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| Theatre and its Audience | |
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| Cultural Colaboration: Theatre and Society | |
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| Theatre as Entertainment and Art | |
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| The Social Functions of Theatre | |
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| Social Control of Theatre | |
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| Cultural Context and Personal Experience | |
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| Experiencing Theatre: Collaboration of Actor, Audience, and Space | |
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| The Audience | |
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| The Nature of Acting | |
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| From Play to Production | |
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| Space | |
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| Theatre and Transformation | |
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| Analyzing Theatre: Thinking and Writing About Live Performance | |
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| Theatre, Film, and Television | |
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| Analyzing Production | |
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| Thinking About Actor Performances | |
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| Thinking About Space and Design | |
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| Understanding Style | |
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| Evaluating Production | |
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| The Role of the Critic | |
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| Writing About Production | |
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| When It All Works | |
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| Understanding the Play: A Theatrical Blueprint | |
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| Character | |
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| Thought | |
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| Language | |
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| Music | |
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| Spectacle | |
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| Interpreting the Play: Understanding Genre, Reading, and Writing | |
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| Dramatic Genre | |
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| Reading a Play | |
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| Writing About a Play | |
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| Producing the Play: Connecting Theatre and Audience | |
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| Theatrical Choice in North America | |
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| The Role of the Producer | |
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| The Economics of Theatre | |
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| Photo Gallery: Theatrical Diversity | |
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| Theatre: Collaboration in History | |
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| Foundations: Classical Theatrical Forms | |
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| Classical Greece | |
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| Classical Rome | |
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| Classical India | |
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| Medieval Europe | |
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| Classical China | |
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| Classical Japan | |
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| Reinterpretations: Europe Rediscovers the Western Classics | |
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| The Italian Renaissance | |
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| Elizabethan England | |
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| The Spanish Golden Age | |
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| Seventeenth-Century France | |
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| Restoration England | |
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| Eighteenth-Century Europe and the Americas | |
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| Revolutions: Romanticism to Postmodern | |
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| Romanticism | |
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| Nineteenth-Century Melodrama | |
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| Nineteenth-Century Realism and Naturalism | |
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| The Avant-Garde from the Late Nineteenth Century to the 1960s | |
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| Twentieth-Century Popular Theatre | |
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| The Recent Avant-Garde and Postmodern Experiment | |
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| Timeline | |
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| Collaboration in Art and Practice | |
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| The Director: Vision and Leadership | |
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| Has Someone Always Been in Charge? Interpretation | |
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| Developing Concept | |
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| Communicating and Managing the Artistic Vision | |
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| Collaborating with the Playwright | |
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| Collaborating with Actors | |
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| Collaborating with Stage Management | |
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| The Rehearsal Process | |
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| Opening the Production | |
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| The Artistic Director | |
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| The Actor: From Mask to Contemporary Performance | |
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| Development of the Actor | |
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| The Actor's Work | |
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| The Playwright: Imagination and Expression | |
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| The Changing Position of the Playwright | |
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| The Playwright and Production | |
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| Development of New Plays | |
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| The Designer: Materializing Conception and the World of the Play | |
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| The Development of the Designer | |
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| The Designers' Choices | |
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| Artists of the Theatre: Ming Cho Lee | |
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| The Scenic Designer's Work | |
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| The Lighting Designer's Work | |
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| The Costumer Designer's Work | |
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| The Sound Designer's Work | |
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| Integrating All the Designs | |
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| Photo Gallery: Interpreting Space and Design | |