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| Music Around the World | |
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| the Elements of Music | |
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| the Art of Listening | |
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| the Middle Ages: 400-1400 | |
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| Renaissance: 1400-1600 | |
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| the Baroque Era: 1600-1750 | |
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| the Classic Era: 1750-1800 | |
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| Beethoven | |
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| the Nineteenth Century I: Early Romantic Music | |
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| the Nineteenth Century II: Mid- to Late-Romanticism Music | |
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| the Twentieth Century and Beyond, Part I: the Classical Scene | |
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| the Twentieth Century and Beyond, Part II: Jazz, an American Original | |
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| the Twentieth Century and Beyond, Part III: Popular Music in the United | |
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| States | |
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| Music Around the World | |
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| Introduction to the Study of Music | |
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| Music as a Reflection of Society | |
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| Listening to Music from Around the World | |
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| Conclusion | |
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| the Elements of Music | |
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| What is Music? | |
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| The Elements of Music | |
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| Musical Form | |
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| Making Music: Voices | |
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| Making Music: Instruments | |
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| The Orchestra | |
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| Musical Performance | |
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| Emotion in Music | |
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| Live Performances | |
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| Historical Periods and Individual Style | |
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| the Art of Listening | |
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| Sound, Rhythm, and Dynamics | |
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| Words, "Blue Notes," Rhythm, Swing, Improvisation | |
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| Form, Tempo, Meter, Keys, and Cadences | |
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| Keys and Cadences | |
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| the Middle Ages: 400-1400 | |
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| General Characteristics of Medieval Music | |
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| The Music of the Middle Ages | |
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| The End of the Middle Ages | |
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| Renaissance: 1400-1600 | |
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| Life and Times in the Renaissance | |
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| Renaissance Music | |
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| General Characteristics of Renaissance Music | |
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| Music in the Early Renaissance | |
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| The Mid-Renaissance | |
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| The Late Renaissance | |
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| The Counter-Reformation and the Music of Palestrina | |
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| the Baroque Era: 1600-1750 | |
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| Life in the Baroque Era | |
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| General Characteristics of Baroque Music | |
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| The Early Baroque (1600-1700) | |
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| The Late Baroque (1700-1750) | |
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| the Classic Era: 1750-1800 | |
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| From Absolutism to Enlightenment to Revolution | |
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| General Characteristics of Classic Music | |
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| The Classic Meters | |
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| Beethoven | |
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| Beethoven's Life | |
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| Beethoven's Music | |
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| the Nineteenth Century I: Early Romantic Music | |
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| The Age of Romanticism | |
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| Early Romanticism | |
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| the Nineteenth Century II: Mid- to Late-Romanticism Music | |
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| Late Romanticism | |
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| the Twentieth Century and Beyond, Part I: the Classical Scene | |
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| General Characteristics of Twentieth-Century Music | |
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| Impressionism and Symbolism | |
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| Primitivism | |
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| Expressionism | |
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| Other Composers Active Before World War II: Bartok, Shostakovich, Britten, Ives, and Copland | |
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| Building Bridges | |
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| After the War: Modernism, the Second Stage | |
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| Postmodernism | |
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| Inclusion | |
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| Conclusion | |
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| the Twentieth Century and Beyond, Part II: Jazz, an American Original | |
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| The History of Jazz | |
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| the Twentieth Century and Beyond, Part III: Popular Music in the United States | |
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| Styles of Popular Music Beginnings: 1850-1950 | |
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| The Fortunate Fifties | |
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| The Turbulent Sixties | |
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| The 1970s and 1980s: Variety, Legacy, and Change | |
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| The Nineties and Beyond | |