Santeria Enthroned Art, Ritual, and Innovation in an Afro-Cuban Religion

ISBN-10: 0226076105
ISBN-13: 9780226076102
Edition: 2003
Authors: David H. Brown
List price: $46.00
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Description: Ever since its emergence in colonial-era Cuba, Afro-Cuban Santeriacute;a (or Lucumiacute;) has displayed a complex dynamic of continuity and change in its institutions, rituals, and iconography. In Santeriacute;a Enthroned, David H. Brown combines  More...

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Book details

List price: $46.00
Copyright year: 2003
Publisher: University of Chicago Press
Publication date: 10/15/2003
Binding: Paperback
Pages: 440
Size: 8.50" wide x 9.25" long x 1.20" tall
Weight: 2.332

Ever since its emergence in colonial-era Cuba, Afro-Cuban Santeriacute;a (or Lucumiacute;) has displayed a complex dynamic of continuity and change in its institutions, rituals, and iconography. In Santeriacute;a Enthroned, David H. Brown combines art history, cultural anthropology, and ethnohistory to show how Africans and their descendants have developed novel forms of religious practice in the face of relentless oppression.Focusing on the royal throne as a potent metaphor in Santeriacute;a belief and practice, Brown shows how negotiation among ideologically competing interests have shaped the religion's symbols, rituals, and institutions from the nineteenth century to the present. Rich case studies of change in Cuba and the United States, including a New Jersey temple and South Carolina's Oyotunji Village, reveal patterns of innovation similar to those found among rival Yoruba kingdoms in Nigeria. Throughout, Brown argues for a theoretical perspective on culture as a field of potential strategies and "usable pasts" that actors draw upon to craft new forms and identities—a perspective that will be invaluable to all students of the African Diaspora.American Acemy of Religion Award for Excellence in the Study of Religion (Analytical-Descriptive Category)

List of Illustrations
Preface
Acknowledgments
Introduction
Institutional and Ritual Innovation
Black Royalty: New Social Frameworks and Remodeled Iconographies in Nineteenth-Century Havana
From Cabildo de Nacioacute;n to Casa-Templo: The New Lucumiacute;, Institutional Reform, and the Shifting Location of Cultural Authenticity
Myths of the Yoruba Past and Innovations of the Lucumiacute; Present: The Narrative Production of Religious Cosmology, Hierarchy, and Authority
Iconographic Innovation
Royal Iconography and the Modern Lucumiacute; Initiation
The Palace of the Obaacute; Lucumiacute;" and the "Creole Taste": Innovations in Iconography and Meaning
Conclusion
Appendixes
Notes
Glossary
Bibliography
Index

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