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| Foreword | |
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| Preface | |
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| Introduction | |
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| CD Track List | |
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| Anatolian Rural Musics and Instruments | |
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| Rural song forms: T�rk� and Uzun have | |
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| �sik poetry and poets | |
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| Alevi sacred/secular music | |
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| Saz-family instruments | |
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| Saz making | |
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| Kemen�e and Karadeniz folk song | |
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| Dance music and drumming: Oyun havasi and the aski-davul | |
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| Conclusion: Rural music in urban Turkey | |
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| Urban Musics and Instruments | |
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| History of urban art music until 1950 | |
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| Oud | |
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| Contexts 1: Emin Ongan �sk�dar Musiki Cemiyeti | |
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| Sarki and fasil: Song and suite forms | |
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| Tanbur | |
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| Instrumental art-music composition | |
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| Roman oyun havasi | |
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| Contexts 2: Restaurant and meyhane music | |
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| Klasik kemen�e (lyra politiki) | |
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| Conclusion | |
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| Musical Features: Time and Dramatic Tension | |
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| Usul, beat structures, and meter | |
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| Asymmetrical beat structures and the feel of aksak | |
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| T�rk Aksagi | |
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| Devr-i Turan and Devr-i Hindi | |
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| Four-Beat usul-s | |
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| Nim Sofyan | |
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| Combination Usul-s | |
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| Rhythms made within aksak beat structures | |
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| Compariosn of rhythmic layers in karsilama and zeybek dance forms | |
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| Musical form: Soru-cevap | |
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| Melodic structure: Seyir and durak | |
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| Conclusion | |
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| Arranged Folk and Art Musics and New Musical Instruments | |
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| Arrangements in art-music ensembles | |
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| Making Karadeniz music: "Bu D�nya Bir Pencere" | |
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| Alevi arrangements: Dertil Divani, "Zamani Gelir" | |
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| Arabesk | |
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| Kurdish arrangements and Aynur's "Ke�e Kurdan" | |
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| Profile: Erkan Ogur | |
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| Conclusion | |
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| Music, Politics, and Meaning | |
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| In memory of a general: �sik Veysel's "Atat�rk'e Agit" | |
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| Folk heroes and socialist politics in the songs of Grup Yorum | |
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| Azeri and Armenian identity and the story of "Sari Gelin/Sari Gyalin" | |
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| Afterword | |
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| Glossary | |
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| References | |
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| Resources | |
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| Index | |