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Basic Principles | |
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A Beginning and an End Expect This! | |
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Interpretation Requires | |
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Communicating Interpretation Engages an Audience Interpretation | |
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Involves a Literary Work in Its Intellectual and Emotional | |
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Entirety Interpretation Celebrates a Literary Work in Its Aesthetic Entirety | |
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Important Early Questions: Why Perform? | |
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Is this Acting? | |
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Sources of Material Intertextuality Choosing Your Selection | |
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Three Touchstones Preliminary Analysis | |
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Hoytrsquo;s Poem Preliminary Analysis | |
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Dickinsonrsquo;s Poem Preliminary Analysis | |
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Shermanrsquo;s Story Remember This! | |
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Bibliography | |
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Analyzing the Selection Expect This! | |
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Preparing the First Performance Major Structural Components | |
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Major Aesthetic Components Using the Tools | |
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Synthesis Analyzing the Rehearsal and the Performance Remember | |
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This! Selections for Analysis and Oral Interpretation | |
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Bibliography | |
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Voice Development for Oral Interpretation Expect | |
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This! Relaxation Technique Breath Control Volume and Projection | |
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Pitch and Quality Rate and Pause | |
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Intelligibility of Speech Dialect Remember | |
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This! Selections for Analysis and Oral Interpretation | |
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Bibliography | |
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Use of the Body in Oral Interpretation Expect This! | |
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Technique Posture Kinesics Sense Imagery Empathy Using | |
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Your Body in Rehearsal Eye Contact Analyzing the Rehearsal and the Performance Remember | |
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This! Selections for Analysis and Oral Interpretation | |
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Bibliography | |
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Interpretation of Prose | |
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Style and Types in Fiction and Nonfiction Expect | |
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This! Style Types of Prose Remember | |
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This! Selections for Analysis and Oral Interpretation | |
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Bibliography | |
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Narration Expect | |
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This! Who Is Telling the Story? | |
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Point of View What Is Going on Here? | |
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Action and Plot What Sort of People Live in This Story? | |
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Character What Are They Saying to Each Other? | |
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Dialogue Creating Character Where Is All This Taking Place? Set | |