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| List of Illustrations | |
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| Acknowledgements | |
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| Series Editor's Preface | |
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| Introduction: Dancing the City | |
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| Aesthetics, technique, and the social lives of dance | |
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| Dancing places, placing dances | |
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| Joyful attachments | |
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| Intimacies in Motion | |
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| Protocols for Intimacy | |
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| Reforming Intimacy in Pilates Training | |
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| Corporeal verities, metaphoric ambiguities | |
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| Romancing Monsters, Consuming Looks | |
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| Possessing performance and/as the play of the vicarious | |
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| Defining virtuosity, engaging monstrosity | |
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| Oguri: sacred monster | |
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| Technologies of monstrosity | |
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| Corporeal Chronotopes: Making Place and Keeping Time in Ballet | |
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| Bodies in Time and Space: Corporeal Chronotopes in Ballet | |
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| Keeping time | |
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| Taking, and making, place | |
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| Corporeal chronotopes | |
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| Home Girls: Gendered Self-Fashioning and Solidarity At Le Studio | |
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| Where the heart is: three stories of ballet in Los Angeles | |
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| Parental investments, cultural capital | |
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| Hiding in the light | |
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| On her toes: pains and pleasures of creation in community | |
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| Home Boys on Fault Lines: Masculinity At Le Studio | |
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| Standing out: consolidating homosociality in dancing communities | |
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| Anxious pedagogy, ambivalent agency | |
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| 'Saving' Khmer Classical Dance in Long Beach | |
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| Answerable bodies/unclaimed experience | |
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| Technologies of answerability | |
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| Dancing Other-Wise: Ethics, Difference and Transcendence in Hae Kyung Lee and Dancers | |
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| 'The universe's piece' | |
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| Referent trouble and the metaphysical performative | |
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| 'Giving energy' | |
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| Energy, ethics and corporeal commitments | |
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| 'Human on stage' | |
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| Metaphysical performatives and alterity | |
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| Metaphysical vocabularies and reading choreography | |
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| '...like the words I cannot find, beyond words...': dancing the ethical transformation of grief | |
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| Conclusion: Dancing Communities - Ideas of Order, Queer Intimacies, Civic Infrastructure | |
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| Notes | |
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| Works Cited | |
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| Index | |