Music for Analysis Examples from the Common Practice Period and the Twentieth Century

Name: Music for Analysis Examples from the Common Practice Period and the Twentieth Century
Price: 6.69 USD
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ISBN: 9780195379839

ISBN-10: 0195379837

ISBN-13: 9780195379839

Edition: 7th 2010

Authors: Thomas Benjamin, Michael Horvit, Robert Nelson

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Book details

List price: $144.95
Edition: 7th
Copyright year: 2010
Publisher: Oxford University Press
Publication date: 11/27/2009
Binding: Comb Bound
Pages: 560
Size: 10.80" wide x 9.10" long x 0.90" tall
Weight: 2.750
Language: English

Thomas E. Benjamin has recently retired as Chair of the Department of Music Theory at the Peabody Conservatory of the Johns Hopkins University. A composer, conductor, performer, and music theorist with more than 40 compositions published and recorded, he also holds fellowships and awards from the MacDowell Colony, Yaddo, and the National Endowment for the Arts.

Michael Horvit is Professor Emeritus of Composition and Theory at the Moores School of Music, University of Houston. His works range from solo instrumental and vocal pieces to large symphonic and choral compositions and operas, all widely performed in the United States, Europe, Japan, and Israel. He has published with C.F. Peters, MorningStar, Recital Publications, Shawnee Press, E.C. Schirmer, Southern, and Transcontinental, and has CDs with the Albany label. Horvit's awards include the Martha Baird Rockefeller Award as well as the National Endowment for the Arts.



* = Indicates new to this edition


= Indicates inclusion on CD


Each Part opens with Suggestions for Discussion


CD Track List


Preface


Suggestions for Using This Book



Diatonic Materials



Tonic Triad


Questions for Analysis



Haydn, Sonatina in G major, Hob. XVI: 8



Czerny, Sonatina, op. 792, no. 8



Rimsky-Korsakov, Le Coq d'Or: Hymn to the Sun



Beethoven, Leonora Overture No. 2, op. 72



Beethoven, Trio, op. 70, no. 2



Chopin, Polens Grabgesang, op. 74



Chopin, Valse (Posthumous)



