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List of Contributors | |
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List of Illustrations | |
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General Introduction | |
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Critical Approaches | |
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Introduction to film studies | |
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The film text and film form, Robert P. Kolker Readings: Written on the Wind | |
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Film acting | |
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Film costume | |
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Film music | |
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Classic film theory and semiotics | |
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Formalism and neo-formalism Ian Christie Reading: Poetry and prose in cinema | |
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Impressionism surrealism and film theory | |
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Film and psychoanalysis | |
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Post-structuralism and deconstruction | |
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Film and postmodernism | |
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Marxism and film | |
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Feminism and film | |
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Gay and lesbian criticism | |
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Queer theory | |
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Pornography | |
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Race ethnicity and film | |
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Film and cultural identity | |
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Film and history | |
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Sociology and film | |
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Cultural studies and film | |
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Film audiences | |
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Hermeneutics reception aesthetics and film interpretation | |
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American Cinema and Hollywood: Critical Approaches | |
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American cinema: history industry and interpretation | |
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American cinema and film history | |
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History and cinema technology | |
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Hollywood as industry | |
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Early American film | |
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Classical Hollywood film and melodrama, E. Ann Kaplan Readings: Casablanca | |
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Post-classical Hollywood | |
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Authorship and Hollywood, Stephen Crofts Reading | |
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Genre and Hollywood | |
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The star system and Hollywood | |
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Hollywood film and society, Douglas Kellner Reading: Hollywood and ideology | |
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Film policy: Hollywood and beyond | |
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Hollywood and the world | |
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World Cinema: Critical Approaches | |
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Redefining cinema: international and avant-garde alternatives | |
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Concepts of national cinema | |
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Modernism and the avant-gardes | |
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Realism modernism and post-colonial theory, Ashish Rajadhyaksha Redefining cinema: other genres | |
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The documentary | |
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The animated film | |
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Issues in European cinema | |
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Case-studies: Movements Moments and Filmmakers | |
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The avant-gardes and European cinema before 1930 | |
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Italian post-war cinema and Neo-Realism | |
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The French | |
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New German Cinema | |
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East Central European cinema | |
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