
| |
Using Bridge | |
| |
| |
Using Bridge to access the project resources | |
| |
| |
Workflow | |
| |
| |
Introduction | |
| |
| |
A few key concepts before we start… | |
| |
| |
Foundation Project 1 | |
| |
| |
Image capture - Step 1 | |
| |
| |
Downloading files - Step 2 | |
| |
| |
Image management - Step 3 | |
| |
| |
Image processing steps | |
| |
| |
Rotating and cropping an image - Step 4 | |
| |
| |
Color adjustments - Step 5 | |
| |
| |
Tonal adjustments - Step 6 | |
| |
| |
Cleaning an image - Step 7 | |
| |
| |
Sharpening an image - Step 8 | |
| |
| |
Setting "workflow Options - Step 9 | |
| |
| |
Applying changes to multiple files - Step 10 | |
| |
| |
Outputting processed files - Step 11 | |
| |
| |
Saving, duplicating and resizing for web - Step 12 | |
| |
| |
Raw Processing | |
| |
| |
Introduction | |
| |
| |
Processing Raw data | |
| |
| |
Foundation Project 2 | |
| |
| |
Lens corrections - Step 1 | |
| |
| |
Straighten, crop and size - Step 2 | |
| |
| |
Color space - Step 3 | |
| |
| |
Choosing a bit depth - Step 4 | |
| |
| |
White balance - Step 5 | |
| |
| |
Global tonal adjustments - Step 6 | |
| |
| |
Controlling saturation and vibrance - Step 7 | |
| |
| |
Localized correction - Step 8 | |
| |
| |
Grayscale conversion and toning - Step 9 | |
| |
| |
Adding special effects - Step 10 | |
| |
| |
Noise reduction and sharpening - Step 11 | |
| |
| |
Output options - Step 12 | |
| |
| |
Foundation Project 3 | |
| |
| |
Preliminary enhancements - Step 1 | |
| |
| |
Add Graduated Filter effect - Step 2 | |
| |
| |
Adjust the Graduated Filter effect - Step 3 | |
| |
| |
Reclaim some of the filtered detail - Step 4 | |
| |
| |
Add a film-like grain effect - Step 5 | |
| |
| |
Digital exposure | |
| |
| |
Adjusting exposure in ACR | |
| |
| |
Foundation Project 4 | |
| |
| |
Dust on the sensor - batch removal | |
| |
| |
Archiving Raw files as digital negatives | |
| |
| |
Fine Print | |
| |
| |
Introduction | |
| |
| |
The problem and the solution | |
| |
| |
Prepare your print workshop | |
| |
| |
Prepare your monitor | |
| |
| |
Prepare your inkjet printer | |
| |
| |
Select appropriate color setting | |
| |
| |
Obtain a profile target | |
| |
| |
Print the target using Adobe� Color Print Utility | |
| |
| |
Alternative: Printing a target from Photoshop | |
| |
| |
Adjust the printer settings | |
| |
| |
Create and install custom profile | |
| |
| |
Tag images with the Adobe RGB profile | |
| |
| |
Test your color managed workflow | |
| |
| |
Make printer presets | |
| |
| |
Assessing the test print for accuracy | |
| |
| |
Preserving shadow detail | |
| |
| |
Soft Proofing | |
| |
| |
Printing using a professional lab | |
| |
| |
Digital Basics - DVD Chapter 1 | |
| |
| |
Introduction | |
| |
| |
Channels and modes | |
| |
| |
Levels | |
| |
| |
Hue, Saturation and Brightness | |
| |
| |
Color and light overview | |
| |
| |
Bit depth | |
| |
| |
File size | |
| |
| |
File formats | |
| |
| |
Image compression | |
| |
| |
Resolution | |
| |
| |
Image size | |
| |
| |
Interpolation | |
| |
| |
Digital Darkroom - DVD Chapter 2 | |
| |
| |
Digital setup | |
| |
| |
Monitor settings | |
| |
| |
Choosing a workspace | |
| |
| |
Getting started with Photoshop | |
| |
| |
Settings and preferences | |
| |
| |
