Audio-Vision

ISBN-10: 0231078994
ISBN-13: 9780231078993
Edition: 1994
List price: $28.00 Buy it from $12.80
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Description: In Audio-Vision, the French composer-filmmaker-critic Michel Chion presents a reassessment of the audiovisual media since sound's revolutionary debut in 1927 and sheds light on the mutual influences of sound and image in audiovisual perception.   More...

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Book details

List price: $28.00
Copyright year: 1994
Publisher: Columbia University Press
Publication date: 5/26/1994
Binding: Paperback
Pages: 239
Size: 5.50" wide x 8.50" long x 0.75" tall
Weight: 0.902
Language: English

In Audio-Vision, the French composer-filmmaker-critic Michel Chion presents a reassessment of the audiovisual media since sound's revolutionary debut in 1927 and sheds light on the mutual influences of sound and image in audiovisual perception. Chion expands on the arguments from his influential trilogy on sound in cinema-- Las Voix au cinema, Le Son au cinema, and La Toile trouee--while providing an overview of the functions and aesthetics of sound in film and television. He considers the effects of evolving audiovisual technologies such as widescreen, multi-track sound, and Dolby stereo on audio-vision, influences of sound on the perception of space and time, and contemporary forms of audio-vision embodied in music videos, video art, and commercial television. His final chapter presents a model for audiovisual analysis of film. Walter Murch, who contributes the foreward, has been honored by both the British and American Motion Picture Academies for his sound design and picture editing. His is especially well-known for his work on The Godfather, The Conversation, and Apocalypse Now.

Michel Chion is a composer of musique concr�te, a filmmaker, an associate professor at the Universit� de Paris, and a prolific writer on film, sound, and music. His other books with Columbia University Press are Film, A Sound Artand The Voice in Cinema.Claudia Gorbman is a film studies professor at the University of Washington, Tacoma. She is the author of Unheard Melodies: Narrative Film Music(1987), the editor of several books, and the author of many articles on film sound and film music. She is also the translator of Michel Chion's Film, A Sound Art, The Voice in Cinema, and 2001: Kubrick's Cinema Odyssey.Walter Murch has been repeatedly honored by both the British and American Motion Picture Academies for his sound design and picture editing. He has received special recognition for his work in The Godfather, The Conversation, Apocalypse Now, and The English Patient.

The Audiovisual Contract Projections of Sound on Image
The Three Listening Modes Beyond Sounds and Images Lines and Points: Horizontal and Vertical Perspectives on Audiovisual Relations
The Audiovisual Scene
The Real and the Rendered Phantom Audio-Vision Sound Film--Worthy of the Name Television, Video Art, Music Video
Toward an Audiologovisual Poetics
Introduction to Audiovisual Analysis

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