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Ideographic Modernism China, Writing, Media

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ISBN-10: 0195393821

ISBN-13: 9780195393828

Edition: 2009

Authors: Christopher Bush

List price: $48.99
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The ideograph is conventionally understood as a script that is ancient and Chinese; it is neither. The 'ideograph' is a modern Western invention, one contemporaneous with, and related to, such modern inventions as photography, phonography, and cinematography. Ideographic Modernism analyzes the collective significance of an array of figures of Chinese writing in Euro-American literature, showing how the ideograph becomes, in the modernist era, a prism through which toimagine the world in ethnographic and in technological terms. Chapters on writing-as-image take up Kafka's 'An Imperial Message' and the way photography works as a model of vision without consciousness in the poetics of Imagists…    
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Book details

List price: $48.99
Copyright year: 2009
Publisher: Oxford University Press, Incorporated
Publication date: 2/1/2010
Binding: Hardcover
Pages: 224
Size: 5.60" wide x 8.20" long x 1.00" tall
Weight: 0.660
Language: English

VICTOR SEGALEN (1878-1919) was a French doctor, novelist, poet, literary theorist, sinologist, and amateur archaeologist. TIMOTHY BILLINGS is an associate professor of English at Middlebury College. CHRISTOPHER BUSH teaches comparative literature and humanities at Princeton University. HAUN SAUSSY is a professor of comparative literature at Yale University.

Preface: Imperial Media/Imperial Messages: Modernism and the Myth of China
Introduction: ""no better instrument"": The Chinese Written Character as a Medium
""visible nature"": Image, Photography, and the Apparition of China
""simply the form"": Inscription, Phonography, and the Chinese Scene of Writing
""to imitate the Chinese"": Mimesis, Cinema, and Mechanical Reproduction
""shocks in China"": Space, Telegraphy, and the Age of the World Picture
Works Cited