Beethoven, Symphony No. 5, op. 67



Couperin, Carnival



Dominant Triad In Root Position


Questions for Analysis



Mozart, Rondo



Kuhnau, Biblical Sonata No. 1: Victory Dance and Festival



Beethoven, Fur Elise



Schumann, Album for the Young, op. 68: Reiterstuck



Weber, Euryanthe, op. 81: Overture



Beethoven, Symphony No. 5, op. 67



Dominant Seventh And Ninth In Root Position


Questions for Analysis


Model Analysis



Weber, German Dance



Mozart, Sonata, K. 332



Schubert, Wiegenlied, op. 98, no. 2



Verdi, Rigoletto, Act I, no. 2



Haydn, Sonata in E major, Hob. XVI: 13



Beethoven, Symphony No. 4, op. 60



Weber, Oberon: Overture



Schubert, Landler



Schubert, Valses Nobles, op. 77



Mozart, Valse



Subdominant Triad In Root Position


Questions for Analysis



Scheidt, Bergamasca



Schumann, Faschingsschwank aus Wien, op. 26, no. 3: Scherzino



Chopin, Mazurka, op. 17, no. 1



Beethoven, Egmont Overture, op. 84



Verdi, Rigoletto, Act I, no. 7



Schubert, Impromptu, op. 90, no. 4, D. 899



Kern, Look for the Silver Lining



Beethoven, Seven Country Dances, no. 7



Schubert, Landler



Cadential Tonic Six-Four Chord


Questions for Analysis



Schubert, Valses Sentimentales, op. 50, no. 18



Chopin, Mazurka, op. 24, no. 3



Donizetti, Lucia di Lammermoor, Act II, no. 6



Beethoven, Trio, op. 97



Tonic, Subdominant, And Dominant Triads In First Inversion


Questions for Analysis


Model Analysis



Bach, Lobt Gott, ihr Christen, allzugleich



Mozart, Bastien und Bastienne, K. 46B, no. 9



Mozart, Sonata, K. 332



Haydn, Sonata in D major, Hob. XVI:37



Mozart, Abendempfindung, K. 523



Beethoven, Symphony No. 5, op. 67



Beethoven, Fidelio, Act I, no. 9



Mozart, Sonata, K. 570



Mendelssohn, Elijah, op. 70, no. 29



Couperin, Le Petit Rien



Dandrieu, Les Fifres



Supertonic Triad


Questions for Analysis



Anonymous, Dir, dir, Jehovah, will ich singen



Schubert, Waltz, op. 9, no. 3, D. 365



Beethoven, Six Variations on ""Nel cor piu non mi sento""



Mozart, Die Zauberflote, K. 620, Act II, no. 21



Chopin, Zwei Leichen



Beethoven, Trio, op. 121A



Verdi, Rigoletto, Act II, no. 14



Chopin, Mazurka, op. 33, no. 2



Haydn, Sonata in E minor, Hob. XVI: 34



Inversions Of The Dominant Seventh Chord


Questions for Analysis



J. C. F. BACH, Nun danket alle Gott



Haydn, Sonata in C major, Hob. XVI: 35



Paisiello, Le donne sur balcone



Mozart, Quartet, K. 464



Beethoven, Sonata, op. 31, no. 3



Rameau, Sarabande I, vol. I



Haydn, Trio in C major, Hob. XV: 3



Kuhlau, Sonatina, op. 20, no. 1



Beethoven, Symphony No. 2, op. 36



Beethoven, Minuet in C



Linear (Embellishing) Six-Four Chords


Questions for Analysis



Beethoven, Concerto No. 1 for Piano, op. 15



Schubert, Valses Sentimentales, op. 50, no. 1, D. 779



Mozart, Rondo, K. 485



Haydn, Quartet, op. 3, no. 5



Schubert, Waltz, op. 9, no. 1, D. 365



Kuhlau, Sonatina, op. 88, no. 3



Mozart, Symphony No. 35, K. 385



Beethoven, Sonatina in G major



Beethoven, Symphony No. 7, op. 92



Mozart, Symphony No. 41, K. 551



Haydn, Sonata in D major, Hob. XVI: 37



Beethoven, Contradanse



Buxtehude, Passacaglia



Beethoven, Symphony No. 3, op. 55



Gounod, Faust, Act I, no. 6



Sullivan, H.M.S. Pinafore, ""I'm Called Little Buttercup""



Submediant And Mediant Triads


Questions for Analysis



Cruger, Herzliebster Jesu, was hast du verbrochen



Anonymous, Dir, dir, Jehovah, will ich singen



Bach, Schmucke dich, o liebe Seele



Mozart, Bastien und Bastienne, K. 46B, no. 1



Mozart, Sonata, K. 545



Handel, Sonata in F for Flute and Continuo



Verdi, Rigoletto, Act I, no. 1



Brahms, Symphony No. 4, op. 98



Corelli, Sonata for Violin and Continuo, op. 5, no. 9



Schubert, Quartet in D major, D. 74



Beethoven, Trio, op. 1, no. 3



Mozart, Sonata, K. 283



J. C. F. BACH, Menuet



Tessier, Au joli bois je m'en vais



Strauss, Der Rosenkavalier, Act III



brahms, Romance, op. 118, no. 5



schumann, Phantasiestucke, op. 12, no. 4, Grillen



schubert, Im Abendroth (Posthumous)



schubert, Symphony in C major (""The Great"")



Leading Tone Triad


Questions for Analysis



Teschner, Schatz uber alle Schatze



Bach, Aus meines Herzens Grunde



Schumann, Album for the Young, op. 68:Soldatenmarsch



Handel, Courante



Haydn, Sonata in E major, Hob. XVI: 49



Haydn, Sonatina in D major, Hob. XVI: 4



Mozart, Sonata, K. 280



Daquin, La Joyeuse



Variant Qualities Of Diatonic Triads


Questions for Analysis


Scalar Variants in Minor



Bach, Herr, ich habe mibgehandelt



Pachelbel, Chaconne



Telemann, Fantasie No. 8



Byrd, Pavana ""The Earle of Salisbury""