Navigation and viewing modes | |
| |
| |
Rulers and guides | |
| |
| |
Advanced skills module | |
| |
| |
Layers and Channels | |
| |
| |
Introduction | |
| |
| |
Layers overview | |
| |
| |
Layer types | |
| |
| |
Channels | |
| |
| |
Adjustment and filter layers and editing quality | |
| |
| |
Layer masks and editing adjustments | |
| |
| |
Selections | |
| |
| |
Introduction | |
| |
| |
Selection tools overview | |
| |
| |
Shape-based selections with the Marquee tools | |
| |
| |
Drawn selections using the Lasso tools | |
| |
| |
Customizing your selections | |
| |
| |
Refining selections | |
| |
| |
Refine Edge in action | |
| |
| |
Saving and loading selections | |
| |
| |
Feather and anti-alias | |
| |
| |
Defringe and Matting | |
| |
| |
Quick Mask or Refine Edge | |
| |
| |
'Color Range' | |
| |
| |
Channel masking | |
| |
| |
Tone-based selections and masks | |
| |
| |
Selections from paths | |
| |
| |
Filters | |
| |
| |
Introduction | |
| |
| |
The 'Smart' way to filter | |
| |
| |
The Filter Gallery | |
| |
| |
Fade Filter command | |
| |
| |
Improving filter performance | |
| |
| |
Installing and using third party niters | |
| |
| |
Filtering a shape, text or vector layer | |
| |
| |
The great filter roundup | |
| |
| |
Liquify filter | |
| |
| |
Vanishing Point | |
| |
| |
Adaptive Wide Angle | |
| |
| |
Lighting Effects Gallery | |
| |
| |
Blur Gallery | |
| |
| |
Correcting lens distortion with niters | |
| |
| |
Noise filters | |
| |
| |
Sharpen filters | |
| |
| |
Texture filters | |
| |
| |
Other filters | |
| |
| |
Filter DLY | |
| |
| |
Layer Blends | |
| |
| |
Introduction | |
| |
| |
The 'Darken' group | |
| |
| |
The 'Lighten group | |
| |
| |
The 'Overlay' group | |
| |
| |
Difference and Exclusion | |
| |
| |
Hue, Saturation and Color | |
| |
| |
Luminosity | |
| |
| |
imaging projects module | |
| |
| |
Retouching Projects | |
| |
| |
Standard edit in ACR - Project 1 | |
| |
| |
Extreme contrast edits in ACR - Project 2 | |
| |
| |
Tone Curves and luminosity masks - Project 3 | |
| |
| |
Black and White in ACR - Project 4 | |
| |
| |
Lens corrections - Project 5 | |
| |
| |
Working spaces - Project 6 | |
| |
| |
Clone and stamp - Project 7 | |
| |
| |
Gradients and vignettes - Project 8 | |
| |
| |
Composite Projects | |
| |
| |
Refine Edge - Project 1 | |
| |
| |
Refine Edge (take two) - Project 2 | |
| |
| |
Paths, masks and blend modes - Project 3 | |
| |
| |
Replacing a sky - Project 4 | |
| |
| |
Composite studio lighting and action - Project 5 | |
| |
| |
Preserving shadows - Project 6 | |
| |
| |
Replacing a studio background - Project 7 | |
| |
| |
High Dynamic Range (HDR) - Project 8 | |
| |
| |
HDR problems and solutions - Project 9 | |
| |
| |
Photomerge - Project 10 | |
| |
| |
Vertical panoramas - Project 11 | |
| |
| |
Special Effects | |
| |
| |
Smooth Tone technique - Project 1 | |
| |
| |
High Impact - Project 2 | |
| |
| |
Color Grading - Project 3 | |
| |
| |
Reduced Depth of Field - Project 4 | |
| |
| |
Tilt-Shift effect - Project 5 | |
| |
| |
Faux Holga - Project 6 | |
| |
| |
Lens Flare effect - Project 7 | |
| |
| |
Split-grade blur and split tone - Project 8 | |
| |
| |
Borders and textures - Project 9 | |
| |
| |
Glossary | |
| |
| |
Keyboard Shortcuts | |
| |
| |
Web Links | |
| |
| |
Index | |