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| Foreword | |
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| Preface | |
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| Authors and Acknowledgments | |
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| Orthography and Pronunciation | |
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| CD Track List | |
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| Prologue | |
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| Diversity in Pacific Island Musics | |
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| Polynesia | |
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| Music and Words | |
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| Communities of Sound | |
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| Micronesia | |
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| Music and Dance Practices | |
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| Music as Expression and Sentiment | |
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| Music as Cultural Heritage and Identity | |
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| Melanesia | |
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| The Multiart Ceremony | |
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| Materials and Musical Instruments | |
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| Pidgin Languages and Music | |
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| Summary | |
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| Music and Colonial Experiences | |
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| Micronesia | |
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| Early Colonial Appropriations | |
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| Interfaces with Japan | |
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| Interfaces with the United States | |
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| Melanesia | |
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| Ceremonial Culture as Folklore | |
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| Time, Authority, and Militarism | |
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| The "Singing Cowboy" and the Individual Self | |
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| Polynesia | |
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| Reconfiguring Celebration | |
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| Himene Tarava | |
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| Music for the Dance | |
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| Summary | |
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| Musical Expressions of the Sacred | |
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| Polynesia | |
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| Music in the �glise Protestante Ma'ohi | |
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| Himene Tarava as Polynesian Hymnody | |
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| Micronesia | |
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| Music and Christian Worship | |
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| Religious Music Across Time | |
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| Music and Indigenous Spiritual Practices | |
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| Innovations in Contemporary Christian Music | |
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| Melanesia | |
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| Sound as "Spirit Voices" | |
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| Christian Hymnody in Vanuatu | |
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| Cargo Cults | |
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| Summary | |
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| Music and Global Flows | |
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| Melanesia | |
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| String Band | |
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| Ailan Reggae | |
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| Pop-"Tribal" Fusion Music | |
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| Polynesia | |
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| Island Songs | |
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| Fusing Polynesian Cultures | |
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| Haka Travels | |
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| Micronesia | |
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| Musical Networks Across Pacific Boundaries | |
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| Exchanging and Appropriating Dances | |
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| Music and Migrant Communities in Hawai'i | |
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| The Flow of Popular Music | |
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| Summary | |
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| Music, Performance, and Representation | |
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| Polynesia | |
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| Tourism and the Hotel Show | |
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| Representing Tahiti Through Festivals | |
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| Festivalization and Cultural Tourism | |
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| Melanesia | |
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| The Cultural Festival for Community Benefit | |
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| Melanesian Identity and the "World Music" Festival | |
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| Melanesian Identity as "Pacific" Identity | |
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| Micronesia | |
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| Representations from Beyond the Pacific | |
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| Performances for Pacific Island Others and Selves | |
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| Summary | |
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| Epilogue: Expressing Pacific-ness | |
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| Glossary | |
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| References | |
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| Resources | |
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| Index | |