A. Scarlatti, Folia



Mattheson, Minuet



Mozart, Sonata, K. 310 Modal Borrowing



Verdi, La Traviata, Act I, no. 4



Donizetti, Linda di Chamounix, ""O luce di quest'anima""



Mozart, Sonata for Violin and Piano, K. 306



Haydn, Sonatina in C major, Hob. XVI: 7



Schubert, Aufenthalt



Schubert, Der Wanderer



Brahms, Symphony No. 3, op. 90



Verdi, Il Trovatore, Act II, no. 11



Beethoven, Symphony No. 5, op. 67



Brahms, Symphony No. 4, op. 98



Supertonic Seventh Chord


Questions for Analysis



Anonymous, Herr, wie du willst, so schick's mit mir



Bach, Straf' mich nicht in deinem Zorn



Haydn, Sonata in A major, Hob. XVI: 46



Grieg, Voegtersang



Beethoven, Symphony No. 6, op. 68



Schubert, Quartet, op. 168, D. 112



Mozart, Sonata, K. 310



Schubert, Standchen



Beethoven, Symphony No. 2, op. 36



Beethoven, Sonata, op. 14, no. 2



Beethoven, Symphony No. 6, op. 68



Bizet, Carmen, Act II: Entr'acte



Rodgers, Blue Moon



Leading Tone Seventh Chord


Questions for Analysis



Dvorak, Quartet, op. 96



Mozart, Sonata, K. 457



Schumann, Carnaval, op. 9: Chiarina



Brahms, Ballade, op. 10, no. 4



Handel, Sonata for Flute and Continuo



Haydn (?), Allegro



Haydn, Trio in G major, Hob. XV: 25



Mozart, Requiem, K. 626: Offertorium



Haydn, Sonatina in G major, Hob. XVI: 11



Handel, Judas Maccabaeus, Part III: no. 53, Introduction



Wagner, Das Rheinghold, Scene 1



Gluck, Orphee, Act I, no. 1



Handel, Aria con Variazioni, Lecon No. 1 98 155. TELEMANN, Fantasia, 1er Dozzina, no. 5



Mozart, Sonata for Violin and Piano, K. 306



Other Diatonic Seventh Chords


Questions for Analysis



Bach, O Ewigkeit, du Donnerwort



Mozart, Rondo. K. 494



Mendelssohn, Kinderstuck, op. 72, no. 1



Pachelbel, Fantasie



Handel, Sonata for Flute and Continuo



Handel, Lecon No. 2, Menuet



Tchaikovsky, Symphony No. 4, op. 36



Bach, French Suite in D minor



Complete Pieces For Analysis I


Questions for Analysis



Beethoven, Minuet



Schubert, Dance



Schubert, German Dance, op. 33, no. 12



Beethoven, Scottish Dance



Purcell, Rigadoon



Rameau, Minuet



Witt, Passacaglia



Grieg, Norsk



Chromatic Materials



Secondary (Applied, Borrowed) Dominants


Questions for Analysis


Model Analysis



Beethoven, Trio, op. 1, no. 1



Mozart, Sonata, K. 281



Schubert, Impromptu, op. 142, no. 3



Haydn, Trio in D major



Beethoven, Sonatina in G major



Weber, Oberon: Overture



Beethoven, Trio, op. 1, no. 1



Schumann, Sonata, op. 118c., Andante



Beethoven, Symphony No. 1, op. 21



Handel, Suite XI



Schumann, Arabeske, op. 18



Beethoven, Symphony No. 4, op. 60



Schumann, Widmung, op. 25, no. 1



Schubert, Symphony No. 8 (""Unfinished"")



Schumann, Sonata, op. 118c126 ., Puppenwiegenlied



Schubert, Quintet (""Die Forelle""), op. 114, D. 667



Beethoven, Quintet, op. 29



Beethoven, Trio, op. 11



Verdi, Rigoletto, Act II, no. 7



Handel, Suite XVI



Beethoven, Sonata, op. 53



Schubert, Symphony in C major (""The Great"")



