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Sound Assistance

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ISBN-10: 0240515722

ISBN-13: 9780240515724

Edition: 2nd 1999 (Revised)

Authors: Michael Talbot-Smith

List price: $69.95
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Description:

Sound Assistance offers a highly readable and easy-to-understand account of sound operations in radio and television studios. By knowing the characteristics of the equipment, such as threshold and compression ratios, it is much easier to achieve professional effects quickly, saving hours of trial and error. the book will suit anyone wishing to work as a sound assistant but who does not have a thorough grounding in the maths and physics. Written in an informal style with practical 'do's' and 'don'ts', the fundamental principles are explained. Where knowledge of a higher level of maths is helpful, this information is given in handy 'fact files'. Particularly appropriate for students,…    
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Book details

List price: $69.95
Edition: 2nd
Copyright year: 1999
Publisher: Routledge
Publication date: 8/2/1999
Binding: Paperback
Pages: 250
Size: 6.22" wide x 9.25" long x 0.59" tall
Weight: 0.924

He is a freelance cameraman and television trainer working with International Training and Television Consultancy. He is ex-Chairman of the Guild of Television Cameramen and former Head of Cameras at Television South West.He is a Freelance audio consultant and technical writer, formerly an audio engineer trainer at BBC Wood Norton.

Preface to the second edition
Revision of electricity - d.c.
Electricity - what is it?
Amperes, volts and ohms
Power and watts
Ideas about magnetism
Magnetic fields and electric currents
Currents in coils
Protecting equipment - fuses
Batteries
Some prefixes
Definitions
Revision of electricity - a.c.
The 'shape' of an alternating current
Important quantities
Phase angles
Three-phase supplies
Mains plugs
Safety devices
Transformers
Meters for a.c.
Capacitors
Inductors
Trigonometry
Outlines of electronic devices
Semiconductors and thermionic devices
Miscellaneous
Radio transmission
Radio waves
The electromagnetic spectrum
Amplitude modulation (a.m.)
Frequency modulation (f.m.)
Other modulation systems
Decibels
What are they?
A definition
Sound waves
Types of wave
Sound wavelengths and frequencies
Sound waves and obstacles
The inverse square law
Sound in pipes
Harmonics, etc
What is a musical sound?
The ear and hearing
The ear's response to sounds
Loudness
Hearing damage
Pitch
A word of caution
Basic acoustics
What do we mean by good acoustics?
Avoiding resonances
Reverberation
Sound isolation
Microphones
The basic parts of a microphone
Transducers
The important responses of a microphone
Microphone applications
Microphone faults
More about microphones
Phantom power
Phase in microphones
Microphone cables, plugs and sockets
Variable polar diagram microphones
Other sound pick-up devices
Microphone stands and cabling
Microphone placing
Loudspeakers
The parts of a loudspeaker
The radiating surface
Transducers
The enclosure
Multiple unit loudspeakers
Directional loudspeakers
Cables and loudspeaker positioning
Headphones
Listening tests
Stereo
What do we mean by 'stereo'?
Binaural hearing
Microphones
Stereo image widths
A, B, M and S
M and S microphones
Compatibility
Phase
Setting up a coincident pair microphone
Stereo radio transmission
Signal processing
Frequency correction
Dynamic range manipulation
Visual monitoring
Monitoring in general
Dynamic ranges in technical terms
Zero level
The VU meter
The PPM
Other meter devices
Analogue tape recording
Basics of the process
Moving the tape
Azimuth
Tape errors
Tape speeds
Tape editing
Line-up
At the end of a recording session
More about analogue recording
Cassettes
Guard tracks and twin tracks
Cartridge machines
Multi-track machines
Noise reduction systems
Vinyl discs
An introduction to digital audio
What's the point?
Sampling and quantizing
Binary arithmetic
Bit rate
Error correction
Drawbacks of digital audio
Recording with digits
DAT (digital audio tape)
Stationary head recording
Digital recording -- advantages and disadvantages
Compact discs (CD)
Other digital recording systems
More digital devices
Artificial reverberation
Pitch change
Time division multiplex (TDM)
Sound-in-syncs (S.i.S.)
NICAM 728
Timecode
The AES/EBU interface
MIDI
ISDN
Public address
A definition
Why is PA needed?
The cause of a howl-round
Reducing the risk of a howl-round
Foldback (FB)
Safety
Sound desks (mixing consoles)
What is a sound desk?
The facilities of a typical channel
Groups and busbars
The output stages
Clean feed ('mix minus')
Communications
Safety
A little quiz
Electrical safety
Lifting and handling
Scaffolding, ladders and rigging generally
Ten important extras to look out for
Further reading
Glossary
Index