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Brief Contents | |
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Contents | |
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Preface | |
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What's New | |
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Faculty and Student Resources for Art History | |
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Acknowledgements and Gratitude | |
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Use Notes | |
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Starter Kit | |
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Introduction | |
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Fourteenth-Century Art in Europe | |
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Fifteenth-Century Art in Northern Europe | |
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Renaissance Art in Fifteenth Century Italy | |
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Sixteenth-Century Art in Italy | |
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Sixteenth-Century Art in Northern Europe and the Iberian Peninsula | |
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Seventeenth-Century Art in Europe | |
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Contemporary World Map | |
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Glossary | |
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Bibliography | |
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Credits | |
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Index | |
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Detailed Contents | |
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Contents | |
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Preface | |
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What's New | |
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Faculty and Student Resources for Art History | |
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Acknowledgments and Gratitude | |
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Use Notes | |
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Starter Kit | |
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Introduction | |
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Fourteenth-Century Art in Europe | |
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Fourteenth-Century Europe | |
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Italy | |
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Florentine Architecture and Metalwork | |
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Florentine Painting | |
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Sienese Painting | |
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France | |
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Manuscript Illumination | |
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Metalwork and Ivory | |
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England | |
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Embroidery: Opus Anglicanum | |
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Architecture | |
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The Holy Roman Empire | |
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Mysticism and Suffering | |
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The Supremacy of Prague | |
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Boxes | |
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Art and its Contexts | |
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A New Spirit in Fourteenth-Century Literature | |
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The Black Death | |
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The Object Speaks | |
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An Ivory Chest with Scenes of Romance | |
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A CLOSER LOOK | |
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The Hours of Jeanne d'evreux | |
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Technique | |
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Buon Fresco | |
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Cennino Cennini on Panel Painting | |
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Fifteenth-Century Art in Northern Europe | |
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The Northern Renaissance | |
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Art for the French Ducal Courts | |
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Painting and Sculpture for the Chartreuse de Champmol | |
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Manuscript Illumination | |
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Textiles | |
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Painting in Flanders | |
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The Founders of the Flemish School | |
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Painting at Mid Century: the Second Generation | |
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Europe Beyond Flanders | |
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France | |
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Germany and Switzerland | |
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The Graphic Arts | |
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Single Sheets | |
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Printed Books | |
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Boxes | |
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Art and its Contexts | |
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Altars and Altarpieces | |
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Women Artists in the Middle Ages and the Renaissance | |
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The Object Speaks | |
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The Ghent Altarpiece | |
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A Closer Look | |
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A Goldsmith in his Shop | |
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Technique | |
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Oil Painting | |
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Woodcuts and Engravings on Metal | |
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Renaissance Art in Fifteenth-Century Italy | |
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Humanism and the Italian Renaissance | |
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Florence | |
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Architecture | |
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Sculpture | |
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Painting | |
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Painting in Florence after Masaccio | |
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Italian Art in the Second Half of the Fifteenth Century | |
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Urbino | |
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Mantua | |
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Rome | |
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The Later Fifteenth Century in Florence | |
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Venice | |
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Boxes | |
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Art and its Contexts | |
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The Competition Reliefs | |
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The Morelli���Nerli Wedding Chests | |
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The Object Speaks | |
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The Foundling Hospital | |
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A Closer Look | |
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Primavera | |
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Technique | |
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Renaissance Perspective | |
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Sixteenth-Century Art in Italy | |
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Europe in the Sixteenth Century | |
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Italy in the Early Sixteenth Century: The High Renaissance | |
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Three Great Artists of the Early Sixteenth Century | |
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Architecture in Rome and the Vatican | |
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Architecture, Painting, and Sculpture in Northern Italy | |
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Venice and the Veneto | |
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Mannerism | |
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Painting | |
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Sculpture | |
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Art and the Counter-Reformation | |
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Art and Architecture in Rome and the Vatican | |
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Later Sixteenth-Century Art in Venice and the Veneto | |
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Oil Painting | |
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Architecture: Palladio | |
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Boxes | |
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Art and its Contexts | |
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The Vitruvian Man | |
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St. Peter's Basilica | |
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Women Patrons of the Arts | |
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Veronese is Called before the Inquisition | |
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The Object Speaks | |
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Raphael's Cartoons for Tapestries in the Sistine Chapel | |
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A Closer Look | |
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The School of Athens | |
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Sixteenth-Century Art in Northern Europe and the Iberian Peninsula | |
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The Reformation and the Arts | |
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Germany | |
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Sculpture | |
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Painting | |
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France | |
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A French Renaissance under Francis I | |
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Spain and Portugal | |
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Architecture | |
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Painting | |
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The Netherlands | |
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Art for Aristocratic and Noble Patrons | |
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Antwerp | |
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England | |
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Artists in the Tudor Court | |
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Architecture | |
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Boxes | |
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Art and its Contexts | |
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The Castle of the Ladies | |
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Sculpture for the Knights of Christ at Tomar | |
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Armor for Royal Games | |
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The Object Speaks | |
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Breugel's Cycle of the Months | |
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A Closer Look | |
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The French Ambassadors | |
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Technique | |
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German Metalwork: A Collaborative Venture | |
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Seventeenth-Century Art in Europe | |
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"Baroque" | |
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Italy | |
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Architecture and Sculpture in Rome | |
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Painting | |
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Spain | |
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Painting in Spain's Golden Age | |
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Architecture in Spain | |
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Flanders and the Netherlands | |
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Flanders | |
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The Dutch Republic | |
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France | |
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Architecture and its Decoration at Versailles | |
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Painting | |
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England | |
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Architecture | |
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Boxes | |
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Art and its Contexts | |
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Science and the Changing Worldview | |
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Grading the Old Masters | |
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The Object Speaks | |
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Caravaggio in the Contarelli Chapel | |
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A Closer Look | |
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Brueghel and Rubens's Allegory of Sight | |
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Elements of Architecture | |
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Seventeenth-Century French Garden Design | |
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Technique | |
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Etchings and Drypoint | |
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Contemporary World Map | |
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Glossary | |
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Bibliography | |
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Credits | |
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Index | |