Beethoven, Trio, op. 1, no. 3



Schubert, Mass in E major: Benedictus



Mendelssohn, Midsummer Night's Dream, op. 61: Wedding March



Verdi, Rigoletto, Act II, no. 14



Bach, Christmas Oratorio, no. 4: Introduction



Handel, Sonata VII for Flute and Continuo



Chopin, Mazurka, op. 67, no. 2



Chopin, Valse, op. 69, no. 1



Chopin, Valse Brillante, op. 34, no. 3



Gershwin, Someone to Watch Over Me



Tchaikovsky, Morning Prayer



Modulation To Closely Related Keys


Questions for Analysis


Modulation to Dominant



Mozart, Symphony No. 39, K. 543



Mozart, Sonata, K. 331



Beethoven, Symphony No. 2, op. 36



Haydn, Minuet



Schubert, Quartet, D. 173



Haydn, Sonata in C minor, Hob. XVI: 36



Mozart, Symphony No. 41, K. 551



Chopin, Mazurka, op. 7, no. 2



Haydn, Sonata in G major, Hob. XVI: 39



Mozart, Sonata, K. 282, Menuet I



Schubert, Quartet, D. 173


Modulation to Relative Major



Haydn, Trio in F minor, Hob. XV: 26



Haydn, Sonata in E minor, Hob. XVI: 34



Mozart, Sonata, K. 330



Donizetti, Lucia di Lammermoor, Act I, Cavatina



Brahms, Quintet, op. 115



Beethoven, Symphony No. 7, op. 92



Haydn, Symphony No. 104, Hob. I: 104


Modulation to other Closely Related Keys



Haydn, Sonatina, Hob. XVI: 1



Bononcini, Deh piu a me non vascondete



Saint-Saens, Carneval des Animaux: Le Cygne



Brahms, Waltz, op. 39, no. 15



Beethoven, Quartet, op. 18, no. 2



Purcell, Dido and Aeneas, Act I, scene I



Bach, French Suite in C Minor



Complete Pieces For Analysis Ii


Checklist for Analysis



Bach, Wachet auf, ruft uns die Stimme



Bach, In dulci jubilo



Bach, Christ lag in Todesbanden



Handel, Menuet



Beethoven, Sonata, op. 26



Schumann, Sonata, op. 118b., Abendlied 169



Brahms, Waltz, op. 39



Handel, Prelude



Beethoven, Sonatina in F major



Haydn, Sonata in G major, Hob. XVI: 27


* 241. GERSHWIN, I Got Rhythm



Linear (Embellishing) Diminished Seventh Chords


Questions for Analysis



Haydn, Symphony No. 104, Hob. I: 104, Menuet



Beethoven, Symphony No. 7, op. 92



Liszt, Les Preludes



Beethoven, Contradanse



Tchaikovsky, Symphony No. 6, op. 74



Beethoven, Quartet, op. 18, no. 3



Schubert, Sonata, op. 53



Gounod, Faust, Act IV, no. 18



Schumann, Carnaval, op. 9: Arlequin



Mozart, Waltz, K. 567



Wagner, Rienzi: Overture



Bellini, I Puritani, Act II, scene 3



Haydn, Symphony No. 104, Hob. I: 104



Rodgers, The Girl Friend



Brahms, Liebeslieder Walzer, op. 52, no. 4



Neapolitan Triad


Questions for Analysis



Mozart, Concerto in A major, K. 488



Schubert, Der Muller und der Bach



Bach, Ach Gott, vom Himmel sieh' darein



Bach, Invention No. 13



Verdi, Il Trovatore, Act II, no. 8



Brahms, Intermezzo in A major, op. 118, no. 2



Chopin, Prelude, op. 28, no. 20



