Playing Across a Divide Israeli-Palestinian Musical Encounters

ISBN-10: 0195395948
ISBN-13: 9780195395945
Edition: 2009
Authors: Benjamin Brinner
List price: $28.95 Buy it from $26.88
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Description: In the last decade of the twentieth century and on into the twenty-first, Israelis and Palestinians saw the signing of the Oslo Peace Accords, the establishment of the Palestinian Authority, the assassination of Israeli Prime Minister Yitzhak Rabin,  More...

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Book details

List price: $28.95
Copyright year: 2009
Publisher: Oxford University Press, Incorporated
Publication date: 12/21/2009
Binding: Paperback
Pages: 368
Size: 9.21" wide x 6.10" long x 0.91" tall
Weight: 1.144
Language: English

In the last decade of the twentieth century and on into the twenty-first, Israelis and Palestinians saw the signing of the Oslo Peace Accords, the establishment of the Palestinian Authority, the assassination of Israeli Prime Minister Yitzhak Rabin, and the escalation of suicide bombings and retaliations in the region. During this tumultuous time, numerous collaborations between Israeli and Palestinian musicians coalesced into a significant musical scene informed by these extremesof hope and despair on both national and personal levels. Following the bands Bustan Abraham and Alei Hazayit from their creation and throughout their careers, as well as the collaborative projects of Israeli artist Yair Dalal, Playing Across a Divide demonstrates the possibility of musical alternatives to violent conflict and hatred in an intensely contested, multicultural environment. These artists' music drew from Western, Middle Eastern, Central Asian, and Afro-diasporic musical practices, bridging differences and finding innovative solutions tothe problems inherent in combining disparate musical styles and sources. Creating this new music brought to the forefront the musicians' contrasting assumptions about sound production, melody, rhythm, hybridity, ensemble interaction, and improvisation. Author Benjamin Brinner traces the tightlyinterconnected field of musicians and the people and institutions that supported them as they and their music circulated within the region and along international circuits. Brinner argues that the linking of Jewish and Arab musicians' networks, the creation of new musical means of expression, and the repeated enactment of culturally productive musical alliances provide a unique model for mutually respectful and beneficial coexistence in a chronically disputed land.

Setting the Stage
First Encounters
Arab Musicians in Israel and the West Bank
Israeli Musical Life
Musicians, Bands, Networks
Alei Hazayit
Bustan Abraham
Two Bands, Two Interactive Musical Networks
Yair Dalai
A Larger Network—The Ethnic Music Scene in Israel
New Forms of Musical Expression
Musical Mixtures—Fusion of Styles and Styles of Fusion
Bustan Abraham's Approaches to Composition and Improvisation
Roots and Routes
Representations of Place and Time
Roots in the Past, Routes to the Future
Audio Recordings
Glossary
References
Index

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