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Preface | |
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Keyboard Instruction | |
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Sitting at the Keyboard | |
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Finger Numbers | |
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Basic Note Values | |
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The Keyboard | |
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Dynamics | |
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More Dynamic Signs | |
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Using the White Keys | |
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Using Black-Key Groups to Locate White Keys | |
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Octave | |
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Terms | |
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More Terms | |
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Improvisation | |
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Rhythms to Read | |
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Training the Ear | |
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Worksheet Review | |
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Playing Melodies Using Different Positionsc | |
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Five-Finger Position | |
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Time Signature: 4/4Slur and Phrase Markings | |
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G Five-Finger Position | |
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Common Time Sign: CMiddle C Position | |
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Rests | |
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Time Signature: 3/4Tied Notes | |
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Improvisation | |
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Technique | |
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Reading Music | |
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The Staff and Clefs | |
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Grand Staff | |
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Landmark Pairs | |
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Intervals | |
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Seconds | |
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Thirds | |
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Transposition | |
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Dynamic Changes | |
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Fourths | |
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Damper Pedal | |
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Fifths | |
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Upbeat and Downbeat | |
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Rhythms to Read | |
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Training the Ear | |
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Worksheet Review | |
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More Reading Basics | |
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Playing in Various Octaves | |
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Fermata | |
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Tempo Markings | |
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Flat Sign8va --------Sharp Sign8va --------Ritardando (Rit.)Natural Sign | |
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Staccato | |
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Accent Sign | |
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More Dynamic Markings | |
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Improvisation | |
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Technique | |
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Rhythms to Read | |
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Training the Ear | |
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Worksheet Review | |
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Major Five-Finger Patterns and Major Triads | |
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Half Step | |
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Whole Step | |
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The Major Five-Finger Pattern | |
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Major Triads | |
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Five-Finger Patterns and Triads in Major | |
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Eighth Notes | |
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Improvisation | |
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Technique | |
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Rhythms to Read | |
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Training the Ear | |
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Minor Five-Finger Patterns and Minor Triads | |
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The Minor Five-Finger Pattern | |
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New Time Signature: 2/4Minor Triads | |
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Five-Finger Patterns and Triads in Major and Minor | |
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A Tempo | |
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Worksheet Review | |
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Harmonizing Melodies | |
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Using the C Major and G7 Chords | |
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Using the F Major Chord | |
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Playing the C Major, F Major, and G7 Chord Progression | |
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Dotted Quarter Notes | |
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Alla Breve | |
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Changing Five-Finger Positions | |
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The Damper Pedal | |
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Harmonizing a Lead-Line Melody | |
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Rhythms to Read | |
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Training the Ear | |
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Worksheet Review | |
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The Major Scale/Reading in C Major | |
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The Major Scale | |
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The C Major Scale | |
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The Major Scale in Tetrachord Position | |
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The C Major Scale in Tetrachord Position | |
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Playing the C Major Scale in Contrary Motion | |
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Playing the C Major Scale in Parallel Motion | |
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Playing an Arpeggio Accompnainment Pattern | |
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Ternary Form | |
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Intervals of Sixth, Seventh, and Eighth (Octaves)Sixths | |
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Binary Form | |
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Sevenths | |
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Eighths (Octaves) | |
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Harmonizing a Lead-Line Melody | |
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Training the Ear | |
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Worksheet Review | |
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Reading in G Major | |
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The G Major Scale | |
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The G Major Scale in Tetrachord Position | |
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Playing the G Major Scale in Contrary Motion | |
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Playing the G Major Scale in Parallel Motion | |
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Using the G Major and D7 Chords | |
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Using the C Major Chord in a New Position | |
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Playing the G Major, C Major, and D7 Chord Progression | |
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Playing a Waltz Accompaniment Pattern | |
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Harmonizing a Lead-Line Melody | |
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Rhythms to Read | |
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Training the Ear | |
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Worksheet Review | |
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Triads and Chord Inversions | |
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Triads of the Major Scale | |
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Playing Arpeggiated Chords with Alternating Hands | |
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The Damper Pedal | |
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Legato Pedaling | |
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Chord Inversions | |
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Triads and Seventh Chords | |
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Playing Triad Inversions | |
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Blocked and Arpeggiated | |
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Rhythms to Read | |
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Training the Ear | |
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Worksheet Review | |
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Reading in F Major | |
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The F Major Scale | |
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The F Major Scale in Tetrachord Position | |
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Playing the F Major Scale in Parallel Motion | |
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Using the F Major, Bb Major, and C7 Chords | |
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Playing the Alberti Bass Accompaniment Pattern | |
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Sempre Staccato | |
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Harmonizing a Lead-Line Melody | |
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Training the Ear | |
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Worksheet Review | |
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The Minor Scale | |
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The Relative Minor Scale | |
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The Harmonic Minor Scale | |
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The A Harmonic Minor Scale in Tetrachord Position | |
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Playing the A Harmonic Minor Scale in Contrary Motion | |
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Playing the A Harmonic Minor Scale in Parallel Motion | |
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Playing the i, iv, and V7 Chords in A Minor | |
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Prelude | |
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Harmonizing a Lead-Line Melody | |
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Worksheet Review | |
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Exploring the Twentieth Century | |
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Blues | |
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Windy City Blues: Transcendental Blues: Ragtime | |
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What Time? Ragtime: Jazz | |
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Just Struttin'' Along: Twentieth-Century Classics | |
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The Bear: Springtime Song: Scherzando | |
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A Little Joke: Innovative Notations15ma | |
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Seashore: Metronome Mark | |
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Quartal Harmony | |
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The Cathedral in the Snow: Ensemble: Black and White | |
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Improvisation | |
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Movin'' On Blues: | |
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More Repertoire to Play | |
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Four Miniature Classics | |
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Turk, March | |
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Kohler, Melody | |
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Kabalevsky, Dance | |
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Kabalevsky, Moving Around | |
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Gurlitt, Vivace | |
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Beethoven, Fur Elise | |
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Schubert, Ecossaise | |
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Joplin, The Entertainer | |
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Robertson, A First NocturneO | |