Beethoven, String Quartet, op. 59, no. 2



Brahms, Wie Melodien zieht es mir, op. 105



Beethoven, Quartet, op. 18, no. 3



Schubert, Mass in E major: Credo



Bach, The Well-Tempered Clavier, Vol. II, Fugue 17



Chopin, Prelude, op. 28, no. 6



Augmented Sixth Chords, Submediant Degree As Lowest Note


Questions for Analysis


Model Analysis


Italian



BACH, Ich hab' mein' Sach' Gott heimgestellt



Beethoven, Bagatelle, op. 119, no. 1



Beethoven, Coriolan Overture, op. 62



Tchaikovsky, Mazurka



Schubert, Quartet, op. 168, D. 112



Beethoven, Symphony No. 1, op. 21


German



Mozart, Sonata, K. 457



Beethoven, Sonata, op. 109



Haydn, Trio, Hob. XV: 25



Beethoven, Thirty-Two Variations, Var. 30



Sibelius, Chanson Sans Paroles, op. 40, no. 2



Strauss, Der Rosenkavalier, Act I


French



Mendelssohn, Elijah, Op. 70, No. 1



Schubert, Mass In G Major: Kyrie



Bach, Wer Nur Den Lieben Gott Lat Walten



Schubert, Sonata, Op. 42



Verdi, La Traviata, Act Iii: Prelude



Schubert, Symphony In C Major (""The Great"")



Grieg, Alfedans, Op. 12



Herbert, Gypsy Love Song


Enharmonic German



Schumann, Dichterliebe, op. 48, no. 12: ""Am leuchtenden Sommermorgen""



Augumented Sixth Chords, Other Scale Degrees As Lowest Note


Questions for Analysis



mozart (?), Adagio



granados, Valses Poeticos



schubert, Symphony No. 8 (""Unfinished"")



moussorgsky, Songs And Dances Of Death, No. 4



gluck, Orphee, Act I, Nos. 6 And 7



augumented Sixth Chords, Other Uses


Questions for Analysis


Linear



Verdi, Rigoletto, Act I: Prelude



Tchaikovsky, Song Without Words



Tchaikovsky, Romeo And Juliet



Schubert, Waltz



Brahms, Intermezzo, Op. 76, No. 4



Tchaikovsky, The Witch


Secondary



Chopin, Prelude, op. 28, no. 22



Schubert, Mass in G major: Benedictus



Schubert, Die Allmacht, op. 79, no. 2


Altered Dominants



Schubert, Quintet, Op. 163



Liszt, Liebestraum, No. 3



Rimsky-Korsakov, Snowmaiden, Chanson du Bonhomme Hiver



Grieg, Solvejg's Lied



Other Means Of Modulation


Questions for Analysis


Model Analysis



Schubert, Mass In G Major: Gloria



Brahms, Wenn Du Nur Zuweilen Lachelst, Op. 57, no. 2



Beethoven, Symphony No. 5, Op. 67



Schubert, Waltz, Op. 9, No. 14, D. 365



Mozart, Die Entfuhrung Aus Dem Serail, K. 384, Act III, no. 18



Schumann, Symphony No. 2, Op. 61



Beethoven, Symphony No. 7, Op. 92



Haydn, String Quartet, Op. 76, No. 6



Beethoven, Sonata, Op. 13



Beethoven, Trio, Op. 70, No. 1



Scriabin, Prelude, Op. 13, No. 3



J. Strauss, Die Fledermaus: Overture



Brahms, Wie Bist Du Meine Konigen, Op. 32, no. 9



Schubert, Mass In A Major: Agnus Dei



Beethoven, Trio, Op. 11



Rachmaninoff, Melodie, Op. 3, No. 3



Schubert, Symphony No. 8 (""Unfinished"")



