How to Read a Film Movies, Media, and Beyond

ISBN-10: 0195321057
ISBN-13: 9780195321050
Edition: 4th 2008
Authors: James Monaco
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Description: Richard Gilman referred to How to Read a Film as simply "the best single work of its kind." And Janet Maslin in The New York Times Book Review marveled at James Monaco's ability to collect "an enormous amount of useful information and assemble it in  More...

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Book details

List price: $29.95
Edition: 4th
Copyright year: 2008
Publisher: Oxford University Press, Incorporated
Publication date: 5/8/2009
Binding: Paperback
Pages: 688
Size: 6.75" wide x 9.25" long x 1.50" tall
Weight: 2.398
Language: English

Richard Gilman referred to How to Read a Film as simply "the best single work of its kind." And Janet Maslin in The New York Times Book Review marveled at James Monaco's ability to collect "an enormous amount of useful information and assemble it in an exhilaratingly simple and systematic way." Indeed, since its original publication in 1977, this hugely popular book has become the definitive source on film and media. Now, James Monaco offers a special anniversary edition of his classic work, featuring a new preface and several new sections, including an "Essential Library: One Hundred Books About Film and Media You Should Read" and "One Hundred Films You Should See." As in previous editions, Monaco once again looks at film from many vantage points, as both art and craft, sensibility and science, tradition and technology. After examining film's close relation to other narrative media such as the novel, painting, photography, television, and even music, the book discusses the elements necessary to understand how films convey meaning, and, more importantly, how we can best discern all that a film is attempting to communicate. In addition, Monaco stresses the still-evolving digital context of film throughout--one of the new sections looks at the untrustworthy nature of digital images and sound--and his chapter on multimedia brings media criticism into the twenty-first century with a thorough discussion of topics like virtual reality, cyberspace, and the proximity of both to film. With hundreds of illustrative black-and-white film stills and diagrams, How to Read a Film is an indispensable addition to the library of everyone who loves the cinema and wants to understand it better.

Introduction
Film as Art
The Nature of Art Ways of Looking at Art Film, Recording, and the Other
Arts The Structure of Art
Technology
Image and Sound Art and Technology
The Lens
The Camera
The Filmstock
The Soudtrack Post-Production Video and Film Projection
The Language of Film
Signs and Syntax Signs Syntax
The Shape of Film History Movies/Film/Cinema ""Movies""
Economics ""Film""
Politics ""Cinema""
Aesthetics
Film Theory: Form and Function

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