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The Nineteenth Century | |
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Lines Written a Few Miles above Tintern Abbey | |
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Nutting from Preface to Lyrical Ballads | |
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Composed Upon Westminster Bridge | |
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My heart leaps up | |
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Ode: Intimations of Immortality from Recollections of Early Childhood | |
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To the Cuckoo | |
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Mark the concen'tred hazels that enclose from The Prelude from Book Fifth: Books (The Dream of the Arab) from Book Sixth: Cambridge and the Alps (Crossing the Alps) from Book Eleventh: France from Book Fourteenth: Conclusion (Ascent of Snowdon) | |
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Perspectives: Romantic Nature | |
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from Reveries of a Solitary Walker - Fifth Walk | |
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from Critique of Practical Reason | |
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The Ecchoing Green | |
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The Tyger | |
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Ode to a Nightingale | |
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To Autumn | |
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The Man on the Heath | |
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In the Grass | |
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The Infinite | |
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Dialogue Between Nature and an Icelander | |
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from Nature | |
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from Self-Reliance | |
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from Walden | |
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Crosscurrents | |
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Faust | |
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Dedication | |
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Prelude on the Stage | |
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Prologue in Heaven | |
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Night from Outside the Town Wall | |
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Faust's Study (1) from Faust's Study (2) | |
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A Witch's Kitchen | |
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Evening | |
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A Promenade | |
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The Neighbor's House | |
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A Street | |
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A Garden | |
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A Summerhouse from A Forest Cavern | |
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Gretchen's Room | |
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Martha's Garden | |
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At the Well | |
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By a Shrine Inside the Town Wall | |
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Night. The Street Outside Gretchen's Door | |
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A Cathedral from A Walpurgis Night | |
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Act 1 | |
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A Beautiful Landscape | |
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A Dark Gallery | |
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Act 5 | |
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Open Country | |
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A Palace | |
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Deep Night | |
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Midnight | |
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The Great Forecourt of the Palace | |
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Burial Rules from Mountain Gorges | |
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Translations: Goethe's Faust | |
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To the Moon | |
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Erlking | |
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Dusk Descended from on High | |
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Blissful Yearning | |
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Translations: Goethe's Mignon | |
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from Don Juan, Cantos 2-4 | |
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I'm neither the loosening of song nor the close-drawn tent of music | |
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Come now: I want you: my only peace | |
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When I look out, I see no hope for change | |
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If King Jamshid's diamond cup breaks, that's it | |
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One can sigh, but a lifetime is needed to finish it | |
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When the Great One gestures to me | |
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For tomorrow's sake, don't skimp with me on wine today | |
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I'm confused: should I cry over my heart, or slap my chest? | |
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She has a habit of torture, but doesn't mean to end the love | |
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For my weak heart this living in the sorrow house | |
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Religious people are always praising the Garden of Paradise | |
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Only a few faces show up as roses | |
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I agree that I'm in a cage, and I'm crying | |
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Each time I open my mouth, the Great One says | |
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My heart is becoming restless again | |
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Resonances | |
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Agha Shahid Ali: Ghalib's Ghazal | |
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Agha Shahid Ali: Of Snow | |
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I visited Again | |
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The Bronze Horseman | |
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from Eugene Onegin | |
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Perspectives: The National Poet | |
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Reading Hsiao-ching | |
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from The Tale of Kieu | |
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Resonance | |
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Che Lan Vien, Thoughts on Nguyen | |
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The Mouse's Petition to Dr. Priestly | |
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Washing Day | |
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Eighteen Hundred and Eleven | |
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Resonance | |
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John Wilson Croker, from A Review of Eighteen Hundred and Eleven | |
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The Ruins of the Castle of Balaklava | |
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Zosia in the Kitchen Garden | |
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The Lithuanian Forest | |
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Hands That Fought | |
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To a Polish Mother | |
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Song of the Bard | |
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The Free Besieged | |
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from The Poet | |
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I Hear America Singing | |
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from Song of Myself | |
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Crossing Brooklyn Ferry | |
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As I Lay with My Head in Your Lap camerado | |
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O Captain! My Captain! | |
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Prayer of Columbus | |
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Crosscurrents | |
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Perspectives: On the Colonial Frontier | |
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from A Hero of our Time, trans. Paul Foote | |
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from Life of Juan Facundo Quiroga: Civilization and Barbarism | |
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from From the Deep Woods to Civilization | |
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Forest Trees of the Sea | |
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Piano at Evening | |
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Bill the Ice Skater | |
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The Pearl | |
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A Feather Chant for Ka-pi'o-lani at Wai-m�nalo | |
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The Sprinkler | |
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from Noli Me Tangere | |
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Crosscurrents | |
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The Romantic Fantastic | |
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The Rime of the Ancient Mariner | |
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Fair-haired Eckbert | |
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Sarrasine | |
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The Pit and the Pendulum | |
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A Simple Heart | |
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from Travels in Egypt | |
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Perspectives: Occidentalism - Europe Through Foreign Eyes | |
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from Journal of a Residence in England | |
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On the General Conditions of Europe | |
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from The Western Peep Show | |
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The Cup of Humanity | |
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Resonance | |
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Chiang Yee: from The Silent Traveller in London | |
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Crosscurrents | |
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from Aurora Leigh | |
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from Les Fleurs Du Mal | |
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To the Reader | |
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The Albatross | |
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Correspondences | |
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The Head of Hair | |
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Carrion | |
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Invitation to the Voyage | |
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Spleen (II) | |
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The Swan | |
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In Passing | |
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Twilight: Daybreak | |
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Ragpickers' Wine | |
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A Martyr | |
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Travelers | |
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from The Painter of Modern Life | |
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from Paris Spleen | |
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To Each His Chimera | |
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Crowds | |
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Invitation to the Voyage | |
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Get High | |
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Any Where Out of the World | |
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Let's Beat Up the Poor! | |
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Resonances | |
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Jules and Edmund Goncourt: from Journal | |
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Stephane Mallarm�: The Tomb of Charles Baudelaire | |
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Arthur Rimbaud: Vowels, City, Departure | |
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The Death of Ivan Ilych | |
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Notes from Underground | |
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Resonances | |
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Friedrich Nietzsche: from Daybreak | |
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Ishikawa Takuboku: The Romaji Diary | |
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Other Americas | |
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The Story of Emergence | |
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Resonance | |
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Nicholas Black Elk and John G. Neihardt: from Black Elk Speaks | |
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Bartleby the Scrivener | |
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Narrative of the Life of Frederick Douglass | |
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from Incidents in the Life of a Slave Girl | |
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I never lost as much but twice | |
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Title divine-is mine! | |
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There came a day at summer's full | |
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It was not Death, for I stood up | |
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After great pain, a formal feeling comes | |
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I died for Beauty | |
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I dwell in Possibility | |
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I heard a Fly buzz-when I died | |
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I live with Him-I see His face | |
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My Life had stood-a Loaded Gun | |
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Further in Summer than the Birds | |
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Tell all the Truth but tell it slant- | |
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The Psychiatrist | |
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The Yellow Wallpaper | |
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First, A Look | |
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Walt Whitman | |
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To Roosevelt | |
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I Pursue a Form.... | |
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What Sign Do You Give...? | |
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A Doll's House | |
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Separate Ways | |
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Lady with Pet Dog | |
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The Conclusion | |
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Bibliography | |
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Credits | |
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Index | |