| |
| |
| List of Figures | |
| |
| |
| Preface | |
| |
| |
| |
| Technology in the Field | |
| |
| |
| |
| Scanning and Prepress Tools for Traditional Print Publications | |
| |
| |
| Digital Hybrid System | |
| |
| |
| Film Scanners | |
| |
| |
| Drum Scanners | |
| |
| |
| 35mm Film Scanners | |
| |
| |
| How to Scan and Do Prepress Steps in Photoshop | |
| |
| |
| How to Scan 35mm Film Correctly | |
| |
| |
| Captioning the Photo | |
| |
| |
| Scanning Color Negatives or Positives | |
| |
| |
| Color Theory in a Nutshell | |
| |
| |
| Modes | |
| |
| |
| Converting to CMYK | |
| |
| |
| Color Balancing and Setting Density in Levels | |
| |
| |
| Color Balancing in Curves | |
| |
| |
| Color Balancing in Color Balance | |
| |
| |
| Color Balancing in Variations | |
| |
| |
| Adjusting for Brightness and Contrast | |
| |
| |
| Lightness/Darkness in Relation to Color | |
| |
| |
| Adjusting Saturation | |
| |
| |
| Unsharp Masking | |
| |
| |
| Dodging and Burning | |
| |
| |
| Selection Tools in Photoshop | |
| |
| |
| Using Quick Mask to Burn | |
| |
| |
| File Formats and Resolution | |
| |
| |
| Putting It All in Actions | |
| |
| |
| What You Need to Know about Layers | |
| |
| |
| Scanning Specifically for Black and White Print Output | |
| |
| |
| Alternative Method for Setting Contrast and Tone | |
| |
| |
| Areas for Discussion | |
| |
| |
| |
| More Prepress Tools for Better Reproduction | |
| |
| |
| Calibration and Dot Gain for Press | |
| |
| |
| Using Custom Tables | |
| |
| |
| Using the Info Palette | |
| |
| |
| Color Correcting Underexposed or Overexposed Images | |
| |
| |
| Color Correcting for Mixed Light Sources | |
| |
| |
| Color Correcting a Gelled Flash Shot | |
| |
| |
| Converting to CMYK for Press Publication | |
| |
| |
| Creating a Black and White Channel from a Color Image | |
| |
| |
| Removing Noise from Digital Images | |
| |
| |
| The Despeckle Filter | |
| |
| |
| The Dust and Scratches Filter | |
| |
| |
| The Median Filter | |
| |
| |
| Embedding a Watermark | |
| |
| |
| The Element of Time | |
| |
| |
| Areas for Discussion | |
| |
| |
| |
| Digital Cameras | |
| |
| |
| What a Digital Camera Is in a Nutshell | |
| |
| |
| Cameras Being Used in the Field | |
| |
| |
| Features to Consider | |
| |
| |
| Resolution | |
| |
| |
| Changes in Focal Length of Lenses | |
| |
| |
| Interchangeable Lenses | |
| |
| |
| Anti-Aliasing Filters | |
| |
| |
| File Size | |
| |
| |
| ISO Range | |
| |
| |
| Image Storing/PC Cards | |
| |
| |
| Burst Rate/Frames per Second | |
| |
| |
| File Format | |
| |
| |
| Color Depth | |
| |
| |
| Batteries | |
| |
| |
| Interface/Connecting to the Computer | |
| |
| |
| White Balance | |
| |
| |
| LCD Display | |
| |
| |
| E-TTL and/or Strobe Capability | |
| |
| |
| Sound | |
| |
| |
| Operating a Digital Camera | |
| |
| |
| Getting Started | |
| |
| |
| Metering | |
| |
| |
| The Ultimate Challenge of Capturing Color Correctly | |
| |
| |
| ISO | |
| |
| |
| Setting Custom Functions on Early DCS Models | |
| |
| |
| Using Flash | |
| |
| |
| Recording Sound Clips | |
| |
| |
| Framing the Image | |
| |
| |
| Reviewing Images In-Camera | |
| |
| |
| Deleting Images | |
| |
| |
| The Vanishing Frame of the 35mm Format | |
| |
| |
| 360 Degrees | |
| |
| |
| |
| Areas for Discussion | |
| |
| |
| |
| Scanning and Prepress Tools for Web Publications | |
| |
| |
| Image Compression and File Formats | |
| |
| |
| Color Correction for the Web | |
| |
| |
| Accessing Images for Web Publication | |
| |
| |
| Image Cropping for Web Publications | |
| |
| |
| Areas for Discussion | |
| |
| |
| |
| Photo-Driven Publications: Photo Editing for the Web and Traditional Print | |
| |
| |
| |
| Photo Editing for Web Publications and the Role of Online Photojournalism | |
| |
| |
| |
| Photo Editing: Telling a Visual Story Online | |
| |
| |
| The Evolving Process of New Media Photo Editing: Print versus Online | |
| |
| |
| Time, Space, and the Use of Technology | |
| |
| |
| Differences in Time | |
| |
| |
| Differences in Space | |
| |
| |
| Differences in the Technology | |
| |
| |