Ninth Chords


Questions for Analysis


Dominant Ninths



J. Strauss, Artist's Life Waltzes, op. 316, no. 3



Franck, Sonata For Violin and Piano



Beethoven, Andante



Chopin, Valse Brillante, op. 34, no. 1



Schumann, Waldesgesprach, op. 39, no. 3



Chopin, Prelude, Op. 28, no. 15


Secondary Dominant Ninths



Bach, St. Matthew Passion, No. 78



Schumann, Genoveva, Op. 81: Overture



Grieg, Grandmother's Minuet, Op. 68, No. 2



Schumann, Kinderszenen, Op. 15, No. 7: Traumerei


Nondominant Ninths



Grieg, Wedding Day At Troldhaugen, op. 65, no. 6



Mendelssohn, Midsummer Night's Dream, op. 21: Overture



Faure, Apres Un Reve



Extended Linear Usages


Questions for Analysis


Model Analysis



Chopin, Mazurka, op. 6, no. 1



Brahms, ""Der Tod, das ist die kuhle Nacht,"" op. 96, no. 1



Weber, Euryanthe: Overture



Brahms, Variations on a Theme by Handel, var. 20



Franck, Symphony in D minor



Wagner, Lohengrin, Act I, scene 2



Wagner, Wotan's Farewell, Die Walkure, Act III



Chopin, Prelude, op. 28, no. 9



Beethoven, Quartet, op. 18, no. 6



Bach, Ein' feste Burg ist unser Gott 336



Bach, Es ist genug, so nimm, Herr 337



Complete Pieces For Analysis Iii


Checklist for Analysis



Mozart, Minuet, K. 355



Schumann, Myrthen, Op. 25, No. 24



Mendelssohn, Lieder Ohne Worte, Op. 30, No. 3



Chopin, Mazurka, Op. Posth. 67, No. 2



Schumann, Phantasiestucke, Op. 12, No. 3: Warum?



