Skip to content

Imaginary Museum of Musical Works An Essay in the Philosophy of Music

Best in textbook rentals since 2012!

ISBN-10: 0195324781

ISBN-13: 9780195324785

Edition: 2nd 2007 (Revised)

Authors: Lydia Goehr

List price: $69.00
Shipping box This item qualifies for FREE shipping.
Blue ribbon 30 day, 100% satisfaction guarantee!
what's this?
Rush Rewards U
Members Receive:
Carrot Coin icon
XP icon
You have reached 400 XP and carrot coins. That is the daily max!

What is involved in the composition, performance, and reception of classical music? What are we doing when we listen to this music seriously? Why when playing a Beethoven sonata do performers begin with the first note indicated in the score; why don't they feel free to improvise around the sonata's central theme? Why, finally, does it go against tradition for an audience at a concert of classical music to tap its feet? Bound up in these questions is the overriding question of what it means philosophically, musically, and historically for musicians to speak about music in terms of "works". In this book, Lydia Goehr describes how the concept of a musical work fully crystallized around 1800,…    
Customers also bought

Book details

List price: $69.00
Edition: 2nd
Copyright year: 2007
Publisher: Oxford University Press, Incorporated
Publication date: 11/1/2007
Binding: Paperback
Pages: 368
Size: 8.11" wide x 5.39" long x 0.98" tall
Weight: 0.946
Language: English

Foreword
Introductory Essay: His Master's Choice
Introduction
The Analytic Approach
A Nominalist Theory of Musical Works
A Platonist Theory of Musical Works
The Limits of Analysis and the Need for History
The Historical Approach
The Central Claim
Musical Meaning: From Antiquity to the Enlightenment
Musical Meaning: Romantic Transcendence and the Separability Principle
Musical Production without the Work-Concept
After 1800: The Beethoven Paradigm
Werktreue: Confirmation and Challenge in Contemporary Movements
Bibliography of Works Cited
Index