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Dionysus Since 69 Greek Tragedy at the Dawn of the Third Millennium

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ISBN-10: 0199259143

ISBN-13: 9780199259144

Edition: 2004

Authors: Edith Hall, Fiona Macintosh, Amanda Wrigley

List price: $250.00
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Greek tragedy is currently being performed more frequently than at any time since classical antiquity. This book is the first to address the fundamental question, why has there been so much Greek tragedy in the theatres, opera houses and cinemas of the last three decades? A detailed chronological appendix of production information and lavish illustrations supplement the fourteen essays by an interdisciplinary team of specialists from the worlds of classics, theatre studies, and the professional theatre. They relate the recent appeal of Greek tragedy to social trends, political developments, aesthetic and performative developments, and the intellectual currents of the last three decades,…    
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Book details

List price: $250.00
Copyright year: 2004
Publisher: Oxford University Press, Incorporated
Publication date: 3/11/2004
Binding: Hardcover
Pages: 500
Size: 5.43" wide x 8.50" long x 1.26" tall
Weight: 1.826
Language: English

Edith Hall is one of Britain's foremost classicists, having held posts at the universities of Royal Holloway, Cambridge, Durham, Reading, and Oxford. In 2014 she was awarded the Erasmus Medal of the European Academy, given to a scholar whose works represent a significant contribution to European culture and scientific achievement. She is the first woman to win this award. Hall regularly writes in the Times Literary Supplement, reviews theatre productions on radio, and has written and edited more than a dozen works on the ancient world. She teaches at King's College London and lives in Gloucestershire.

Introduction: Why Greek tragedy since the late 1960s?
Dionysus and the Sex War
Dionysus in '69
Bad women: gender politics in late twentieth-century performance and revision of Greek tragedy
Heracles as Dr Strangelove and GI Joe: male heroism deconstructed
Dionysus in Politics
Sophocles' Philoctetes, Seamus Heaney's, and some other recent half-rhymes
Aeschylus, race, class, and war in the 1990s
Greek tragedy in cinema: theatre, politics, history
Greek drama and anti-colonialism: decolonising Classics
Dionysus and the Aesthetics of Performance
The use of masks in modern performances of Greek tragedy
Greek notes in Samuel Beckett's theatre art
Greek Tragedy in late twentieth-century opera
Dionysus and the Life of the Mind
Oedipus in the East End: from Freus to Berkoff
Thinking about the origins of theatre in the 1970s
The voices we hear
Details of productions discussed