Grieg, Erotikon



Liszt, Il Pensieroso, From Annees De Pelerinage



R. Strauss, Morgen, Op. 27, No. 4



Wagner, Der Engel



Beethoven, Sieben Variationen: Uber Das Volkslied: God Save The King



Mozart, Symphony No. 40, K. 550



Beach, Phantoms



Scott Joplin, A Breeze From Alabama: March And Two-Step



Wagner, Prelude to Act I from Tristan und Isolde



Mozart, Sonata, K. 309



Allegro con spirito



Andante, un poco Adagio



Allegretto grazioso



Beethoven, Sonata, op. 2, no. 3



Examples Of Counterpoint


Questions for Analysis



Bach, Cantata No. 4: Sinfonia 338



Bach, Chorale Prelude On ""In Dulci Jubilo"" 339



Bach, Chorale Prelude On ""Christ Lag In Todesbanden"" 342



Brahms, Chorale Prelude On ""O Wie Selig Seid Ihr Doch, Ihr Fommen"" 343



Purcell, ""Thy Hand Belinda"", From Dido And Aeneas 345



Bach, Invention No. 4, Bwv 775 349



Bach, Invention No. 13, Bwv 775 351



Bach, Sinfonia 3, Bwv 789 352



Bach, The Well-Tempered Clavier, Vol. I, Fugue 2 354



Bach, The Well-Tempered Clavier, Vol. Ii, Fugue 9 357



Mendelssohn, Fugue No. 2, Op. 35



Contemporary Materials


Model Analysis



Extended And Altered Tertian Harmony


Questions for Analysis



Hanson, Symphony No. 2, Op. 30



Kabalevsky, Sonatina, Op. 13



Hovhaness, Mysterious Mountain



Shostakovich, Prelude, Op. 34, No. 24



Debussy, Pelleas Et Mellisande, Act I, Scene 1



Scriabin, Poem, Op. 32, No. 2



Ravel, Valses Nobles Et Sentimentales



Rodgers, Slaughter On Tenth Avenue



Ellington, Prelude To A Kiss



Duke Jordan, Jordu



Berg, Four Songs, Op. 2, No. 3



Raskin, Laura



Diatonic (Church) Modes


Questions for Analysis


Model Analysis



Bartok, Little Pieces For Children, no. III



Chavez, Ten Preludes, No. 1



Poulenc, Valse



Debussy, Trois Chansons, No. 1



Kabalevsky, Toccatina



Britten, Ceremony Of Carols, No. 8



Debussy, Suite Bergamasque, Passepied



Floyd, Susannah, Act Ii, Scene 3



Stravinsky, Five Fingers: Lento



Bartok, Fourteen Bagatelles, Op. 6, no. 4



Casella, Siciliana



Adderley, Work Song



Pandiatonicism And Additive Harmony


Questions for Analysis



Ravel, Mother Goose Suite: The Magic Garden



Milhaud, Touches Blanches



Cowell, The Irishman Dances



Copland, The Young Pioneers



Barber, Excursions, III



Stravinsky, Petroushka, Danse Russe



Poulenc, Gloria, Laudamus te



Exotic (Artificial, Synthetic) Scales


Questions for Analysis



Milhaud, Touches Noires



Bartok, Mikrokosmos, no. 78: Five Tone Scale



Kodaly, Valsette



Vaughan WILLIAMS, London Symphony



Debussy, Preludes, II: Voiles



Bartok, Mikrokosmos, no. 136: Whole Tone Scale



Debussy, Pelleas et Melisande, Act II, scene 1



Bartok, Fourteen Bagatelles, op. 6, no. 10



Lutoslawski, Bucolic, no. 3



Bartok, Mikrokosmos, no. 101: Diminished Fifth



Bartok, Sketches, op. 9, no. 6



Bartok, Fourteen Bagatelles, op. 6, no. 6



Quartal And Secundal Harmony


Questions for Analysis



Hindemith, Mathis Der Maler: Grablegung



Ives, Majority



Krenek, Piano Piece, Op. 39, No. 5



Hindemith, Ludus Tonalis, Fuga Secunda in G



Bartok, Concerto For Orchestra



Berg, Wozzeck, Act Ii



Bartok, Mikrokosmos, No. 107: Melody In the Mist



Berg, Wozzeck, Act Ii



Cowell, Tiger



Ives, Majority



Brubeck, Blue Rondo A La Turk



Polyharmony And Polytonality


Questions for Analysis



Honegger, Symphony No. 5



Schuman, A Three-Score Set, II



Kraft, Allegro Giocoso



Stravinsky, The Rake's Progress: Prelude



Stravinsky, Petroushka, Scene 2



Milhaud, Saudades do Brazil, no 7: Corcovado



Bartok, Forty-Four Violin Duets, no. 33



Brubeck, Strange Meadowlark



Free Atonality


Questions for Analysis



Schonberg, Drei Klavierstucke, op. 11, no. 1



Schonberg, Klavierstucke, op. 19, no. 2



Schonberg, Pierrot Lunaire, op. 21, no. 1: Mondestrunken



Webern, Five Movements for String Quartet, op. 5, no. 4



Bartok, Mikrokosmos, no. 144: Minor Seconds, Major Sevenths



Bartok, Fourth String Quartet



Berger, Two Episodes, I



Twelve-Tone Serialism


Questions for Analysis


Model Analysis



Krenek, Dancing Toys, op. 83, no. 1



Schonberg, Suite fur Klavier, op. 25: Gavotte



Dallapiccola, Cinque Frammenti di Saffo



Webern, Drei Lieder, op. 25, no. 1



Music Since 1945


Questions for Analysis



Stockhausen, Klavierstucke, no. 2



Lutoslawski, String Quartet (1965)



Penderecki, String Quartet, no. 2



Crumb, Madrigals, Book IV



Druckman, Valentine, for solo contrabass



Rouse, Valentine



Horne, Six Short Studies, Sixteenth Notes



Complete Pieces For Analysis Iv


Suggestion for Analysis



Ravel, Sonatine, Mouvt II



Debussy, Pour le Piano: Sarabande



Debussy, Preludes, X: La Cathedrale engloutie



Milhaud, Saudades do Brazil, No. 6: Gavea



Prokofiev, Classical Symphony, op. 25



Prokofiev, March from The Love of Three Oranges



Hindemith, Ludus Tonalis, Fuga undecima in B (Canon)



Ruggles, Evocations, no. 1



Schonberg, Suite fur Klavier, op. 25: Menuett



Porter, Night and Day



Gershwin, Porgy and Bess, ""Summertime""



Stravinsky, Sonata for Two Pianos, II: Theme with Variations



Hindemith, Piano Sonata, No. 2



Macmillan, Piano Sonata, I



Checklist for Analysis and Sample Analysis



For Further Reference



Textbook Correlation Chart


Index of Composers and Their Compositions


Index of Complete Pieces