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Complete Aeschylus Persians and Other Plays

ISBN-10: 0195373286
ISBN-13: 9780195373288
Edition: 2009
List price: $12.95 Buy it from $7.32
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Description: Based on the conviction that only translators who write poetry themselves can properly re-create the celebrated and timeless tragedies of Aeschylus, Sophocles, and Euripides, the Greek Tragedy in New Translations series offers new translations that  More...

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Book details

List price: $12.95
Copyright year: 2009
Publisher: Oxford University Press, Incorporated
Publication date: 3/17/2009
Binding: Paperback
Pages: 256
Size: 5.25" wide x 8.00" long x 0.75" tall
Weight: 0.682
Language: English

Based on the conviction that only translators who write poetry themselves can properly re-create the celebrated and timeless tragedies of Aeschylus, Sophocles, and Euripides, the Greek Tragedy in New Translations series offers new translations that go beyond the literal meaning of the Greek in order to evoke the poetry of the originals. The volume brings together four major works by one of the great classical dramatists: Prometheus Bound, translated by James Scully and C. John Herrington, a haunting depiction of the most famous of Olympian punishments; The Suppliants, translated by Peter Burian, an extraordinary drama of flight and rescue arising from women's resistance to marriage; Persians, translated by Janet Lembke and C. John Herington, a masterful telling of the Persian Wars from the view of the defeated; and Seven Against Thebes, translated by Anthony Hecht and Helen Bacon, a richly symbolic play about the feuding sons of Oedipus. These four tragedies were originally available as single volumes. This new volume retains the informative introductions and explanatory notes of the original editions and adds a single combined glossary and Greek line numbers.

Peter Burian is Professor of Classical and Comparative Literatures and Theater Studies at Duke University. Alan Shapiro is Professor of English and Creative Writing at the University of North Carolina at Chapel Hill. A winner of the prestigious Lila Wallace Reader's Digest award 1992-95, he is the author of several poetry collections, including Tantalus in Love , Song and Dance , and The Dead Alive Busy.

Ann Marie Stockis the director of the Film and Media Program and professor of Hispanic studies at the College of William and Mary.Alan Shapiro has published eleven books of poetry, most recently Night of the Republic, a finalist for the National Book Award and the Griffin Prize, and Old War, winner of the Ambassador Book Award. He teaches at the University of North Carolina at Chapel Hill.

Aeschylus was born at Eleusis of a noble family. He fought at the Battle of Marathon (490 b.c.), where a small Greek band heroically defeated the invading Persians. At the time of his death in Sicily, Athens was in its golden age. In all of his extant works, his intense love of Greece and Athens finds expression. Of the nearly 90 plays attributed to him, only 7 survive. These are The Persians (produced in 472 b.c.), Seven against Thebes (467 b.c.), The Oresteia (458 b.c.)---which includes Agamemnon, Libation Bearers, and Eumenides (or Furies) --- Suppliants (463 b.c.), and Prometheus Bound (c.460 b.c.). Six of the seven present mythological stories. The ornate language creates a mood of tragedy and reinforces the already stylized character of the Greek theater. Aeschylus called his prodigious output "dry scraps from Homer's banquet," because his plots and solemn language are derived from the epic poet. But a more accurate summation of Aeschylus would emphasize his grandeur of mind and spirit and the tragic dignity of his language. Because of his patriotism and belief in divine providence, there is a profound moral order to his plays. Characters such as Clytemnestra, Orestes, and Prometheus personify a great passion or principle. As individuals they conflict with divine will, but, ultimately, justice prevails. Aeschylus's introduction of the second actor made real theater possible, because the two could address each other and act several roles. His successors imitated his costumes, dances, spectacular effects, long descriptions, choral refrains, invocations, and dialogue. Swinburne's (see Vol. 1) enthusiasm for The Oresteia sums up all praises of Aeschylus; he called it simply "the greatest achievement of the human mind." Because of his great achievements, Aeschylus might be considered the "father of tragedy."

Prometheus
The Suppliants Peter Burian Persians
Seven Against Thebes

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