Flowers of Evil

ISBN-10: 0199535582
ISBN-13: 9780199535583
Edition: 2008
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Description: The Flowers of Evil, which T.S. Eliot called the greatest example of modern poetry in any language, shocked the literary world of nineteenth century France with its outspoken portrayal of lesbian love, its linking of sexuality and death, its  More...

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Book details

List price: $13.95
Copyright year: 2008
Publisher: Oxford University Press, Incorporated
Publication date: 5/15/2008
Binding: Paperback
Pages: 464
Size: 5.00" wide x 7.50" long x 1.25" tall
Weight: 0.792

The Flowers of Evil, which T.S. Eliot called the greatest example of modern poetry in any language, shocked the literary world of nineteenth century France with its outspoken portrayal of lesbian love, its linking of sexuality and death, its unremitting irony, and its unflinching celebration of the seamy side of urban life. Including the French texts and comprehensive explanatory notes to the poems, this extraordinary body of love poems restores the six poems originally banned in 1857, revealing the richness and variety of the collection.

Charles Baudelaire, 1821 - 1867 Charles Baudelaire had perhaps had an immeasurable impact on modern poetry. He was born on April 9, 1821, to Joseph-Francois Baudelaire and Caroline Archimbaut Dufays in Paris. He was educated first at a military boarding school and then the College Louis-le-Grand, where he was later expelled in 1839. Baudelaire then began to study law, at the Ecole de Droit in Paris, but devoted most of his time to debauchery. After an abortive trip to the East, he settled in Paris and lived on an inheritance from his much despised step father, while he wrote poetry. During this period he met Jeanne Duval, a mulatto with whom he fell in love with and who became the "Black Venus," the muse behind some of his most powerful erotic verse. Baudelaire strove to portray sensual experiences and moods through complex imagery and classical form, avoiding sentimentality and objective description. Thus he profoundly influenced the later French symbolist writers, including Mallarme and Rimbaud, and such English-language poets as Yeats, Eliot, and Stevens. With much of his inheritance squandered, Baudelaire turned to journalism, especially art and literary criticism, the first of which were "Les Salons". Here he discovered the work of Edgar Allan Poe, which became an influence on his own poetry. While continuing to write unpublished verse, Baudelaire became famous as critic and translator of Poe. This reputation enabled Baudelaire to publish his most famous collection of poetry, "Les Fleurs du Mal" (The Flowers of Evil) in 1857. The result was an obscenity trial and the banning of six of the poems. Though he continued to write journalism with some success, he became increasingly depressed and pessimistic. Baudelaire attempted suicide in 1845, an attempt to get attention, and became minorly involved in the French Revolution. Today Baudelaire's work is considered the "last brilliant summation of romanticism, precursor of symbolism and the first expression of modern techniques". It was his originality that set him apart and ultimately proved to be his end. Baudelaire died, apparently from complications of syphilis, on August 31, 1867, in Paris.

Professor of English and Comparative Literature at Cornell University, Culler has played an important role in the dissemination of structuralist and poststructuralist theory in the U.S. academy. His Structuralist Poetics (1975) was one of the first books to survey the new continental theory, and it included a bibliography with all the English translations of that work then available. As the title suggests, Culler's book concentrates on structuralist literary analysis, explicating in particular what various continental critics had to say about the "deep structures" or codes governing literary production as a mode of discourse with an apparent radical diversity of texts and "surface structures." He also covers some of the background to structuralist literary theory. Interestingly, Culler also develops in this book a theory of reading that is not quite structuralist, although it does make use of a structuralist vocabulary and some structuralist ideas. The Pursuit of Signs (1981) is, the second in his trilogy of introductions to this theory. It offers explanations of poststructuralist theory, which is as much a response to as a development of structuralist theory, whose premises it frequently rejects. Just one year later, Culler published a supplement to this volume, On Deconstruction (1982), devoted not only to the work of Derrida but also to the work of American deconstructionists, who were sometimes elaborating deconstruction in more obviously political directions; for example, by generating feminist deconstructive analyses. Culler has continued to interpret Continental theory and theorists for U.S. audiences in his more recent publications. A prolific author, he has also published books about nineteenth-century French literature and culture, the field in which he did his graduate work, and books or essays on a range of other topics which he addresses from the perspective of poststructuralist theory, including puns, tourism, and trash.

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