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Art Encounters Deleuze and Guattari Thought Beyond Representation

ISBN-10: 0230573738
ISBN-13: 9780230573734
Edition: 2006
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Description: In a series of philosophical discussions and artistic case studies, this volume develops a materialist and immanent approach to modern and contemporary art. The argument is made for a return to aesthetics--an aesthetics of effect--and for the  More...

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Book details

List price: $40.00
Copyright year: 2006
Publisher: Palgrave Macmillan
Publication date: 12/16/2005
Binding: Paperback
Pages: 230
Size: 5.25" wide x 8.50" long x 0.75" tall
Weight: 0.660
Language: English

In a series of philosophical discussions and artistic case studies, this volume develops a materialist and immanent approach to modern and contemporary art. The argument is made for a return to aesthetics--an aesthetics of effect--and for the theorization of art as an expanded and complex practice. Staging a series of encounters between specific Deleuzian concepts; the virtual, the minor, the fold, etc., and the work of artists that position their work outside of the gallery or "outside" of representation, Simon O'Sullivan takes Deleuze's thought into other milieus, allowing these "possible worlds" to work back on philosophy.

Stephen Zepke is an independent researcher living in Vienna. He has published numerous essays on philosophy, art and cinema, the book Art as Abstract Machine, Ontology and Aesthetics in Deleuze and Guattari (Routledge, 2005), and is co-editor (with Simon O'Sullivan) of Deleuze, Guattari and the Production of the New (Continuum, 2008).Simon O'Sullivan is a lecturer in the Department of Visual Cultures at Goldsmiths, University of London. He is the author of Art Encounters Deleuze and Guattari: Thought Beyond Representation (Palgrave, 2005) and co-editor (with Simon O'Sullivan) of Deleuze, Guattari and the Production of the New (Continuum, 2008).

Series Editor's Preface
Acknowledgements
Abbreviations
Introduction: Three Beginnings
Rhizomes, Machines, Multiplicities and Maps: Notes Toward an Expanded Art Practice (Beyond Representation)
The Ethicoaesthetics of Affect and the Bloc of Sensations: Reaffirming the Specificity of Art (Against Representation)
Art and the Political: Minor Literature, the War Machine and the Production of Subjectivity
From Geophilosophy to Geoaesthetics: The Virtual and the Plane of Immanence versus Mirror-Travel and the Spiral Jetty
From Possible Worlds to Future Folds: Abstracts, Situationist Cities and the Baroque in Art
Conclusion: Three Endings
Notes
Bibliography
Index

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