| |
| |
| Introduction | |
| |
| |
| A note on presentation | |
| |
| |
| |
| The Emergence of the ModernIa: The modern in cultural, political and scientific thought | |
| |
| |
| |
| From letter to Ruge, September 1843 | |
| |
| |
| |
| |
| From The Communist Manifesto 1848 | |
| |
| |
| |
| |
| From 'Art and Revolution' 1849 | |
| |
| |
| |
| |
| From The Origin of Species by Means of Natural Selection 1859 | |
| |
| |
| |
| |
| From Mother Right 1861 | |
| |
| |
| |
| |
| From Preface to Human, All Too Human 1878 | |
| |
| |
| |
| |
| From Degeneration 1883 | |
| |
| |
| |
| |
| From 'Useful Work versus Useless Toil' 1884 | |
| |
| |
| |
| |
| From The Secret Doctrine 1888 | |
| |
| |
| |
| |
| From The Golden Bough 1890-1915 | |
| |
| |
| |
| |
| From The Crowd: A Study of the Popular Mind 1895 | |
| |
| |
| |
| |
| From The Theory of the Leisure Class 1899 | |
| |
| |
| |
| |
| From The Education of Henry Adams 1907 | |
| |
| |
| |
| |
| From The Interpretation of Dreams 1900 | |
| |
| |
| |
| |
| From 'The Metropolis and Mental Life' 1903 | |
| |
| |
| |
| |
| From Woman Under Socialism 1904 | |
| |
| |
| |
| |
| From The Souls of Black Folk 1903 | |
| |
| |
| |
| |
| From Creative Evolution 1907 | |
| |
| |
| |
| |
| From Abstraction and Empathy 1908 | |
| |
| |
| |
| |
| From 'Ornament and Crime' 1908 | |
| |
| |
| |
| |
| 'The Good Conduct Medal' 1909 | |
| |
| |
| |
| |
| From 'Women's Suffrage' 1911 | |
| |
| |
| |
| |
| From The Freud Journal of Lou Andreas-Salome 1912, 1913 | |
| |
| |
| |
| |
| From The Decline of the West 1918-22 | |
| |
| |
| |
| |
| Modern aesthetics | |
| |
| |
| |
| From review of Nathanial Hawthorne's Twice-Told Tales 1842 | |
| |
| |
| |
| |
| From Preface to Leaves of Grass 1855 | |
| |
| |
| |
| |
| From letter to Mlle Leroyer de Chantepie, 18 March 1857 | |
| |
| |
| |
| |
| From 'On the Modern Element in Literature' 1857 | |
| |
| |
| |
| |
| From 'The Painter of Modern Life' 1859-60 | |
| |
| |
| |
| |
| From letter to Paul Demeny, 15 May 1871 | |
| |
| |
| |
| |
| From Lectures on Art 1870; From Arartra Pentelici 1872 | |
| |
| |
| |
| |
| From Conclusion to The Renaissance [1873] 1893 | |
| |
| |
| |
| |
| From Preface to Miss Julie 1888 | |
| |
| |
| |
| |
| Preface to The Picture of Dorian Gray 1890 | |
| |
| |
| |
| |
| 'The Science of Fiction' 1891 | |
| |
| |
| |
| |
| From 'Crisis in Poetry' 1886-95 | |
| |
| |
| |
| |
| From 'Introduction to the Method of Leonardo da Vinci' 1895 | |
| |
| |
| |
| |
| 'Preliminary Address at the First Performance of Ubi Roi, 10 December 1896' | |
| |
| |
| |
| |
| From Preface to The Nigger of the 'Narcissus' 1897 | |
| |
| |
| |
| |
| From The Symbolist Movement in Literature 1899 | |
| |
| |
| |
| |
| From 'The Symbolism of Poetry' 1900 | |
| |
| |
| |
| |
| From 'Days of Reading: I' 1905 | |
| |
| |
| |
| |
| From 'Henrik Ibsen: Philosopher or Poet' 1905 | |
| |
| |
| |
| |
| From 'The Art of Fiction' 1894; From Preface to The Princess Casamassima 1906 | |
| |
| |
| |
| |
| From 'The Actor and the uber-marionette' 1907 | |
| |
| |
| |
| |
| From My Life 1927 | |
| |
| |
| |
| |
| From The Sanity of Art 1908 | |
| |
| |
| |
| |
| The Avant-GardeIIa. Formulations and declarations | |
| |
| |
| |
| From Realist Manifesto 1855 | |
| |
| |
| |
| |
| From 'Naturalism on the Stage' 1880 | |
| |
| |
| |
| |
| 'The Post-Impressionists' 1910 | |
| |
| |
| |
| |
| From 'Romanticism and Classicism' 1911 | |
| |
| |
| |
| |
| From The Man-Made World or Our Androcentric Culture 1911 | |
| |
| |
| |
| |
| 'The French Group' 1912 | |
| |
| |
| |
| |
| 'The English Group' 1912 | |
| |
| |
| |
| |
| 'Light' 1912; 'Notes on the Construction of the Reality of Pure Painting' 1912 | |
| |
| |
| |
| |
| 'The Musician's Day' 1913; 'Some Notes on Modern Music' 1919 | |
| |
| |
| |
| |
| From 'The Cubist Room' 1914 | |
| |
| |
| |
| |
| From 'In These Great Times' 1914 | |
| |
| |
| |
| |
| From 'Zurich 1916, as it really was' 1928 | |
| |
| |
| |
| |
| G | |