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Classical Hollywood Cinema Film Style and Mode of Production To 1960

ISBN-10: 0231060556
ISBN-13: 9780231060554
Edition: N/A
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Book details

List price: $55.00
Publisher: Columbia University Press
Publication date: 2/19/1987
Binding: Paperback
Pages: 506
Size: 7.50" wide x 9.75" long x 1.25" tall
Weight: 3.036
Language: English

David Bordwell is Jacques Ledoux Professor of Film Studies at the University of Wisconsin-Madison. He holds a master's degree and a doctorate from the University of Iowa. He is the author of The Films of Carl Theodor Dreyer (University California Press, 1981), Narration in the Fiction Film (University Wisconsin Press, 1985), Ozu and the Poetics of Cinema (British Film Institute/Princeton University Press, 1988), Making Meaning: Inference and Rhetoric in the Interpretation of Cinema (Harvard University Press, 1989), The Cinema of Eisenstein (Harvard University Press, 1993), On the History of Film Style (Harvard University Press, 1997) and Planet Hong Kong: Popular Cinema and the Art of Entertainment (Harvard University Press, 2000). He has won a University Distinguished Teaching Award.

The classical Hollywood style, 1917-60
An excessively obvious cinema Story causality and motivation The Hollywood mode of production to 1930
Classical narration The formulation of the classical style, 1909-28
Time in the classical film Film style and technology to 1930 Space in the classical film The Hollywood mode of production, 1930-60
Shot and scene Film style and technology, 1930-60
The bounds of difference Historical implications of the classical Hollywood cinema
The Hollywood mode of production: its conditions of exercise Standardization and differentiation: The reinforcement and dispersion of Hollywood's practices The director system: management in the first years The director-unity system: management of multiple-unit companies after 1909 The central producer system: centralized management after 1914 The division and order of production: the subdivision of the work from the first years through the 1920s From primitive to classical The formulation of the classical narrative The continuity system Classical narrative space and the spectator's attention The stability of the classical approach after 1917 Technology, style and mode of production
Initial standardization of the basic technology
The Mazda tests of 1928 The introduction of sound
The labor-force, financing and the mode of production The producer-unit system: management by specialization after 1931 The package-unit system: unit management after 1955 Deep-focus cinematography Technicolor Widescreen processes and stereophonic sound Since 1960: the persistence of a mode of film practice Alternative modes of film practice

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