| The Repurposing (Reuse) Issue | |
| |
| |
| The Role of Photojournalism on the Web | |
| |
| |
| The Evolution of Photojournalism on the Web | |
| |
| |
| Job Skills | |
| |
| |
| Possible Scenarios | |
| |
| |
| Areas for Discussion | |
| |
| |
| |
| Photo Editing for Traditional Print Publications | |
| |
| |
| |
| Defining the Photo Editor | |
| |
| |
| The Planning Process: Begin with the Photo Assignment and Photo Desk Operation | |
| |
| |
| Using a Visual Language | |
| |
| |
| Active versus Passive Photographs | |
| |
| |
| Photo Editor as Gatekeeper | |
| |
| |
| Using the Photograph in the Correct Context | |
| |
| |
| Shepherding the Use of Photographs | |
| |
| |
| The Photographer and Photo Editor Working Side by Side | |
| |
| |
| Cropping and Caption Writing | |
| |
| |
| Cropping | |
| |
| |
| Captions/Cultines | |
| |
| |
| The Importance of Photography | |
| |
| |
| The Hierarchy for Visual Journalists | |
| |
| |
| Areas for Discussion | |
| |
| |
| |
| Transmitting in the Field | |
| |
| |
| A Bit of Background | |
| |
| |
| Transmission Methods | |
| |
| |
| File Transfer Protocol (FTP) | |
| |
| |
| Bulletin Board System (BBS) | |
| |
| |
| E-Mail | |
| |
| |
| Cellular Phone Transmission | |
| |
| |
| The New Day | |
| |
| |
| |
| Areas for Discussion | |
| |
| |
| |
| Archiving Digital Image Files | |
| |
| |
| Software | |
| |
| |
| Standard File Format for Archiving and Other Features | |
| |
| |
| Captions and Attribute Storage | |
| |
| |
| Proofing | |
| |
| |
| Searching the Archive: Digital Image File and/or CD Backup | |
| |
| |
| Intranet and Internet Access | |
| |
| |
| Archive Database for Traditional Print Publication and Online | |
| |
| |
| Archiving Multimedia Formats | |
| |
| |
| Areas for Discussion | |
| |
| |
| |
| The Professional Photojournalist's Digital Portfolio | |
| |
| |
| |
| Slide Portfolios | |
| |
| |
| What to Include | |
| |
| |
| How to Shoot Portfolio Slides | |
| |
| |
| Matching Film with the Light Source | |
| |
| |
| Black and White Slides | |
| |
| |
| Polarizing Filters | |
| |
| |
| Lens Choice and Exposure | |
| |
| |
| Masking Slides | |
| |
| |
| Originals and Duplicates | |
| |
| |
| Labeling the Slides | |
| |
| |
| Presentation and Grouping Your Work to Play to Its Strengths | |
| |
| |
| Preparing Digital Files for Slide Output | |
| |
| |
| Resume with Cover Letter | |
| |
| |
| Areas for Discussion | |
| |
| |
| |
| CD-ROM and Web Site Portfolios | |
| |
| |
| Preparing Photoshop Image Files for QuickShow | |
| |
| |
| Preparing Slides in Photoshop for Images with Captions | |
| |
| |
| Burning Files onto a CD | |
| |
| |
| Creating a Portfolio Web Site | |
| |
| |
| Basic Design Theory | |
| |
| |
| Basic Color Theory | |
| |
| |
| Creating a Web Page in Dreamweaver | |
| |
| |
| Areas for Discussion | |
| |
| |
| |
| Legal Issues | |
| |
| |
| |
| Copyright Issues | |
| |
| |
| Copyright Law | |
| |
| |
| What Is Protected and for How Long | |
| |
| |
| Whose Work Is Whose? | |
| |
| |
| Work for Hire | |
| |
| |
| Freelance | |
| |
| |
| Unfair Competition | |
| |
| |
| Copyright versus Public Domain | |
| |
| |
| Copyright and Notice | |
| |
| |
| Copyright Registration for Published or Unpublished Work | |
| |
| |
| What Is Infringement? | |
| |
| |
| Fair Use | |
| |
| |
| Copyright and International Issues | |
| |
| |
| The Digital Millennium Copyright Act | |
| |
| |
| Why Copyright Issues Are Changing | |
| |
| |
| Photographs in Online News Publication | |
| |
| |
| Areas for Discussion | |
| |
| |
| |
| Case Studies and Ethics | |
| |
| |
| Fair Use | |
| |
| |
| Los Angeles Times v. The Free Republic | |
| |
| |
| Playboy Enterprises v. Sanfilippo | |
| |
| |
| NBA v. The New York Times | |
| |
| |
| Copyright Infringement and Freelancers | |
| |
| |
| East Lansing Police Site | |
| |
| |
| AP | |
| |
| |
| Tasini v. The New York Times | |
| |
| |
| More Concerning Freelancers | |
| |
| |
| Protecting Photographs Published Online | |
| |
| |
| Ethics in the Age of Digital Photography | |
| |
| |
| |
| Areas for Discussion | |
| |
| |
| Glossary | |
| |
| |
| Index | |